mettelus

Crooks who hate candy are particularly dangerous! Not sure how far from home their distribution center is, but I have actually gone to pick up something I was after once (call and verify it is there before going). Two of the centers are less than 20 miles from my house, but most stuff "just arrives when it arrives" as far as I am concerned.

Didn't read through the entire thread, so not sure if you checked the input devices - a wireless mouse in particular. Low batteries or dust on the optics (for the wireless/optical variety) can wreak havoc on inputs. Those devices drivers can also be "reset" on the fly by unplugging the USB FOB and plugging that back in.

Just to be aware, the VST3 implementation for a lot of plugin vendors was hit or miss for years, so the workaround was to keep the VST2 on hand just in case (often the quick workaround). When there is a mismatch between a DAW and plugin, it often comes down to the developers talking to each other to resolve the issue, but the reason is to get the vendor to conform to the VST3 standard rather than fit a specific DAW. If a DAW accommodates non-standard coding, it will almost lock that plugin vendor to the DAWs that did rather than make them universal.

I just happened to remember this site for free Guitar Pro tabs. If you share links on FB or Twitter they will download immediately, but you can simply wait 20 seconds to download them. Pretty simple. These are the actual gp[x] files, so you can edit/manipulate them in Guitar Pro however you choose. There are almost 50,000 tabs on that site to choose from. Ample Sound guitars will also import GP files, so the two applications pair up rather well if you have any of the Ample Sound products. Quick edit: Not used the site much but the link at the very top of that page to download the entire database (all 50,000 tabs), is $9 for July (normally $18).

+1, I find I violate my own guidance to others at times, and one that bubbles to the top is "Draft first, then edit." Especially with longer works (music included), I get easily sucked into editing "do loops" when reviewing where I left off (terrible habit on my part). Unless a good portion of the final intended work is present, I am going to end up modifying it later anyway. DI takes have proven themselves valuable for me, since I can simply re-amp during mixing rather than trying to shoehorn the original wet version where it doesn't quite fit.

I am not familiar with copyright laws very much, but I do find it ironic that someone who has no ownership of a piece to get a copyright of a transcription (especially if in error). Flip side (in the days of early internet one can never quite verify things like these): When MIDI first took off there were often errors in pieces as they were published. An early version of "Don't Stop Believin" was a bit off for the piano piece but otherwise intact, and the person who brought it up the piano most adamantly simply redid the piano track and gave it back to him. Supposedly that person who redid the track was Jonathan Cain. If true, that was such a classy move on his part.

Eesh, I saw PPG and my first reaction is "paint." Is funny how many acronyms span industries with entirely different meanings.

Yeah, it certainly takes a different breed to be in the submarine community. The news on that just gets worse, since the initial pics of recovery showed a de-laminated section (of a 5" hull), but no one in the news seems to know what they are looking at or saying. The appeal to authority fallacy of putting James Cameron out there as a materials expert took the cake for me. For anyone interested, wiki has a decent write up of HY-80 steel that is used for submarine construction (and why). I may need to stop reading news for my own sanity, the recent roller coaster "crack" was another one. The use of the word crack versus break just comes across as intent to downplay the seriousness of what a spectator videoed. Field failures are the ultimate failures any engineer can suffer (specifically with loss of life), but there seems to be a growing cavalier attitude towards design.

Try typing "Cakewalk" into the Windows Search bar and see if "Cakewalk by BandLab" pops up as the recommended app (it should). The installer is saying that you already have it installed, which is why it did nothing.

iZotope has always exceled at purging older products from stores and the internet, so you might try reaching out to iZotope's customer service. The file was named "Exponential_Audio_Stratus_Win_Release_3_00.zip" (105MB) but has no hits for search engines.

I must have just hit one of those windows by dumb luck then. I thought that was the norm and it got changed.

Quick FYI for folks not familiar with these. I had to go back and check what this entails (read the details at the bottom of the above link), since I only ever pop these open if something strikes my fancy when I open GP8 (one per day pops up randomly if you own GP). Basically these help with practicing transcriptions (not all are accurate), and even using credits you cannot save or edit scores (just allows printing them). I think you also get a free 7-day trial to everything when purchasing GP8. I went on a massive "unsubscribe" binge last night (my custom email filters to screen "advertisements" are suddenly leaking) and Arobas got nailed from sending me one for GP8 when I already own it.

These promos always make me check this... there was a time when HELIX Native was free to HELIX owners, but for a while it seems that it is often 75% off rather than free. Never quite understood that since it is essentially a VST version of the hardware.

+1, it took a while for me to take advantage of pulling the DI signal from guitar inputs, but one of the best advantages of amp sims allows for rapid composition with the ability to re-amp in the box (that, and you can own $50,000 in "gear" that weighs nothing, of course). As far as presets, I finally upgraded to TH-U last Christmas, but still haven't downloaded any of the monthly presets. Presets (and samples) can be the biggest waste of time to sort through; it is often better to know how to tweak them to make them fit with what is "close enough." I have found "in the box" a bit stifling to creativity over the years, specifically camped out near a computer. I ended up going wireless several years ago, so can go outside on the porch to play and just let the DAW be itself (why I appreciate Studio One Remote a lot). Sitting in front of a DAW (or even with the screen in view) seems to shift focus to "potential editing" rather than "just playing" for me.

This is also the preferred method to clean temporary files. A "Save as ..." with the above settings to a new project folder will only copy over the audio in use by the project at that save point. You can test that out quickly by trying and comparing to the original folder. Depending on your work flow you could be creating a lot of temp files (Cakewalk does not delete those for you as a fail safe for oopsies, but they can build up quickly in size). If you are using Melodyne, there is a similar issue with it's cache (where the "Separations" folder is being saved in Melodyne preferences) or if you save a Cakewalk project with active Region FX in them (the cwp file will be noticeably larger). That Separations folder also does not purge, and can get to GB in size fast on you. Quick edit: typed that from my phone so edited to add clarity regarding Melodyne. Where temporary audio is saved is in the preferences for applicable programs (Cakewalk, Melodyne, et al.), but those folders also do not purge themselves. Temporary audio (and video) files can consume massive amounts of drive space quickly. Melodyne's Separations folder (I think it defaults to 10GB max) can be purged regularly; it will reconstruct itself as needed when opening projects with active Region FX in them. For the OP, adjusting preference settings to save data to the D drive is preferred as already mentioned.

Not me... first thought is always, "Where's the candy!?"

Last item has a verb you don't see in update lists too often ... "Hacked a bug in Ableton Live [...]"

Did he say (or even hum) anything like this during the live stream? "I am the eye in the sky, looking at you I can read your mind I am the maker of rules, dealing with fools I can cheat you blind"

This is why MCharacter is one of my favorite plugins, since it focuses on control of the harmonics/partials in material (excels with monophonic material). He doesn't get into much detail with the harmonic series of one-node (i.e., wind) instruments, but the partials there have fractional wave lengths due to the open end. Because of this, MCharacter is great for changing timbre to either clean up sub-standard samples, or even morph them into a totally different instrument by adjusting the overtone set.

Melda sorta concerns me in a way now. Of all the forums to experience "lifetime upgrades" and then have them taken away, this one would be top of the list. Some of the buy-in prices for MComplete seemed too good to be true, so if that was another "money grab before we bury you" trick, I am going to be on the irate end.

I didn't realize about Melda either, which may explain some of the recent sale. The issue with a lot of the investment firms is often that only the investment part matters (not the company); make financial statements look good, then resell many times. When this includes a portfolio, the piece parts can be split off and told to become profitable or be liquidated.

Also bear in mind that CTRL-S is a Windows-embedded function. In order for an application to override the global Windows keys it needs to be careful in how it does that. Just in case the application doesn't do this correctly, it is good practice not to override any key functions that exist in Windows itself (in any application). I remember one application that had "CTRL-A" as an internal function, but it simply "selected all" because Windows already owns it.

Another place where this is applicable has also gotten numerous posts over the years (and is addressed in some DAWs). Situation: You are 50% through mixing something and want to either redo a track or add a new one. The DAW can monitor which FX are putting the load on the audio engine, so something like "I am tracking" could either automatically (or, even better, make suggestions) on new buffer size and bypass (only) the CPU-intensive FX at the same time for the user. The audio engine already has to monitor all of this for reassembly into the buffer, so adding that additional functionality isn't that far-fetched. SONAR is one of the few DAWs that makes almost everything available to user tweaking in preferences, but that can also be a double-edged sword when the user is not clear on what exactly they do or how they interrelate.

The "Technology of Music Production" (formerly Introduction to Music Production), was one course that got a lot of attention in the old forum years ago. It is a good course and focuses on using a DAW (generic), so great for new DAW users. I am very curious if that is simply the same video set, since the profile pic is the same as from 10+ years ago. He actually used iZotope Alloy 2 (no longer exists) in a few of those videos, so that would be a dead give away.

Yeah, that certificate is an option you can get with completing the course, not any requirement. In fact, each course has a forum set up for the current class of students, and one of those classes had a pretty heated debate on the "value" of said certificate. There were similar debates regarding the specializations (some of the courses in those specializations are also free), and the advice was pretty much "unless you have an employer that values said certificate/specialization, it may not be worth the cost to you (or make them pay for it!)."