bitflipper Posted September 14 Share Posted September 14 I fiddled with Melodyne's EQ window for about 10 minutes back when the feature was first added, intending to go back and explore further. I never did. But today this video was recommended to me and I am now inspired to revisit it. 2 2 Link to comment Share on other sites More sharing options...
Grem Posted September 14 Share Posted September 14 I have tried it but could not get my head wrapped around it. Just didn't understand the concept. Now, I did not read the manual concerning the EQ use at all. So... I will give the video a watch!! Link to comment Share on other sites More sharing options...
mettelus Posted September 14 Share Posted September 14 That is a good find. I admit I totally blew off ever delving into some of the nuances that got added into Melodyne, but some of what he is doing in this video is very similar to what Scaler EQ focuses on. There are definitely differences between the two, and I am assuming this is geared more towards post-production only. Ironically, my biggest "complaint" going from 3 Editor to 5 Studio was it takes 5-6 times longer to open an entire score (commercial master) so I always hoped for a "bypass" option for the added "note manipulations" I never seem to touch. Link to comment Share on other sites More sharing options...
bitflipper Posted September 14 Author Share Posted September 14 Although I am a longtime Melodyne user - going back to version 1 with a now-discontinued 8-track version called Cre8 - I use it so rarely that every session sees me re-learning many fundamentals. It's a deep application. Did you know you can also use it for compression? Link to comment Share on other sites More sharing options...
treesha Posted September 14 Share Posted September 14 I had messed around with the eq features before but didn’t really get it, so the video examples helped me to see the different ways it can be useful. Always more to learn about melodyne. Link to comment Share on other sites More sharing options...
reginaldStjohn Posted September 14 Share Posted September 14 I have used it a few times to reduce nasal sounding vocal words and to make a backing vocal sound unique since I was singing all the parts Link to comment Share on other sites More sharing options...
mibby Posted September 15 Share Posted September 15 I wonder if I can do this with Melodyne Assistant? I agree, Melodyne is pretty impressive software, but also equally unintuitive - at least for me. This makes me think of Scaler EQ over a PluginBoutique. https://www.pluginboutique.com/product/2-Effects/16-EQ/11473-Scaler-EQ Link to comment Share on other sites More sharing options...
bitflipper Posted September 15 Author Share Posted September 15 11 hours ago, mibby said: can do this with Melodyne Assistant? Unfortunately, this is part of the "Sound Editor" feature, which is available only in the Studio edition. Here's a comparison of features between each version. 1 1 Link to comment Share on other sites More sharing options...
Shane_B. Posted September 16 Share Posted September 16 This or something very similar to it is in Melda's AutoDynamic EQ. You can even put an overlay of a keyboard on the screen iirc. I've used it more for repairing bad samples and recordings I made, but not a lot. It's very easy to mess things up with this for an amateur like me. Link to comment Share on other sites More sharing options...
bitflipper Posted September 16 Author Share Posted September 16 3 hours ago, Shane_B. said: It's very easy to mess things up with this Fortunately, CTL-Z works for every edition of Melodyne. Which of course doesn't prevent a truly motivated user from screwing things up. I have some old projects from when I was first finding my way around Melodyne to prove it. Link to comment Share on other sites More sharing options...
Grem Posted September 16 Share Posted September 16 That was a good video. Thanks Bit Link to comment Share on other sites More sharing options...
Gswitz Posted September 17 Share Posted September 17 (edited) I've really only used it to learn parts from recordings. I never managed a result I liked more than the original. Feed it this and see what it says. Lol. Edited September 17 by Gswitz 2 Link to comment Share on other sites More sharing options...
Shane_B. Posted September 17 Share Posted September 17 8 hours ago, bitflipper said: Fortunately, CTL-Z works for every edition of Melodyne. Which of course doesn't prevent a truly motivated user from screwing things up. I have some old projects from when I was first finding my way around Melodyne to prove it. I always liked V-Vocal. I got pretty good results with it very easily. Not to say I don't like Melodyne. I took an old recording a few years ago and did an entire key change on the second half of the song and it's impossible to tell it was done with software. My problem is I've always had a terrible listening environment when mixing. I could never really hear the full effect of changes until I got in my truck. I think I'm at least one version behind on Melodyne. I can't wait to get a studio set up, get everything upgraded, and dive back in to it. I'm going to have to upgrade my PC too. Oh darn. 😁 Link to comment Share on other sites More sharing options...
GTsongwriter Posted September 20 Share Posted September 20 Another reason you don't need Scaler EQ.. LOL.. Since I already own Melodyne Studio! Link to comment Share on other sites More sharing options...
Triangleman Posted September 20 Share Posted September 20 Thanks - always fun to find something new in something you already have. I tried it out on an organ/vocal idea I'd recorded a few weeks back and for whatever reason the organ (Kronos cx3) was probably the first 4 drawbars all the way up and nothing else and super chunky. It was a much more softer and sweeter idea that needed thinner organ and I put Melodyne on it and used the harmonics button and that 3rd slider (which is odd/even in this mode) and it was just like moving the drawbars and didn't sound like EQ at all. Then I went all out and started moving everything around and it got into this weird flute sound with a bit of a throbbing to it - put some heavy reverb on it and it was instant ambience. 1 Link to comment Share on other sites More sharing options...
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