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PhonoBrainer

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Posts posted by PhonoBrainer

  1. My first vinyl was fantastic. No, really!

    download(2).jpeg.5d6868ba40265bef5ff448e3f83724a1.jpeg

    Zoom in for the mega-stars of 1973 . . .

    But before this, I had listened to my older sister's vinyl that she left at home when she went to college . . .

    download(1).jpeg.3a7754d6d4434d4f95fdf914a9d87c35.jpeg

    And if you put these two together, it leads me to my first proper rock album?

    s-l1600.thumb.jpg.fd4c00d7617bd11f6832429b756cbd82.jpg

     

     

    • Like 2
  2. 5 hours ago, mettelus said:

    I forgot to follow up on this. PB came back saying that they weren't sure of dynamic keyswitches and referred me to their forum. This thread has basically what I had asked about:

    "As for scale switching, we are looking at solutions for this as a priority. We have conceived ‘link’ buttons you can assign keys and scales to and automate between but receiving midi input is also on the cards but may require further work."

    In addition to my request (to better follow chord progressions or melody lines), this one specifically asked about key changes, which is even more critical. Right now, Scaler EQ cannot address either dynamically on its own.

    In other words, scaler EQ works great as long as your entire song stays in the same key, or the same chord?

    • Like 1
  3. I thought this was pretty interesting! Very nice room setup and I appreciate the synth porn. I alternated between watching your moves and then closing my eyes  for just the audio. Both worked a treat!

    I listened on my best headphones. I did hear some separation and panning of elements, but I felt like whatever YouTube does to audio might be doing you the slightest disservice. I bet it sounds just a hair more hi-res in your room!

    That's a lot of effort - do you practice the moves beforehand before filming it, following a script of some kind? Super interesting process, and I appreciate the brevity. Some peoples "watch me jams" can be an hour long, which is quite ridiculous imho.

    That fat-***** bass drony synth is the highlight, it's super rich, sounds great in this!

    kudos!

    cheers,

    -Tom

  4. I like it, it's very smooth, and I like your vocal delivery a lot! Just enough twang!

    My ideas for your mix? For the vocal mud, no need to re-record it, just try pulling a notch eq down around 250hz, narrowish Q, abot a 3 db cut. That's a mud removal starting point. This region conflicts with the bass guitar, so you might get the bass below 500hz all "mono" in the middle, while the vocals below 500hz might be pushed just a bit towards the sides. There are tools that do this sort of thing.

    Drums are a bit pushed back, I'd recommend more hi-hat programming, and in the chorus, I'd go doubletime on the snare at least, so there's a bit more "drive" going on. That's a totally personal choice.

    The acoustics and banjo? are out wide, very nice! They might be a bit dry or too loud out there.

    Very listenable, cool lyrics, you have a good one here!

    cheers,

    -Tom

    • Like 1
  5. 53 minutes ago, craigb said:

    It's a weird world!

    I bet you can guess why I'm putting this video into this thread, right? 😁

     

    Trevor Horn produced "Owner of a Lonely Heart"

    What do I win???

  6. 14 hours ago, OutrageProductions said:

    @smallstonefan;

    Hopefully you are also aware that this instrument REQUIRES Kontakt 7.7 at minimum to run. 

    And if you've been anywhere near the NI/Kontakt forum lately, you'll know that Kontakt 7.x is a hot mess currently.

    Personally, Ima gonna wait til 8.x comes out next spring.

    Yup. Does anyone know if I upgrade to Kontakt 7 hot mess, if I can still keep my Kontakt 6 and 5 installed and viable?

    Aging Win 10 system from 2013.

    So cool that kontakt 7 seems required for any newer libraries. What an Apple move.

  7. Limiting myself to just effects, so no Kontakt or Omnisphere things.

     

    Fab proQ 3 for eq

    Raum for reverb

    Gullfoss or Zynaptic Intensity, can't decide, for mix bus sweetening

    Tone Projects Unisum for compression, usually master bus

    Honorable mention, Fab Timeless 3 for delays

    • Like 1
  8. Shaker would be great. The BGV ooooh's cut off, leaving a beat at the end of the measure uncovered, to me it seems a bit of a dropoff. Your lead vocal (love your voice, and the airy wash of reverb that sits it perfectly) is mixed a bit hot for my taste in this mix.

    How about this - reminded me of Marvin Gaye. Can't get much more of a compliment than that.

    Excellent!

    cheers,

    -Tom

    • Like 1
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