reginaldStjohn

It might be that when you record your new controllers it adds a take lane. If you select all clips on your midi track and bounce them to combine them the controllers might show up as you desire.

You could leave them all in the same track, spread them apart by your desired amount. This would need to be done manually I believe. Then if you select all the clips and drag the end of one the others should extend by the same amount.

Presonus Fader Port Behringer Motor mix

You would need to suggest this in the Features & Request forum

This sounds like a corrupt project file or a problem with one of your hard drives. Try creating a brand new project with nothing in it. Make a small change and save. Does it do the same thing or does it save properly?

I would suggest you get familiar with the Cakewalk Reference guide. ( Busses are found under the tracks in track view, you may have to pull them up, or to the right of the tracks in console view, you may have to pull a divider to the left. They are similiar to tracks and can have effects added to them just like any audio track. You master bus is whichever bus is assigned to go out to your hardware outputs. By putting the Calibration plug-in last it will apply the eq setttings to all audio going through that bus.

Melodyne 5 upgrade sale Studio One 5 sale

But do I need, or want it? Mixbus is good for mixing but I actually don't use it that much,

Your link just points back at this forum thread. Might want to move this to the "deals" section of the forum as well?

My suggestion would be one of two: 1. Adjust the synth pitch bend range to half of what it currently is at. Synths usually have the range which a full pitch change affects. For example 2 semitones or 12 semitones. If it is set to 12 semitones (1 octave) set it to 6. 2. Show the wheel values in the controller lane in the PVR. Use the transform tool to select all the wheel events and scale them down by 1/2. This is a bit manual but you should be able to get pretty close. A. Transform tool B. Transform tool bounding box

Try freezing the synth (* icon) and see if that sounds different.

Do you have another DAW or plug-in host you can try to load a VST into and see if the UI opens? This would rule out a system wide problem.

Maybe when you are recording you are hearing your audio interface's direct monitoring signal? Would be helpful to know what equipment you are using and how you are set up.

Unless your UM2 has a separate outputs listed for your monitors vs. headphone outputs in Cakewalk then there is nothing that the software can do to control what is coming out of the headphones vs. the speakers if they are both connected to the UM2.

There are others who are more knowledgeable then me on this but to control the bus faders with your controller it has to support a command to tell Cakewalk to move the controller focus to the bus section. In Mackie mode there is a command to do that. I don't recall what the command is. It also depends on if you are using a Mackie emulation mode for your controller or some other control surface mode (Act etc.)

A screenshot or two will give more of an idea, but, what you have said you did should work. If you select everything and drag it back (lower in time) then that is how it should work. The loss of volume in you midi track might have something to do with a controller or automation on your tracks. Check the MIDI automation lanes or CC controller lanes in the Piano Roll view to see if there are envelopes that need to be moved as well. Another option is to use the "Edit->Delete Special" command to delete some measures before the time you want to move. See pp 772 of the manual for more details

1. This is up to your audio interface. Usually they have their mixer type app or knobs on the front of the interface for phones vs. main output 2. You would need an audio interface with multiple outputs or a splitter as you suggest. Maybe even a headphone amp with more than one output.

I don't know why it is doing that, especially if that is not what you think you are doing. There are some settings for automation like, touch or overwrite, you could try those. You could also just draw in the automation you want.

bounce your track. bounce all the clips to a clip or route your track to an aux track and record the aux track

see pp 836 of the reference guide

Do you mean you hear them ring for longer then the not duration or do they sound like they are being hit again? Usually in drum synths the note length does not matter. The note on triggers a sample and the sample plays for as long as the sample lasts. For cymbals this can be a long time. If you want the cymbal sound to end sooner you may have to use volume automation or use a choke articulation (mimics someone grabbing the cymbal to stop it).

They add the Synthmaster player to your order for you when you add an expansion

Do you see it in device manager? How is it connected? USB or into a Midi interface?

Have you guys submitted a support ticket?

OK, I am not sure about this but if you select all the tracks of interest and hold control while clicking on the take lane mute will it mute all take lanes of the same number in each selected track? The other thing to think about is grouping clips. If you recorded your drums with "Link Clips" then what you do to one clip will happen to all the other linked clips. You could link all your like clips and then mute the clips? Maybe just a work around.