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Some serious stuff : https://www.spectrasonics.net/support/ua-updates.php?product=trilian&view=software-history Major Interface Update New high-resolution GUI with support for HiDPI displays New interface design is easier to use Up to 2X GUI Magnification options Windows Multitouch Support New Live Mode interface for touch screens New Show Modulation pane opens modulation routings/sources on left side New Layer Level Meters New Stereo Part Level Meters New Synthesis Possibilities: 11 new filter types: State Variable Filter 12db and 24db LPF Power 12db and 24db HPF Power 12db and 24db Bandpass Power 12db and 24db Formant Resonator- Resonator+ Filter Variant control creates unique panning effects or changes the tone depending on Filter type. Waveshaper with Crusher, Shaper and Reducer sections for versatile and musical polyphonic distortion. Timbre Crush Mode for Polyphonic Bit-Crushing (Distortion) and filtering Soundsource Reversing Ring Modulation Boost switch for deeper FM and RM capabilities and more aggressive timbres Shape, Symmetry and Sync functions for FM and RM Doubled Harmonia voices Doubled Mod Matrix New Mod Matrix All Layers capability: when enabled, modulation applies to the relevant parameter in all layers New Modulation sources: Bias, 3-Step and 4-Step, Constant, Constant Bipolar, multiple Random and Unipolar sources Expanded Glide range Phase Invert button on sublayer mixer in Soundsource Zoom Enhanced Browsing Experience: New Mini-Browser lets you browse and edit sounds without switching pages New Full Browser has a cleaner layout Sound Match™ feature instantly locates any related sounds in the library Sound Lock™ allows endless useful variations by locking sound aspects while you browse Remote control loading of patches and multis via MIDI Program Change, CCs or Notes Fast Progressive Loading allows rapid auditioning Boolean search options New Audition Auto-Play feature enhancements New Arpeggiator Features New Functions menu (Duplicate, Rotate, Reverse, Shuffle) New Speed knob controls the offset to the host tempo New Note Patterns (Join, Spread, Stairs Up, Stairs Down + 4 more) New Play Modes (Loop, Chaos, Once) New Octave options New Step Modifiers (Transpose, Slide, Chords, Hi-Low & Step Dividers) New Latch button New Capture feature records the output of the Arpeggiator and exports it as a MIDI file Arp Reset button can be modulated Flexible New FX Features: New Aux FX rack per patch with Pre/Post fader sends FX Parameters are Fully Modulatable Bypass all effects by pressing the LED below FX button Lock FX while browsing Move effects within effects rack by dragging New FX Unit Preset steppers New Sharing Options Easy Sound/Project Sharing for collaborators and third party libraries Publish Library feature allows developers to easily export a library in a single .trilian package Improvements/Special Features: Improved authorization process Redo/Undo functionality New Clear All Browser Learns action on Utility menu Mode Stack Mode Note Regions option for Key Splits in Live Mode Global Clock Speed (Halftime, Doubletime, etc) Live Mode: New Single Sound option added to MIDI CC Mode and Key Select Mode menus Use mouse wheel to scroll over menus items Enable mouse-wheel scrolling on mod target Bias Point note menu Show indication of when a control is waiting for MIDI learn to complete Use mouse wheel to scroll over menus items Enter Parameter Value feature MIDI CC learn and host automation can now be used for parameters controlled by menus and radio buttons Improved resolution of Attack, Decay & Release sliders Increased resolution when using Shift key to adjust knobs/sliders values Enlarge clickable region for some steppers to be more user-friendly Adds up/down stepper arrows to Filter preset menu on Layer Page Support for foreign-languages in patch names, tags, search, etc. Utilize different tunings, including historical temperaments, microtonal scales, and user-created temperaments as well New Pitch Options in the System page allows saving master tuning and scale selections in multis or host sessions New Startup Directory menu in the System page allows you to select the Patch directory that is loaded at startup Auto Recall option remembers the last library/directory from which user loaded a patch New indicator on patch name showing if patch needs to be saved (asterisk after name) Support for high-resolution CC values Display Master Filter Frequency in Hz Streaming improvements Note Stealing improvements macOS Big Sur compatibility 64 Bit Only * NOTE: Patches saved in Trilian 1.5 are not compatible with earlier versions.

Yeah i have pretty all expansions also ... so it s good to know it works on windows 10 ...thks Larry ...

I would grabbed the fx if half of them at least worked on my system , every new release is a no go in my system ...

I used to like ian boddy work for alchemy , reminds me what a waste when apple bougth it. I ve spent so luch on this just several months before it happened ...

How the helldid ya got that price ?

My concern is just having my plugin on the account ...

Ahaha i can see Peter be like ....

So basically in programme install we choose in fact where the 3gb will be installed , and then the dll path after , right ? nothing elsewhere (doc , appdata, ect ..)

Wires is the last thing i would choose for delay , but man thatcolor it can bring is a beauty , and the degadation, isn t a simple tremolo ....

The scene either

had to google the translation for rehab , now it makes full sens !!

I think LArry just wanna be back in Birmingham lol Not only he does a fantastic just here , but also he's alwayz ready to help in thread and via Pm !! Solid is the word I'm in Grem

@Peter - IK Multimedia with this amount of IR per speaker and all, please tell me we can choose the DATA location on HDD during install ?!

never created one i think , i done the check out and voila ..

nothing on my account , previous orders not there ...

MIght have insight and ozone advanced as well as vocalsynth for sale in stok'...

I just want overlapping audio event playback (both) i liteerally stoped using it because of that... the only way i ve found is to create crossagde but with nominal linear value ...( so crossfade that does nothing)

if you need realistic playing , forget about it, but if you need fast access to stuff you gonna spice your tracks with : bingo ... i tried it versus what i have : NI / East west goshtwriter guitars , AAS ect .... and kept it , essentially for funk wah wah stuff ...you can edit the velocity pretty deeply , while it's not multi simpled , this is enought when amped after it gonna make the amps do the job;) the Mute was triky , i wanted to auotmate it and it was a mess until i understood it was mapped to sustain lol if you have a sustain pedal , you will have fun also ... Notice it insatll the 1.6 gb datas on drive C , i had to make a mklink command to put it where i want , shame ...

Tested quikly Neo , i said ok let's focus on sound generation , i went with the wedge force stuff great at 29 $ then second code , i tested again neo and went for it ...went basically from f...it i have all i need to dropping 60 $ on stuff i didn't NEEDED ...but liked ....lolmust be the second lokdown traumatic signs lol

All i know is that all those made the tapes an industry in sound , but also in cpu hit ...ouch ...

Lol my bad ... ssl ....of course , at that price i want to buy it again , bougth it at 49 if recall thinking it was a crazy deal ..

Fast , lighter on cpu , and sounds dammn on point ... easier to map on controllers , one of my go to with vpre 2c for maschine '.

Can we open our V4 amps in custom shop version ?

Drive is great on this one

In all my tests the most analog sounding would be Softube / kush (AR 1 , novatron) and some brands here and there (Kanglem , ddmf magic death eyes , arousor ect ..) Testing heavy the acustica , same feeling i had back then (that said engine seems way more solid) : static , no life ... They got the first contact with sound spot on (attack disto ect with first transients) but the time is not even bad but non existent , zero grouve or mouvement , i tried diffrent calibration , no way ....i might be a purist or crazy but this is what i feel .. Can't comment on uad , but HW would be HW , more than never i'm conisdering it because now we have total recall and full analog (Wes audio , tegeler audio , better maker ect ...) Pretty sure we spent the equivaklent in plugins to a good buss comp and eq (or something like ssl fusion) my waves mercury alone could have been one thingy Sure plugins are unbeatble when it comes to tools and utilities (stereo imager , metering , analysis, desseing , multinand ec) but for fundamentals (compression , EQ, saturation) , nope ... (i tired silver buller , black box , and ssl fusion versus drive i have , the only one that deosn't fails is true iron isnce it keeps the contour even if driving)