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Jack and Jill went up the hill to fetch a pail of water. They both got down and played around and now they have a daughter?

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Has anyone actually watched the video I posted? All the way through?

Of course he is happy . We just got done playing a variation of the game Jack and Jill . It goes like this . Jack and Jill went up the hill , they both had a quarter . Jill came back with 50 cents do you think they went up for water ? BAAADDDD Kenny BAADDD

Speaking of relativity E=Fb

They're announcing a new product for the UK - BreXLN

Maybe misinterpretation... It could mean XLN will be vaporware soon.

The Cakewalk Mac prototype was hardly a failed experiment! It was very successful considering we got about 80% functionality with very low development cost, and it demonstrated to us what we would need to do to take the project further if we wanted to. It also helped us to make several improvements and optimizations to the SONAR codebase. Ultimately it was a budgetary decision to not pursue it. These days all cross platform apps use a framework. It makes little sense to write per platform apps from scratch due to the high cost of development.

Shhh! Don't tell anyone, but ... The most popular operating system on Microsoft's Azure cloud today is -- drumroll please -- Linux.

In space no one can hear you drum.

Couldn't make it more boring in just 15 seconds Thanks for sharing though

Great bunch of suggestions guys. But above all I really appreciate how serious you’re all being in trying to help. You have no idea the morale booster you’ve given me. I’m trying most of the suggestions but I’m quick to come down on myself if I slip a bit. Just so much has happened in such a short time. It wasn’t until March 5th, my 65th birthday, that I had my first recognisable cardiac chest pain. Quad bypass on 13th and now I’m just 18 days post op. Went to pick up my acoustic guitar yesterday, but in taking a vein graft from my left hand they’ve damaged the radial nerve. At this stage I can’t even close my hand around the guitars neck without some serious pain. Bit of a bummer as I wouldn’t mind getting some of that raw emotion out of my system. Still, as long as the forward steps are more numerous than the backward ones I’m doing OK I guess. Thanks for listening guys.

AnalogConsole Theme v1.0.1 https://drive.google.com/drive/folders/1ku--pqVEuGOqdl9mIKkN_d6r9O9_qJef?usp=sharing Background of selected clip set to almost black (red10, green10, blue10, opacity255) for better contrast while editing coloured waveforms. If you ever want to change this (for allblack or allwhite waveforms), open Theme Editor, go to > Track view > Clips Pane > Clips > Clip Background (selected), doubleclick to open the colour editor pop-up window, change colour, click ok, save your Theme.

What I thought was funniest was him missing the fact that calling a key "A" was completely arbitrary too. None of the human organs resonate at 432 Hz. either (the heart, for example, is at 289 Hz., give or take a radiation period of a cesium atom). ?

I've always been more than comfortable with Ubuntu both for server & desktop systems. In the past 15 years, I've gone from about 95% Windows development in my day job to 95% Linux development. Linux has pretty much won the server war. At home I can pretty much do everything on an Ubuntu desktop for free (an most of the apps do actually come pre-installed with the distribution). You don't need to be a techie to use Ubuntu either - up until she got her new laptop, my wife was quite happy using Ubuntu for 3-4 years without any need of assistance (well, apart from installing the printer drivers). The only thing I can't do well is audio production. The biggest problem with Linux is its lack of native audio drivers for pro audio interfaces. So whilst there's some good DAW's out there, like Rose Garden, Reaper, MixBus/Ardour, N-track etc., you're limited with the hardware that you can use with them. RME seems to a be a notable exception here, but I guess if you can afford RME gear, you're probably not that fussed about paying for an OS The other issue is compatibility of plugins. Actually, most will work under WINE (this is after all what MUSE Receptor does), but they will run slower than on a native OS, and proprietary anti-piracy protection can be a real issue here. It's a bit of a catch-22: people won't use Linux for audio because of lack of support, and hardware/plugin manufacturers won't support Linux because people aren't using it.

The first time I heard about the Bee was when a friend posted this- cage-free-drummers-by-2025

I have made up my mind . When my Audo Technica ATH-M30X 's give up the ghost I'm going old school ... Who knows , I may even get back in shape using this approach Kenny

I originally posted this as an answer in another thread, but it struck me it should be made available here... Copying tracks from one project to another needs to be done in two steps: Using Track Templates to copy your ProChannel settings, and VST instrument & effects settings Using Copy Special / Paste Special to copy the actual track data (e.g. MIDI events, audio, automation etc) The steps are as follows: Open up both source & destination projects (Note: "Allow only one open project at a time" must be unchecked within Preferences->File->Advanced) Select the tracks from the source project, and save as a track template. Consider using the same template file every time in the root of the Track Templates folder (overwriting it each time), so you don't need to search for it. "Copy Special" the tracks from the source project Insert the track template into the destination project "Paste Special" the tracks into the tracks on the destination project that were created by the template If you copied instrument tracks, extra audio tracks are created at the end - you can delete these.

https://babylonbee.com/news/worship-guitarists-pedals-now-outnumber-chords-repertoire-2-1?fbclid=IwAR2T8CwRCJk0QZFJi8q7CH8gYDH3ZVaoV8duE7TFkIjhDjKegG6n2J4XVrk

Picture to follow

Am=WTF?

Pedro prefers A=1Hz tuning. There I said it.

Detuned to 354.8776367276 pixels and it sounded so mush betterer.

I used to play drums in our worhip band, pretty cool, great singers in harmony, bass, acoustic guitars piano etc. Packed house every Sunday. Groovy pop rock music with me off the leash. There was no pedal anywhere. The pastorate turned over and in came a guitar slinging head pastor who could learn to arpeggiate. He put me on a short leash musically and is not a "cool" guy to be in a band with so after a decade I went back into the general congregation. Well, while he plays acoustic, a year ago a pedal board showed up at his station. I can't see what's there but there must be 6 or so pedals as if he went shopping. I turns one on from time to time but I can't hear what it might be. I don't ask because It's better to leave some sleeping dogs lie.

AnalogConsole Theme v1.0.1 https://drive.google.com/file/d/1awFdtBDrkaq_gxgsjgRosY4w9yk2cpkR/view?fbclid=IwAR0y332JztYrWlOWtiattF3IM0w40IK9vSpsFdrWHre96447cFdZIBp2pSg Background of selected clip set to almost black (red10, green10, blue10, opacity255) for better contrast while editing coloured waveforms. If you ever want to change this (for allblack or allwhite waveforms), open Theme Editor, go to > Track view > Clips Pane > Clips > Clip Background (selected), doubleclick to open the colour editor pop-up window, change colour, click ok, click ok in the Theme Editor pop-up window , save your Theme. I downloaded and loaded it, and it's a pretty nice theme!

Antelope 88, 72 water hole on 2 ready, break!

It's a MIDI controller built into a drum throne "the XLN Audio Magic Throne' - now drummers no longer have to envy their bandmates abilities to use pedals or MIDI controllers! By using the Magic Throne and your glutes you can trigger effects, control stage lighting, control your DAW, or even send the bartender an IM that your beer is low! Control your tone and tone your control! There are health benefits to using the Magic Throne - after a few weeks of using the Magic Throne you'll have the best seat in the house!

I don't know of any SF3 players. It's a proprietary format made by musescore. I think the Polyphone editor supports it, but I'm unaware of anything else. SF2 is more widely supported, but even then, it's getting more and more rare. There's definitely nothing in CbB that will play them.

Um, so what are Linux and Windows both based on again? ?

I think I found another clue... I've been checking the wav file in windows Media player... but I've been checking the playback of the MP3 with the file explorers "Windows Media Player Rich Preview Handler" which is quite a bit softer level than when the WAV file is played on the regular Windows Media Player App... And... when I play the MP3 on the Windows Media Player App... the MP3 is FINE! Duh! This is a clear case of Operator Error! As soon as I can find the operator, I'll fire them... Oh, wait, maybe I'll give them a raise! They obviously deserve it after all the frustration they have been through. ;-) So my MP3 files are fine... it's the players that are causing the discrepancy. No idea where to fix that... the mixer is at 100% level on the Rich Preview Handler App already. Thanks Guys... next post will be the results of all your hard work trying to get me in line! Bruce

Its not a simple open and save. Routing involves your Cue Mix also. . I Own and use SoundForge. I get the same gain level when exporting wave files to MP3's. The only difference is with the lower bitrates, you can get some high end frequencies cut off. so you should use 320 bitrate or 256 bitrate Your common denominator between your gain issues is your Cue Mix. Your troubles may lie in there. As there is no bug. Its a setting on your part. You just need to find it and correct it.

I used Linux servers to run game servers in the late 90's (Quake, Half-Life and Counter Strike). I had the second-most popular servers on the West Coast at one time (and was rated in the top-25 for Quake 1 players on a database of over 340,000 players - thank you low ping! ?). Other than that, I've been pretty much strictly DOS/Windows for decades. That said, .NET Core is now becoming stronger where the code you create can run on Windows, Apple or Linux so I'm guessing more stuff will be coming out soon.

Worst "something new and exciting is on the way" video ever!

Addictive Crack

Mudgel, not the same, but i suffered a bad skateboard accident - oops - and i wasn't sure if i'd be able to turn my left hand palm up after they screwed my elbow back together. It came around in time with physical therapy. Be peaceful. Keep musicin your life while you are inhibited. There's more than one way to rock.

Same here. Really hope it's not yet another particle synthy thing. However, more keyboard instruments or, better yet, AD3 would be very welcome.

I hope it's not a synth or more of those pianos. I wish he would re-sample his drum libraries to better quality. That might get me back to using XLN & AD again.

@Bruce Searl I think there is some confusion about how the bounce presets work and there has been no change in behavior. You will get the same result in any version of SONAR if you export the what you hear preset, or choose entire mix in the mix options. Cakewalk presently has no way to distinguish a headphone/cue mix from the master mix. What your see as the master bus in your project is simply a bus named *master* that came from the default template when the project was created. It could have been called main/mix/speakers or anything you want. The entire mix setting in the bounce options instructs the mixdown process to sum ALL bus outputs to a single stereo mix. This option should not be used when you have sub mixes in the project going to different outputs because it will result in a higher gain output. Instead, for this use case you should explicitly export just the bus you want which in your case would be master. Another way would be to solo the master bus before exporting with the entire mix setting enabled. In short this is not a bug. That said we could do better to warn the user when using the entire mix option if we detect that included buses are going to different hardware outputs.

I do not see that behavior on my DAW. We have the same DAW. Check all your routing and im sure there is something going on that you are not seeing to one of your other main outs.. I've exported hundreds of audio files in the past week with the latest Bandlab Cakewlak (what ever its called, i just downloaded it last week) and im exporting exactly what i am seeing going out of my master and onto main outs 1/2. If it was a bug, Everyone would see this, not just you. The volume should be the same. Its routing issue, as you are having volume/Gain issues on 2 different DAW's

If so I hope there's an easy and reasonable backwards compatibility with AD2 content.

I just read your OP again ( to let it sink in ) Wow you are indeed fortunate to still be here with us . I recently went through some heart stuff , it was nipped in the bud a little earlier in my case so I feel lucky to not have gone through all the extra challenges you went through .. The thing is "it's all mercurial " or as they say Y.E.T. , your eligible too . I think poor snack and munchie choices helped get me in this mess All the stuff I like is no good for me anymore and every time I eat stuff high in sodium that I enjoy the flavor of ...I end up paying a price ... I'm still working on it but it has taken me almost a year to have switched to a healthy sustainable heart healthy adjusted life style ... I will say in all honesty having to readjust my diet and activity level s are not with out it's temptations . To be human ....2 , 3 or 4 steps forward ...1, 2 or 3 steps backwards AYE AYE like it or not this metaphor has me feeling like I may be doing The Cha Cha Good luck man , if you can get a little time away from all the stuff that is no good for you and your health , when and if you revisit those foods you may find they don't have the payoff and appeal they used to have . As far as the exercise thing goes Rome wasn't built in a day ...I'm just getting back into hitting the gym and long walks after letting it slide for a bout a year . Whew it sure is humbling , ...I will settle for a little progress ... When I ask the Mirror Mirror on the wall to tell me how I'm doing , The Mirror on the wall reminds me I'm no spring chicken any more Kenny

That seems like a great deal. Not for me as I have too many plugins. Waves has started a price war.

Interesting comment regarding 430.4 in there... since that is within one cent of how this was released (39 cents flat IIRC). Because of how it was released, it does sound odd in 440 tuning, but is much easier to record in 440, then adjust the master down. Overall, the ability to tune instruments relative to each other is what is important. There has to be some standard, for better or worse, and with the digital age one can adjust *most* things willy nilly (even if done post mastering, which is simpler for real orchestral instruments). When things are not in tune with each other is when they stick out like a sore thumb... How it gets printed/released is up to the artist. These videos are all over, but when talking 8Hz... that low doesn't have that kind of resolution (even small errors compound quickly via doubling the error), and the graph he flashed briefly showing that is not even the strongest pitch. One would also expect a bit more from a scientific argument than a whole number this day in age. [Stupid aside] Stack tolerance is my prime choice to needle engineers. 100 level courses all speak of +/- error and how errors carry through calculations, but it is incredibly rare to see that +/- value ever included with precision measurements when selling a product anymore.

Being able to play like David would be worth a lot more...

It's of no use unless you have one (or more) of their products.

One way to isolate clips in take lanes in the PRV is mute all the clips in the track you do not want to see and enable Hide Mutes Clips in the PRV View Menu