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Get 25% off Groove Monkee Classic Rock MIDI Drum Loops --- discount code: dfq25 https://groovemonkee.com/products/classic-rock "hard-hitting pack was inspired by legendary bands"

Get 25% off the Groove Monkee Blues Classics MIDI Drum Packs --- discount code: dfq25 https://groovemonkee.com/collections/all/blues "Straightforward 12-bar blues with intros, fills and outro fills."

Is it possible nowadays to loop record a drum VST now so that each take you're recording a separate instrument and building the drum beat by making multiple passes? aka the first pass I do kick drum, then the next pass I do snare and I hear the kick drum from the last pass, and so on? Previously that was not possible.

I am using a Cakewalk drum loop from SI-Drums. I had created a groove clip from it and all was fine until a couple of minutes ago when: 1. It now carries on playing for about another 10 seconds after the loop ceases to show any notes in the track. 2. I inserted a separate midi track into which I wanted to drop some drum fills from the sample midi loops from the Cakewalk media browser. These wouldn't play despite being in a separate track. 3. Freezing and unfreezing the SI-Drums track affects the separate midi track inserted for the drum fills. Not sure why this would be...I haven't linked these tracks in any way. Any ideas? EDT

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Get 25% off the Groove Monkee Rock MIDI Drum Pack --- discount code: dfq25 https://groovemonkee.com/products/combo-1-midi-rock-pack "Rock grooves & fills in 3/4, 4/4, 5/4, 5/8, 6/8, 7/4, 7/8, 9/8, 12/8."

I am having problems loading any instruments into a project. I usually start with a drum track and that loads fine but when I try to load a second instrument like synth or bass the program freezes up. I have never had this problem till recently. Any Ideas?

This deal allows you to get a 10% discount off all Drums On Demand products... Use this coupon code: doddigi http://www.drumsondemand.com/ Drums On Demand takes live drum track construction to a new level of simplicity, versatility and realism. With our patent-pending system, all volumes are organized in easy-to-use Song Sets, with each set including as many as 72 verse, chorus, fill, bridge, break, intro, ending and other loops.

This deal allows you to get a 25% discount off all Groove Monkee products... Use this coupon code: dfq25 https://groovemonkee.refersion.com/c/8cd06 Groove Monkee provides premium MIDI drum tracks in a wide variety of convenient formats: GM, GM multi-track, BFD, GURU, DFHS, DFH C&V, DFH 1 & 2, Groove Agent, Reason, Session Drummer and MIDI Groove Clip. Groove Monkee has provided custom content to Cakewalk, FXpansion, Linplug, Groovebox Music, Music Tech Magazine and other organizations.

Do you want perfect sound from your mic that’s as close to natural as it gets? If you own an SM57, AT4050, or MXL V67G, the following are EQs that will create a perfectly flat response. Note that you will need the LP EQ (a.k.a L-Phase Equalizer) as this equalizer has enough nodes for the task, has a non-linear setting, and has a high quality, transparent sound (esp., compared to the ProChannel EQ). First, place the LP EQ on an audio track FX rack (open the plug-in window for the LP EQ and click the Expert button, select Non Linear under Precision and Slow under Analyser for low latency recording); next, create a new aux track from the output of the first track; set input on the first track to your mic input and turn Input Echo ‘on’ (also 48V phantom power—only if you’re using a condenser mic, otherwise leave it off). Now, arm the aux track for recording. Recording with this input channel setup will produce some input latency, so go to Preferences and view your Input latency under Driver Settings. Write down how many samples are shown. After recording, set your Snap tool to Samples and enter this amount. Set Snap to ‘snap by’ and zoom in to the front of your recorded clip. Drag the clip left until it snaps by that many samples—this fixes your recorded latency entirely. You can use this method for any input channel FX in the future, such as compressors and so forth. Also, you can use these on tracks already recorded with the above mentioned mics by placing the EQ on the track’s FX rack. Here are the EQs both written (for those not using the LP EQ) and uploaded (for those using the LP EQ). Enjoy! Sincerely, Maximus, Rock Mojo Studios. I recommend using these on vocals when the most natural sound is needed or on tambourines, snaps, claps, etc.; try it on your guitar rig and you'll notice that the sound you get is exactly what was playing through the speaker(s) (perfect for when you don't want to change a thing about your settings!) SM57 Flat Input EQ (set each to Peak/Dip) 50 Hz, +10dB, Q 9.16 100 Hz, +5dB, Q 6.76 250 Hz, +2dB, Q 2.49 3,000 Hz, -2dB, Q 10.00 4,000 Hz, -4dB, Q 10.00 6,000 Hz, -7dB, Q 10.00 7,500 Hz, -3dB, Q 10.00 9,500 Hz, -4dB, Q 10.00 13,000 Hz, -1.5dB, Q 10.00 15,000 Hz, -2.5dB, Q 10.00 AT4050 (set each to Peak/Dip) 30 Hz, -1.75dB, Q 3.08 1,375 Hz, -0.8dB, Q 10.00 1,725 Hz, -0.8dB, Q 10.00 2,750 Hz, -0.8dB, Q 10.00 4,000 Hz, -0.8dB, Q 10.00 6,000 Hz, -2.4dB, Q 10.00 9000 Hz, -3.75dB, Q 10.00 10,000 Hz, -4.5dB, Q 10.00 13,000 Hz, -2dB, Q 10.00 15,000 Hz, -2.25dB, Q 10.00 20,000 Hz, +10dB, Q 10.00 MXL V67G (set each to Peak/Dip) 20 Hz, +11dB, Q 10.00 30 Hz, +3dB, Q 10.00 38 Hz, +2.13dB, Q 10.00 50 Hz, +2dB, Q 10.00 60 Hz, +2dB, Q 10.00 70 Hz, +2.13dB, Q 10.00 85 Hz, +2.13dB, Q 10.00 100 Hz, +2.06dB, Q 10.00 150 Hz, +2dB, Q 3.45 375 Hz, +3dB, Q 10.00 400 Hz, +3dB, Q 10.00 500 Hz,+2dB, Q 2.03 1000 Hz, +2dB, Q 10.00 1,500 Hz, +2dB, Q 10.00 2,000 Hz, +0.38dB Q 10.00 3,500 Hz, -1.25dB, Q 10.00 4,250 Hz, +2dB, Q 10.00 20,000 Hz, +1.5dB, Q 5.55 AT4050Flat MXLV67GFlat SM57Flat

The virtual drums are playing and recording triplets even tough I'm only clicking it once. Does anyone know how to change this or what is causing it?