Will.

Yeah. It is a great little limiter especially for a plugin that is free. I often send an e-mail there to keep the developer interested to consider redesigning its UI. I agree. This is really interesting to know. I do have the Youlean. Now you've just made me curious and eager to test this. This is a must when I get home. Normally when I encounter this, I know theres something i didn't EQ right in the low end.

This makes me excited. The Concrete Limiter sounds great.

There's literally thousands of information about this on the WWW. Buffer size is the number of samples (which corresponds to the amount of time) it takes for your computer to process any incoming audio signal. A higher buffer size will result in greater latency (delay) and the higher it is set (larger number), the more noticeable it will become. That means that if you set the buffer size lower (smaller number), then the processing will take less time and the latency (delay that you hear) will be decreased, making it less noticeable. However, reducing the buffer size will require your computer to use more resources to process the data. So, this is a balancing act: the smallest-number buffer size will be better, but it may tax your computer’s processing power, resulting in errors. If you have a less powerful computer, you’ll likely need to increase your buffer size, both while recording and mixing, to keep from encountering errors. Typically, you’ll want to use the smallest buffer size your computer will tolerate without getting errors (glitches/distortion/cracks/gibberish what ever we call them.) The more plugins you use, the more CPU resources you eat up.

A fundme account would be great to get money for the licencing of the Concrete limiter. ?

The Loudmax limiter is a brickwall limiter that uses look-ahead too. It is so tiny, lightweight and powerful its ridiculously crazy how Thomas Mundt pulled this off. It can be used on every track, aux or bus it wont introduce any latency. I jad been using it over 9 years and it still my favourite of drums and pretty much anything. Its a free limiter that's available on plugin boutique and in the link below that will take you directly to the developers site. It sounds great in the mastering chain as well. Adaptive limiter, LP eq and the MB they all hungry cpu plugins. I almost invested in them back in SPLAT when I realized this testing them. A pitty CbB didn't buy the concrete limiter licence too. Now that would've been a great addition to the Pro Channel. It lives up to its name, but yeah. You win some and you lose some. https://www.kvraudio.com/product/loudmax-by-thomas-mundt

You can enable Cakewalk to show mono outputs by ticking the 'Show Mono Outputs' option in the Edit > Preferences > Devices.

Uninstall the files do a cleanup and download again through the web installer.

@Milton Sica as @bdickens said: Its better to get use to recording without effects. I had spend over an hour (right after my last post) looking for a video on Youtube from a well-known Orchestral Composer on how he explains the differences between analogue and digital recording, how difficult it was for him to get used to digital recording during the hard lockdown, but couldn't find it. The first part of the video is where he explain how he treated digital the same as analogue with the problems and challenges it introduced with latency. Then he goes on to say, the more he asked questions from friends that use a little bit of both worlds, the more he understood. You don't need to record with effects in the digital world -- you can, but you don't have too. Also, you need to set up things accordingly for this. (I can attach video's) The best way in the digital world is to record clean, mix later and do mastering last.

I can almost guarantee you Adaptive Limiter is your culprit. Change it to something else and you'll have a better experience.

I know you're asking for a revert option, but for now just use Ctrl+ ⬆️ ⬇️ for multiple tracks highlight the desired tracks. There's also the Shift + Drag option. I prefer the Ctrl+Arrow keys though. And . . . to zoom In and Out Ctrl+⬅️➡️ Best solution for now and its accurate in resizing things.

The white background with black text hurts the eyes when you're in a dark room with the default dark theme going suddenly in to one of these menu's. The white menu is fine for the mercury theme. It's just fitting that the Tungsten theme has Darker Menu's all round.

There's an easier way. Though this depends on how well you know your plugins. EXAMPLE: Hold down Ctrl while clicking on all your dynamic plugins (such as your compressors) right click once you've chosen all of them and in the fly out window choose category and the designated folder. And if you have some bundle plugins that fell their you can create your own folder by double left click the category box and rename it, which will create its own folder.

In fact, I just took a run to check and everything is available. I'm just a little confused about what you mean by invert between the mouse left click - alt+left click note drawing. Are you talking about reverse or transpose? DAWs have different names and languages for their features. So what you're requesting might be called something else here. EXAMPLE: Bounce to clip in Cakewalk is called "commit to clip" in another DAW. Then there's a different DAW that calls its Freeze clip, "Lock track" which freezes and locks the clip at the same time.

Thats because most of this is already available in the DAW.

After you've done a BOUNCE TO CLIP, right click on the clip again and scroll to Groove Clip Looping. Drag the clip out -- even if you don't see the corner indicators (this might just be project related.)

Yes they have. Autotune Pro can be used as a region. I only own the Autotune access, mainly for a particular genre. Autotune pro cost $399? I'll rather invest in Melodyne Editor for the same price of $399 or the assistant for $249 or Melodyne essential for $99 If you want to work instruments and samples too, the $399 editor is what you want. If its only for deep vocal editing you're after the Assistant is your gold. Otherwise basic vocal editing you need Melodyne Essential. Or . . . If you can afford it, Melodyne Studio 5 price at $699 I'm getting both Waves Tune Vocal pitch and Waves Real-time pitch end month. They go for $29 each! Both stand neck-to-neck with Auto tune Pro and Autotune Access (if not better sounding.) Melodyne is still your gold here, for the most natural sounding pitch correction, for every available genre in existence.

Entire Mix gives me exactly what I want. Guess my routing is different and gives me precisely what I want.

Question to ask is: why do you want to export the final mix as a bus and not as ENTIRE MIX which will burn all your Tracks, Aux and Busses as one single file with all its effects included.

I believe the member is indian.

Here the link. It is also the place to report on any issues on the new EA release (update.)

What version of melodyne are you using?

Undo all the changes you made in the Inspector as shown in your original post (O.P.) There no need to touch those when looping a clip out. OR . . . If the clip plays alright as it is now. Just right click, scroll down to "Bounce to Clip" then ONLY do a Groove Clip and drag it out.

I've tested this a few time and sometimes it works other times not. Go into Preferences and Keyboard shortcuts. There's a little box named ENABLED (this was never off by default) tick it, Apply and hit OK. If this does not work (As in my case and probably because I have a guest account) go to VST settings and remove that %LocalAppData% path, go back into Preferences, Keyboard Shortcuts and tick ENABLE. APPLY and hit OK. Should then work. Again: this is how i got things to work normal again with this issue on my side.

Stop here and just drag the clip out. You can also just highlight the clip press Ctrl+L and drag the clip out. Thats it.

They say echoes are better than delays? Is this true? ? which one is better to use?