Wookiee

@amiller Thanks for the listen, sorry for screwing your head. @lynn Thank you I have added the new mix to the first post.

@Douglas Kirby Thank you for the listen and comment, I will revisit and review the Bass.

@SPAK I had a day like that only I when I came round somehow I had managed to get to Scotland, without a wallet, which is quite a way north from the southeast of England. Thanks for the listen and comment.

Thanks Lynn, it is a jump around in odd n/8 time signatures, there are passages in 11/8, 9/8, 7/8 and 5/8. Drums from SD 3, Synclavier V on lead, Mellotron V and CS 80 V on support, with the Mini V providing the rumple bass.

Thanks for the listen, I will take a look at that low end rumple

Thanks @garybrun well it does start in 9/8 ? oops I said 11/8 ,but it dose have a bar of 11/8 in it.

A little something from the furry mind. A Tangled Web or A Tangled Web Mk2 Thanks for listening.

@bitflipper good to hear from you Dave, glad they made you whole again, stay safe.

Anyone can play any instrument, now getting a tune is a completely different thing.

Overtones of Gilmore's first solo album is what I am hearing Bat's sounds nice and chilled in a fuzzy way.

Interesting tune, I like it though, sounds OK here on the Adam's. (Would you like the first post in this thread removed because of the bad link.)

Classical EDM nicely done Kakku, though the HH's are a little buried. (I deleted your unintentional post as indicated.)

Nice song Daryl but as other have noted it does sound a little thin, especially the vocal.

What does it say in the True Peak box @Michael Martinez ? Looking at the new version it is defiantly not looking as loud. I am seeing a peak of -0.5 so it looks more like it is warning you you are close to the edge, the other mix was showing +1.5

This is a much better Mix than I listened too of the the other track Michael, I must be hearing a remix as I am not hearing the lack of bass or kick here. There is a little light clipping in a few places and you are exceeding the -14 LUFS I have attached a screen grab with Span and Youlean Loudness meter in Soundforge Pro 12 all those little red lines in the Youlean meter are indications of clipping.

I second getting a copy of Span, which is free, useful tool with a sizeable GUI.

@Michael Martinez Basically yes, I have a Global reverb buss, which consists of the N-type Channel emulation then the quad Curve EQ set as described followed by Breverb with a hall type patch, totally wet no dry. Then using the track sends I just send enough to create that gel on the whole mix.

Green eyes, red lips, dark hair is she as dangerous as she looks? not my thing but as noted above it does sound OK here.

That definitely sounds better @Lynn

Always worth a touch of EQ on the vocals, just to clear the way for the bottom end Bass and Kick. A lite slap-back delay on the vocal can be used to thicken it. Use reverb to create a space for all the "voices/instruments" to sit within. For that I tend to use a global reverb over the whole mix with the bottom end rolled off below around the 150hZ mark.

Your video budget looks like it has gone up Bob . well another classic Bob, cool heavy grinding tones nice one.

Sound reasonable here, mix wise perhaps a little to much reverb on the vocal, reverb can make sounds blurred. For levels and relative loudness you might want to checkout the Youlean loudness meter I find it very useful, there is both a free and a paid version, I purchased it after using it for about a month.

As ever nice to hear you Bat's ??

You do sound like you had fun, and the playing all sound accomplished. Mix wise, for what these furry ears are worth, the vocal needs a little more top end and a bass cut, roll off at about 150 hZ and perhaps a little bright reverb. The Bass needs to be brought back a tad, with perhaps a narrow cut of 2 or 3 db around the 80 hZ mark to let the kick be a little more prominent If you have any reverb on the Bass take it off reverb is not bass friendly. All in all you did a pretty good job.

@thegaltieribrothers Thank you Paul.