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audiodeluxe - $34.98 with code FALL2020 everyplugin - $34.79 JRRshop - $32.76 with code GROUP

Updates to Anthology XI Physion * and the H9 style plug-ins - Blackhole * CrushStation Crystals MangledVerb * MicroPitch Rotary-Mod ShimmerVerb Spring UltraTap * Undulator (I think this is all of them excluding the one released today) * part of Anthology XI Fix an issue in all H9 plugins where the clip meters did not always illuminate when clipping had occurred Internal DSP improvements in Physion Download updates from https://www.eventideaudio.com/support/downloads

A new release from PA without many advertising. https://www.plugin-alliance.com/en/products/adptr_streamliner.html Better than a new compressor, equalizer or reverb. Maybe even better than any new synth! Probably my next purchase with my monthly voucher. Edith says: remember to look in your account, in the Manage Your Licenses page, to see if you have an special offer for this plugin. This will lower the price to $100 (less any voucher you have).

Fyxed!

Having a rough day at The Modeling Agency ? Have a Snickers bar . "You're not you when you're hungry " Kenny

I can't wait to take a look at this. In the past I have used Loudness Penalty along with Ozone 9 loudness learning, so this should be interesting.

The Weight - The Band lyrics: Crazy Chester followed me, and he caught me in the fog He said, "I will fix your rack, if you'll take Jack, my dog." I said, "Wait a minute, Chester, you know I'm a peaceful man." He said, "That's okay, boy, won't you feed him when you can."

Yup. They made it right by me. Excellent customer service!?

They don’t call it PA Poker for nothing

I have a $50 voucher for spending on over $75 for anyone who wants it, send me a PM. Cheers, Tony Edit : Voucher gone.

@Andres Medina I was finally able to get Syncron installed and have reproduced and fixed the crash issue. Thanks for reporting this! The problem is actually not related to Syncron at all and I am able to reproduce it with any VST3 plugin. (The issue occurs with any VST but is easier to reproduce with a VST3) The fix will be in our next release.

Just remember, unless you've got something to sync the word clocks of multiple interfaces, expect some timing issues. This can usually be done: - by connecting the SPDIF out of one device (the timing master) to the SPDIF in of another, and making it the slave. - by connecting the ADAT out of one device (the timing master) to the ADAT in of another, and making it the slave. - by using a coax wordclock cable fed from one device to another, or from a master clock device to all of your devices. If your audio interfaces have no way of doing this, you may need to nudge your audio clips a bit to line them up properly. In saying that... they may be close enough for you not to notice... but pay attention to any phase issues.

Hey guys! I do not want to look like a spammer. But I try to program the instrument in different mixes and it would be great to know your opinion. The instrument was created to work in a wide context in the first place. Although the library has a dark and close ambient tone, we wanted to try to mix it with orchestra or piano. Thanks! WA Team

Signature Grand Email to a Friend https://simplesamsamples.com/signature-grand.html Availability: In stock Regular Price: $79.95 Special Price: $49.95 Add to Compare Quick Overview Signature Grand is a Model D 9-foot Concert Grand recorded in a beautiful hall/scoring stage. The instrument naturally excels in film and classical applications, but the user is able to craft the sound to be suitable to nearly any style of playing. What makes our piano different? Our instrument is bursting with three-dimensional realism due to a unique sampling and scripting process that captures the beautiful early reflections of the recording space. By blending two microphone perspectives, the user is able to find the perfect balance between close and room microphones, as well as controlling the overall ambiance of the space through our "releases" controls. Signature Grand is a deeply sampled instrument containing over 3000 samples in 24-bit, 10 dynamic levels per note, two microphone perspectives, and multi-velocity mechanical noises. Advanced features include repedaling, half-pedaling and various sympathetic resonances. Over 60 presets designed by Emmy Award-winning composer, Garth Neustadter are included covering film, classical, jazz, and pop styles. Designed for the full version of Kontakt 5 or 6 (Download Only). The instrument will not work with the free version of Kontakt.

The URL redirects and they have all my purchases in my account there. Anybody know any more about this? Apologies if somebody has already written about this.

A SOUNDSCAPE let me know what you guys think...

Thank you. I thought the name would do something like that

Thought about it Tony. They have that new Telefunken Tube Pre Amp I was eyeing. But decided that I will get the UA version instead.

That's how to transfer a website.

Just before the note starts you set the expression level you want, the moment it ends set it back to where it was.

https://www.eventideaudio.com/products/effects/chorus-plugin/tricerachorus Intro price $39 check resellers for deals Classic Chorusing for the Modern Producer TriceraChorus is inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s. It pairs rich BBD-style Tri-chorusing with another classic effect of the 1980s: Eventide micro-pitch detuning. This effect can be used to thicken the sound, to add static chorusing, and to spread the stereo field by detuning the left and right signals in opposite directions. The combination of these effects makes it easy to create syrupy, smooth, and deep modulations on synths, strings, vocals, guitar, bass, and more. TriceraChorus is a great way to add richness and spatial depth to your sounds. TriceraChorus was designed to inspire experimentation with a UI optimized for live performance. Whether on your desktop, laptop or iPad, TriceraChorus will expand your sonic palette.

Eventide really need an installation manager

Okay. In and out for my second plunge. Two more freebies. BlackDist2 and YellowDrive. Hell yeah.

Use CC11-Expression for the volume.

Cakewalk comes with SI Drums which will work fine.

Hi Barry . . . this is loads of fun, especially the lyrics. Don't know about the "Creedence" end guitar, I was hearing ZZ Top because of it's fuzziness As you've mentioned it, I think both guitar solos could be cleaner and louder, some fast pickin' On Soundcloud, you've categorized it as Rock, but I think for me it's more R&B. In any case I really enjoyed it as a Demo, so look forward to a finished effort ! PS . . . real (good) drummers can always kick it up a notch, if you have that option . . . but they do drink more of your beer

No, no, no... The booze and the ability to turn out the lights is for HER benefit! ?

Nice one, the synth sounds reminded me of Michael Cotten.

I can hear Bill falling on the ground from here! ?

I’m done with Amazone, don with Amazon.

I always stock up on that 6 pack when I'm down to one left (as of today I have 3 left) . It's one of the main reasons how I own every drum MIDI pack they've produced up to and including today. ?

I'm using the Alesis Nitro Mesh kit. Here's how I've set mine up: - Alesis Nitro Mesh MIDI IN device enabled in CbB, but not the MIDI output device ( MIDI driver mode is MME ) - Insert Addictive Drums 2 as a simple instrument track - in AD2's map screen, I've created my own drum map to match the Nitro's notes. That's pretty much it. Seeing as the MIDI device is actually showing for you, I would look at the following: - First check your MIDI driver mode within CbB Preferences (MIDI -> Playback & Recording). If it's set to UWP, try setting it to MME. You need to have no projects loaded to change this. - Next, verify which MIDI notes are being sent. You could be really unlucky and find that the drum VST you're using has a completely different note mapping to the Nitro Mesh. Try inserting a piano VST or something that covers the full range of notes. If you're getting notes being played by hitting your pads, then look at the note mapping within your drum VSTi. If there's no way of mapping notes within the VSTi, then read up on creating drum maps. @Creative Sauce has a great tutorial here: https://www.youtube.com/watch?v=sIquUl-7NfE

Phoenix, which is known for natural characteristics is the only verb I'd reach for to use on an individual track, the mixbus or mastering.

Thanks Reid. I was waiting till the sale season started before going for some things I been eying

Going through some stuff. Found my receipt for my purchase of Sonar 5, which was an upgrade from Pro Audio 9. But I also got a free upgrade to Sonar 6 when it came out shortly after. Receipt info: Tue 5/2/2006 SONAR 5 Producer Edition 1 349 SONAR 5 Producer Upgrade for Home Studio, Project5, Pro Audio, Guitar Tracks Pro, Kinetic, and Music Creator Customers Subtotal 349 Shipping 8.95 Tax 0 Total 357.95

Wow! That was a LOT of $$ 14 years ago too! Things sure do change. I was going through stuff last night and figured out I've only been at this "DAW stuff" for about 5 years now. I was only ever on SonarLE for a few months before I made the switch to Studio One. (I'm an admitted S1 fanboy too.) But if I were starting today, no doubt I'd be on CakeWalk. It's insane that this DAW is FREE! That's the deal of the century right there.

That would probably go well in Portland. Completely confused at what it's supposed to be and, as such, useless at both! ?

very nice tune Kakku. Good production. When I saw the title I thought @Bapu would be playing on it

It works like any audio track and has always been this way. Typically tracks using a patch point as their input, such as an aux track, never record; they simply stream the data they receive. To hear this signal requires enabling input echo. This is why an aux track has input echo enabled by default.

Finally someone writing positive things again. :D:D I like the nod to 60's singer songwriters here. Well done.

This speaks volumes!

Agree on the Peter & Gordon comments. Brought me right back to that time period as well. A good tune, classic songwriting. Enjoyed the listen.

Very well done. I loved the extremely clean vocals. Some harmony would be nice in the choruses. The bridge was fantastic. I thought it brought a Beatle (ish) vibe to it. I very much enjoyed it. mark

You could record VST Solo piano on just about any computer made for the last 12 years. And if it's a top quality VST then not much else will need to be done as far as EQ and Mastering. You'll want to tray as many demos of the VST pianos to find the one that you like best. I've chosen Addictive Keys for the style of music I play. You might hate it, everyone is different. You really don't need much to record 1 instrument. It just needs to sound excellent before you record it. Good monitors and room treatment will be more important than the computer. And as advised get an Audio Interface to optimize the playback quality and latency.

Physical devices not necessary, as they can be emulated in the box. Their VST plug-in equivalents can do a fine job. However some plug-ins can put a big demand on the CPU. So that is why the question regarding how you intend to use the computer. Otherwise it sounds like your thinking is on track! Good luck with your project!

It would be very helpful to have a global FX latency meter/analyzer, which would have an option to disable/enable/bypass specific FX globally (all instances) for specific task to reduce latency. For example if I want a specific plugin to kick in only on playback... Or if I want the plugin to be present and set in the bin so it is ready for mixdown or audition, but so it does not affect audio engine latency (bypass) and more. Similar to "global" FX on/off button... but selective for particular plugins. I hope I am making sense. I do not know the depth of knowledge behind the processes, just a user opinion. Including a primitive drawing in attachment of how I see it.