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Groovy! I was looking for a new show to get into that has coffee in it! I found a house with it with Becan so I Am happy!

Excellent tips here and I'm learning so much on different techniques, methods, and anatomy.

To be serious for a moment, if you can, get to the music first thing after you wake up in the morning. I believe the music is in there but a lot of things can cover it up during the day. And don't turn the computer on right away, just your instrument. I know not everyone can do that but find your best, least distracted time. I always come away feeling positive and that is important.

The reason I'm posting all of this is how well manufacturers respond with faulty hardware. Warranty is a priority when I buy but so is RMA service. If service in unsatisfactory I broadcast it on forums, Facebook, Newegg, Amazon, pretty much leave no stone unturned. I don't want to go through another set of hoops for this drive. I've read similar responses on the Intel forum.

It is still the best looking interface on the market. Not sure what this nonsense about being obsolete about.

If you want to use Jamstix, you have to read the manual. Your not going to get anything like it's full potential out of it unless you read that manual. Read it, play around with JS, read the manual some more, play with JS some more, and keep repeating!! Be aware the it has Save Points feature. Use it excessively!! [edit] Let me state I have nothing against the videos. Watch them after you read the manual. Read the manual after you watch the videos!! : )

PROS: The new interface is resizable, so that is a huge improvement. The new browser is much easier to use. The on-board effects rack is very good, borrowing from T-Racks, Amplitube, and Syntronik. The new multis page is borrowed from Syntronik. A big improvement. The edit page has an improved layout, and additional new controls are available for the ST4 sample elements, including a new modulation section. ST4 is compatible with ST3, Syntronik, and Philharmonik 2 content libraries. ST4 MAX includes the entire ST3 MAX library content as separate installers. Many of the new ST4 instruments sound very, very good. But they are not full replacements for the ST3 content library which you will still need to use to provide the core instrument collection of your SampleTank library. ST4 content is just an addition to existing content. The full comparison of the instruments included in each edition can be found here: Compare Versions Yes I would do it again. CONS: Huge list of content downloads that need to be individually unzipped and executed. Over 200GB... Bugs > Yes. Status here: https://cgi.ikmultimedia.com/ikforum/viewtopic.php?f=12&t=20719 Initial release was 4.0.0, but we are currently at release 4.0.3. Progress has been made. Memory footprint has been reduced, but some folks are still experiencing random crashes. I have an open ticket with support regarding that. We are waiting for the v4.0.4 patch to be released next week. The devs are apparently still working on additional optimizations.

Absolutely fantastic product. I only regret not buying it sooner.

Check out these tutorials. They're long but excellent and very comprehensive: Jamstix Tutorial 1 of 4 - Easy Way to Create Drum Tracks Jamstix Tutorial 2 of 4 - Covering All The Basic Operations Jamstix Tutorial 3 of 4 - Drum Module Mode, Song Sheet, & The Brain Jamstix Tutorial 4 of 4 - Options, The Bar Editor, & Final Thoughts Personally, I found tutorial 3 on how the brain works the most enlightening.

Here's a handy name tag for anyone who isn't backing up. ?

First of all, there is more than one right way to make music, and my way might not be best for anyone else. But I'm curious. Does anyone else prefer hardware MIDI modules to software synths? It seems like it's getting more and more difficult to find good hardware synth modules. Yet there are plenty of soft-synths available. The way I see it is this: Hardware MIDI synths last forever. I have a Yamaha TX81z, a Korg DS-8 and a Roland MT-32 that were manufactured when PCs still used DOS-5 or maybe Windows 3.1, Atari/ST computers had built in MIDI ports, and Mac computers used Motorola CPUs. Some of the sounds on these modules are stale, but others are stellar and have no contemporary equal. Plus how many software synths from that era still work today? Zero. How many software synths have been orphaned when computer OS systems evolved? Plenty Hardware synths store all their sounds in ROM. Software synths must 'do the math' creating every note, every nuance, and every articulation while the sequence is playing. This taxes the computer's CPU which is also running the DAW and perhaps other background jobs Since all the sounds in hardware synths are stored in ROM, the latency is negligible and they all run about 5ms plus or minus 1ms. I've seen some software synths that have a latency of almost a half second. Since there is no tax on the CPU and since all the hardware synths have the same latency I can mix sounds from my rack of 10 or more synths. I can pick the best snare drum for the song from one module, the best kick drum from another, the best bass from another the best guitar from another the best trumpet from another the best sax section from another and do on. They will all be in sync. With practically zero latency I can add track after track in real time while the old ones are playing and have the new track in sync. With zero load on the CPU for sounds, the hardware synths can be better sounding or better responding. I have yet to see any software synth that can do what the physical modeling Yamaha VL70m can do -- and it's been discontinued for years. The nuances it can reproduce are light years ahead of any sample or sample-modeling synth. Through the years I have added new synth modules while my ancient stone-age sound modules still contribute to my mixes. To be fair, there are also advantages to software synths. With all the talk about software plug-ins, sometimes I feel like a dinosaur. Are there any other dinosaurs out there? Notes

Just bought this instrument for a project I'm working on in CbB. Sounds great but key up sound doesn't work in Cakewalk for some reason. Tried it in Studio One and it works but my project is in Cake. Anyone using this Waves plugin having similar problem. Roy

The free Audacity multi-track audio editor is a quick way to edit MP3 files: https://www.audacityteam.org/

Use it LOTS... +1!

Yep, like some gold plated "Monster" cables! I think these would get the job done: Cable Matters 3-Pack 90 Degree Right Angle SATA III 6.0 Gbps SATA Cable (SATA 3 Cable) Black - 18 Inches $7.99 https://www.amazon.com/Cable-Matters-3-Pack-Degree-Right/dp/B018Y2LEBE

I update mine to that version in Nov 2018 but looks like update was released in October. Avid's press release: PLEASE NOTE: Version 2018.10 is the LAST release of this product and there will NOT be any further updates to Avid Application Manager. You can find more information about Avid Link here, replacement for Application Manager. //////// //////// //////// //////// //////// Updated on 10/10/2018 for App Manager 2018.10 Changes with App Manager 2018.10: This version supports a single installer for Media Composer and Media Composer | First. Resolves activating a Sibelius license deactivated the Media Composer dongle. ++++++++++++++++++++++++++++++++++++++ ++++++++++++++++++++++++++++++++++++++ Avid Link is a free app for anyone looking to find, connect, and collaborate with other creatives, promote your work and get discovered, and purchase and manage products—all in one interface. Meh... not interested in sharing my Pro Tools projects (which because of the single digit count isn't saying much), etc. I've not bothered to check out Avid Link https://www.avid.com/products/avid-link so have no feedback for you on it. ...Steven ++++++++++++++++++++++++++++++++++++++ ++++++++++++++++++++++++++++++++++++++

I loved hardware synths and ROMplers! I could control them with my Korg N5, MS2000 or MIDI keyboard and save all of my CPU's processing power for real-time effects. That said, the next DAW I create will be as beefy as I can make it so I can add more software synths.

Use the Loop Construction View or the Groove Clip section in the Clip Properties tab in the inspector to adjust the number of beats in the clip.

Jude, I use a style call JamStix Classic. You can find an explanation in the manual at 18.2.2 It's under Special Styles. If you need help finding it, let me know. When I have a new song, I will use this to make a general beat. It was hard for me to put my head around this very simple UI, but it has unbelievable potential! Seriously. For the kick, you will see the green dots on the first and third place, which represent beats. For the snare green dots on the two and four. Both on the top row. Start up transport in CbB and just listen. Very simple. Adjust tempo of CbB to what you need. Now as it's playing, on the kick add a dot right under that first dot. See what you got now!? Add a beat under the second beat on the snare now. See what starts to develop? : ) Adjust the slider to the right of the beat you want to limit the amount you want it played. Now drop down and start playing with the Hi Hat style. See? Now adjust the Open setting. Sweet! OK, now hopefully you got something that you can work with, but it'smay not just be quite right. Drop down to the bar editor and select the first Bar. Select the second drum hit, and adjust it's timing to the left. Hear that? That's where the "feel" for me comes in. I can adjust this to be just like I like it. I can make it push, or lay back. But there's more!! Now you got several Bars fleshed out just like you want it, you feeling the grove. Now save these bars as a new style!! Then you can use this style to create the song your working on!! It will generate an INtro, a Verse, Pre Chorus, Chorus, Bridge.... ect!! But there's more!! Now you got your song set as a style, and you have generated the general format of the song, now you can further adjust the feel, power, repetitions, and... you get the idea. But, yes there is more!! Now that you got your song going, try different drummers and it changes things up, but stays on the style you want. Yes there is much more. I am only touching the tip of the iceberg here. When you factor in that you can do what I just explained for the Accents and Fills, it's really unbelievable.

If the pig is squeaking, that's not oinkment, That's the pig having his 30 minutes of fun.

That's why I learned to play by ear. When that gets hurt I go to feet and toes sometimes but playing by nose works best

An oinkment (specifically becan ? ) is best. ?

Very cool interview. Enjoyed that and had to search for Stephen Taranto....

Bapu said there's cream for that

You can't reset your password automatically anymore. You have to email support and they have to do it manually.

That's funny! Equate Les Paul. My wife is going to like that one. " After work stop and get some milk, hemorrhoid cream and a Cherry ES-335"

Not to go off topic or be indelicate, but isn't a vuvuzela a female body part? My apology to all the women who don't spend any time here.

I have been using NOIRE for a few days and am working on a walkthrough video. It seems with each new library the audio quality of the samples themselves just seems to get better; I noticed this with the new C7 patches in SampleTank 4. Having the two types of pianos (Pure and Felt) give you some interesting options and the new Particle Engine takes things into even more amazing possibilities. i don’t know if it is just the honeymoon phase but I am really impressed. I did a quick teaser/improv yesterday to just capture something; you can take a look here and stay tuned for my full walkthrough coming soon. Native Instruments NOIRE : Review Preview https://youtu.be/QTjqdRxMl-0

That's very the Nice of you to say??? ?

https://www.bandlab.com/products/cakewalk/whats-new

The trend to dark interfaces is mainly because of so many people using smartphones. Black pixels draw virtually no current with AMOLED displays, so it extends battery life (this isn't about brightness, which is the case with LCDs; it applies only if the pixel is true black). Anyway with Studio One, you can have a more Mercury-like interface by going Options > General > Appearance and changing the Luminance controls to positive values. The higher the values, the brighter the interface. Also, you can turn off "Colorize Channel Strips" if you don't like the colors, or reduce saturation to make them more muted. HTH. As to Cakewalk on a laptop, screensets are very helpful for hiding and showing elements to optimize the available space.

The only possible answer is "Yes".

I have studio one and the main reason I don't use it is because of the ugliness of the UI. I like the browser with the ability to show a snapshot of the UI of the various plug-ins, but other than that I really don't like looking at it at all. Amongst the ugliest of all the alternatives IMO.

You'e seen IT all?

If thats the case then after im done with the newest project I will give it a try. Where do I upgrade to the newest version. On the bandlabs website?

That's because there was no ProChannel in 8.5.3. The easiest way to get a ProChannel enabled project, is to start a new blank project in CwB, then drag the 8.5.3 project on to the track area:

@kakku Thank you you are most kind. @Kenny Wilson thank you too Kenny you again are most kind, I am working on some more of this stuff I just have to see where the music takes me.

I have a bottle entitled "Magic Pills" which contains, supposedly, these little pills that can cure anything. As long as you only take one, there are no side-effects, only positives. Heck, as you can see in the image below (which the person taking them doesn't see, they're asked to just swallow the pill without looking at it), even the pills have an "M" on them to show they're magical. It's been proved repeatedly with verifiable scientific studies that the odds of a particular outcome occurring double with a positive expectation in that outcome (I've been told by a teacher it's basic Psychology 101). This is why a lot of testing is done with animals because they aren't subject to the placebo effect. It also illustrates exactly how powerful our minds can be and, as I have said before, intent is the most important aspect. I have some actual events that proved this for me. On the other hand, I have also heard in a couple of my classes that if a person gets helped, does it really matter if it was via the placebo effect or not? All I know is that the placebo effect does not have any of the toxic side-effects that most of the mainstream pharmaceuticals do!

Guys, Wanted to share a perspective on this that may not mean shit to a tree, since I ain’t got a clue if it really works or not. Maybe it does. I’m a skeptic but without all the facts, which makes for a deeper level of ignorance if I’m missing the fine points. Just what I have seen in application. Bottom line is IMHO, the whole thing is a bunch of elephant kaka. You guys may know different. Over the past year I’ve worked with a couple churches wanting to return to Christian spiritual healing through music and revive forbidden tonal scales that conspiracy theories have tried to squash, lest we ascend with the angels and get higher than the priests. My input cold and clinical, don’t believe in any of this, but have worked giving them the technology to tune to whatever they think will get them saved. First project was to cure all diseases mental, physical, spiritual with the original Solfegio scales. This became a practical application nightmare having to retune to the microscales to get to ancient resonances, although the congregation healed the sick and raised the dead, lame walked, incurable cancers healed, the blind now with sight, etc, etc. Took them more time to retune than to play the song so they needed a more streamlined approach to get the miracles. Too much of a task to retune to the gregorian standard, so the central church migrated to a global 432 tuning, where everything does supernatural stuff and you don’t have to worry about what key you are playing in, big irritating problem with the Solfeggios. Way more convenient and can get the same miracles with less work. Wealth of conspiracy theories supported 432. Mozart and Hayden protesting the government decree to retune orchestras to the satanic 440 reference. Hitler and his top generals shifting to 440 to cause destruction of the mind and chaos so the masses were weakened and more easily subjugated. So we did the less labor intensive shift to 432 tuning, and the miracles instantly flowed like water. I did an initial retuning of the main church’s Yamaha to as close cent tuning to 432 as possible. Healings and revelations were immediate if tuned to 432. They quickly abandoned the old Gregorian scales for a less labor intensive path to higher realms. The church became a pilgrimage site thanks to me, like taking holy water from a sacred fountain. Churches or individuals were welcomed to tune their instruments to the holy grail and take it back to their congregation. It worked and miracles flowed like water for anyone or any congregation who tuned to the sacred 432 reference. They did conferences about temperature shifts, effect on tuning and dwell times in specific temperatures so as to take the sacred tuning back to the church in original purity. One small problem however. The original Yamaha had a battery backup RAM to keep the settings I put in for them. Evidently they had no batteries or dead batteries so could not store the settings after the power was turned off for the first time. The holy grail keyboard just defaulted back to 440, so all the blessed souls were only tuning to 440 under the illusion that they were doing 432. I had to bring it up to the powers that be, and they are not happy. They are trying to come out with some damage control or keep it secret. One option to replace the batteries and have me reprogram the thing. Keep the past under the rug. Let the miracles continue. So I’m thinking, maybe the power of suggestion. Possibly more powerful than the tuning? Open to other observations. John

Don't bother, Bill, I've heard that they suffer from mains hum!

I'm not sure if this still works or not but I do seem to remember someone suggesting to - Try logging out and then back in again of the Bandlab Assistant. ' I tried this and it worked, thanks a lot, I would recommend it!

Ah yeah it might be a simpler solution if the target track which needs no reverb tails is only one.

Yeah there is really no other way to do this other than having the reverb on an independent bus and automating the send. Or just put a reverb inline on that tracks effects bin which might be a simpler solution.

A few things that come to mind and to look at: Is the send pre or post fader You can also automate the bus that the reverb is on with a volume envelope I remember a function in Sonar (cakewalk), that you can enable to 'play effect tails' in the preference menu, make sure this is disengaged Let me know if any of those work, CJ

If you need a silent break, need volume automation on the reverb bus. (also need volume automation of original clips but don't need automation of SENDs.)

The Transpose MFX does this when set to Key/Scale

Ah, yes... the fallen comrades (still miss Jan too, Old55). For more memories, I still have an archive of Billy Arnell's Online Songs

Here's a flashback. A larger version of my old signature there!