jesse g Posted yesterday at 05:17 PM Share Posted yesterday at 05:17 PM I was watching some videos and came across one about Phase Alignment. I use Waves "Inphase", I've used it so long, it's part of my arm now. I began wondering how others are dealing with phase alignment in their studios. What other plugins are being used or are you doing it manually? Link to comment Share on other sites More sharing options...
Shane_B. Posted yesterday at 06:45 PM Share Posted yesterday at 06:45 PM I've never understood the purpose of phase alignment or how to implement it. Probably should have paid attention during DAW class I guess. Is it a track by track, bus, or master thing? I know my best mixes have always been on all analog, and there's no phase thingamabobs on it, so I never looked in to it on my DAW. Link to comment Share on other sites More sharing options...
pwalpwal Posted yesterday at 07:04 PM Share Posted yesterday at 07:04 PM In short, some stereo things can sum to nothing in mono 🤪 Link to comment Share on other sites More sharing options...
jesse g Posted yesterday at 07:30 PM Author Share Posted yesterday at 07:30 PM 45 minutes ago, Shane_B. said: I've never understood the purpose of phase alignment or how to implement it. Probably should have paid attention during DAW class I guess. Is it a track by track, bus, or master thing? I know my best mixes have always been on all analog, and there's no phase thingamabobs on it, so I never looked in to it on my DAW. Shane, When signals from different microphones (or sources) arrive at slightly different times, they can interfere destructively, leading to a loss of low-end punch, a weaker sound, or a "hollow" or "thin" sound, especially with instruments like drums where multiple mics are used Link to comment Share on other sites More sharing options...
henkejs Posted yesterday at 08:25 PM Share Posted yesterday at 08:25 PM I don't track drums, so multiple microphones are rarely an issue for me. If I use two microphones on an acoustic guitar, I'll adjust the positions by ear. Link to comment Share on other sites More sharing options...
Cookie Jarvis Posted yesterday at 09:17 PM Share Posted yesterday at 09:17 PM I fix phase correlation issues with either iZotope Imager during mixing or with the Imager Module in Wavelab Masterrig. Phase correlation is very important to make sure a mono listening environment doesn't drop out. It also helps to balance frequency content. Link to comment Share on other sites More sharing options...
jesse g Posted 21 hours ago Author Share Posted 21 hours ago (edited) 3 hours ago, henkejs said: I don't track drums, so multiple microphones are rarely an issue for me. If I use two microphones on an acoustic guitar, I'll adjust the positions by ear. Read it carefully,!! When signals from different microphones (or sources) arrive at slightly different times, they can interfere destructively, leading to a loss of low-end punch, a weaker sound, or a "hollow" or "thin" sound, especially with instruments like drums where multiple mics are used Do you mix drum kits that were recorded by others? Do you use drum samples? Do you have two kicks with one being heavily compressed? what about a recorded bass via DI and amp? Not supporting Neutron, I just like the video. Edited 20 hours ago by jesse g Link to comment Share on other sites More sharing options...
henkejs Posted 19 hours ago Share Posted 19 hours ago 57 minutes ago, jesse g said: Read it carefully,!! When signals from different microphones (or sources) arrive at slightly different times, they can interfere destructively, leading to a loss of low-end punch, a weaker sound, or a "hollow" or "thin" sound, especially with instruments like drums where multiple mics are used Do you mix drum kits that were recorded by others? Do you use drum samples? Do you have two kicks with one being heavily compressed? what about a recorded bass via DI and amp? Yes, I understand the concept. I have such a simple approach to recording this just doesn't seem to be much of a problem for me. I don't play drums, so I use AD2 and EZD3 most of the time. No added samples. No double kicks. I almost never mix an amped and a DI signal for guitar or bass. However, I do watch (listen) for instruments that are competing for sonic space in the mix, and I always check my mixes in mono before exporting. For me personally, phase alignment is pretty far down the list of problems with my recordings. 😄 1 1 Link to comment Share on other sites More sharing options...
jesse g Posted 9 hours ago Author Share Posted 9 hours ago 10 hours ago, henkejs said: Yes, I understand the concept. I have such a simple approach to recording this just doesn't seem to be much of a problem for me. I don't play drums, so I use AD2 and EZD3 most of the time. No added samples. No double kicks. I almost never mix an amped and a DI signal for guitar or bass. However, I do watch (listen) for instruments that are competing for sonic space in the mix, and I always check my mixes in mono before exporting. For me personally, phase alignment is pretty far down the list of problems with my recordings. 😄 Ok, I understand 👍 Link to comment Share on other sites More sharing options...
Mr No Name Posted 2 hours ago Share Posted 2 hours ago if you know how to mic a drum kit properly and with the right type of microphones this won't be an issue. on overhead mic won't need phase aligning. Link to comment Share on other sites More sharing options...
craigb Posted 22 minutes ago Share Posted 22 minutes ago It's just a phase. You'll grow out of it! 😁 Link to comment Share on other sites More sharing options...
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