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Do you use a plugin or phase align manually?


jesse g

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I was watching some videos and came across one about Phase Alignment.  I use Waves "Inphase", I've used it so long, it's part of my arm now.   I began wondering how others are dealing with phase alignment in their studios.  What other plugins are being used or are you doing it manually?

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I've never understood the purpose of phase alignment or how to implement it. Probably should have paid attention during DAW class I guess.

Is it a track by track, bus, or master thing?

I know my best mixes have always been on all analog, and there's no phase thingamabobs on it, so I never looked in to it on my DAW.

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45 minutes ago, Shane_B. said:

I've never understood the purpose of phase alignment or how to implement it. Probably should have paid attention during DAW class I guess.

Is it a track by track, bus, or master thing?

I know my best mixes have always been on all analog, and there's no phase thingamabobs on it, so I never looked in to it on my DAW.

Shane, 

When signals from different microphones (or sources) arrive at slightly different times, they can interfere destructively, leading to a loss of low-end punch, a weaker sound, or a "hollow" or "thin" sound, especially with instruments like drums where multiple mics are used

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3 hours ago, henkejs said:

I don't track drums, so multiple microphones are rarely an issue for me. If I use two microphones on an acoustic guitar, I'll adjust the positions by ear.

Read it carefully,!!

When signals from different microphones (or sources) arrive at slightly different times, they can interfere destructively, leading to a loss of low-end punch, a weaker sound, or a "hollow" or "thin" sound, especially with instruments like drums where multiple mics are used

Do you mix drum kits that were recorded by others?  Do you use drum samples?  Do you have two kicks with one being heavily compressed? what about a recorded bass via DI and amp?

Not supporting Neutron, I just like the video.

 

Edited by jesse g
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57 minutes ago, jesse g said:

Read it carefully,!!

When signals from different microphones (or sources) arrive at slightly different times, they can interfere destructively, leading to a loss of low-end punch, a weaker sound, or a "hollow" or "thin" sound, especially with instruments like drums where multiple mics are used

Do you mix drum kits that were recorded by others?  Do you use drum samples?  Do you have two kicks with one being heavily compressed? what about a recorded bass via DI and amp?

Yes, I understand the concept. I have such a simple approach to recording this just doesn't seem to be much of a problem for me. I don't play drums, so I use AD2 and EZD3 most of the time. No added samples. No double kicks. I almost never mix an amped and a DI signal for guitar or bass. However, I do watch (listen) for instruments that are competing for sonic space in the mix, and I always check my mixes in mono before exporting. 

For me personally, phase alignment is pretty far down the list of problems with my recordings. 😄

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10 hours ago, henkejs said:

Yes, I understand the concept. I have such a simple approach to recording this just doesn't seem to be much of a problem for me. I don't play drums, so I use AD2 and EZD3 most of the time. No added samples. No double kicks. I almost never mix an amped and a DI signal for guitar or bass. However, I do watch (listen) for instruments that are competing for sonic space in the mix, and I always check my mixes in mono before exporting. 

For me personally, phase alignment is pretty far down the list of problems with my recordings. 😄

Ok, I understand 👍

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