PhonoBrainer

Is that an overfed Korgi? Not you, Kenny, you're lookin' badass.

I liked the video for its melange of kitchen sink visual themes, and I think whatever mix issues people are mentioning could be solved more simply if you didn't call it EDM. It's a pretty good pop mix, electro pop maybe? Maybe the Addictive Drums hi hats could come across a little cleaner and crisper but as you said you are not being too finicky with this mix-wise, just banging it out, and I think it more than gets the fun across. cheers, -Tom

Pat Boone, Smoke on the Water. My eyes, they burn. My ears are defiled. And just to make it worse, the main lick is played on a clean Tele.

Remember, the Cake is a metaphor, for, uh . . . . . . as sung by a young Dumbledore.

I bought the original but became quickly underwhelmed. They must have had an overly convincing presets video that sucked me in. Don't know how they upgraded it, maybe its better now!

Sounds like a party!!!

What was the weather like?

Waiting for some killer vocals for this well defined, modern chill mix. For me the hi-hat could replace the crackles in terms of mix prominence. nice one! cheers, -Tom

First off I like the song and the lead guitars, in fact all the guitars have cool tone going on. I think the mix issue is the vocals, and in a psychedelic song like this you can really get away with whatever you want. I'm no expert but maybe look at the volume of your snare, and your vocal, and compare. You want both of those to be prominent, and that's hard because they occupy broadly similar eq ranges. In your mix the vocal is much louder than the snare, but you might help drive the song a little more with a closer balance between the two. interesting tune and good luck with it! cheers, -Tom

A tone poem with some cool instrumentation. Agreed that the rain could back off, particularly during the vocals. I feel like the rain is decreased a bit as some of the instrumentation comes in? Then suddenly out completely, then back for 3 seconds with parrots. A bit confusing! But as this is part 1 of something, maybe the answers come later. In any event, I hope those lyrics come back repeated for meaning, as they sounded kind of important! interested, -Tom

The Best Deal would be to have Larry back.

She could be married to a guy named Paris.

Breaking Free could be . . . elimination of gear credits and jam points, and just putting a simple single price on their items?

https://www.uvi.net/store Thru July 19th

sorry double post

Someone talk me out of c2 or mb compressors.

I thought your mix held up quite well and the second half of the song was more on the EDM side, kind of felt like a bit of a wait to get there tbh. But while you are waiting, here's the silhouettes. So all good. nice one! cheers, -Tom

I think I heard this before? This mix has a lot of "tension" in it which makes for a good listen. Was that an organ or oboe that came in in the middle? Nice tone on that. I hope God had a breath mint. cheers, -Tom

Huuuuge Knopfler fan here! Your guitars are credible - I'd say your vocal needs to be more prominent in the mix, and maybe processed with a goal of adding some weight or heft to the vocal - like a multiband compressor primarily working on some lower frequencies? Just a thought. Maybe the vocal could be doubled? It's got some cool interpretations and inflections in your performance. A blast from the past, nice job, thanks! cheers, -Tom

Hey nice one, held the interest! I noticed you used Heartbeat, and while the machine-gun snare in your song was the only thing I didn't really dig asmuch, I was wondering how you found using Heartbeat in general? I've looked it over a little . . . Loved the composition. cheers, -Tom

This was me as well, for my first years playing in the early 90s I was lugging two JBL 15's with a dedicated Crown amp, just so I could play gigs in stereo. Beautiful, digital piano of the early 90's in stereo. Gaaaaack. Of course for the cheesy early 90's organ patch, I had a Motion Sound real fake rotating horn Leslie simulator, which I stereo mic'ed and fed to the P.A.. Truly not even mildly authentic. The good news is, whenever you wake up and realize that playing keys in stereo at gigs is truly stupid and pointless, you at least by then have a decent stereo P.A. to play mono in.

The lead guitar tone is very listenable, and your choices of where the melody goes have a lot of feel, so both give this tune a great start. I liked the sax as well, and the piano throughout supports everything! I think you moved the piano to the edges, to make room for the featured stuff in the center? It works! Maybe you could focus on drying the drums up a little, or making them more present in the mix somehow? The combo of the snare and ride cymbal having a sssssst sound, in addition to the string pad which seems to filter in and out with fizzyness, might be creating some washiness that I think distracts from your excellent leads and other elements. Just a thought fwiw. What do you have as a filter on those pads? I really liked it! cheers, -Tom

@Douglas Kirby - thanks for the listen and glad you liked the video as well! The video took a while with the edits . . . @David Sprouse- thanks, that's a good idea with a female vocalist, but my wife is territorial and sings like a hinge. @jwnicholson78- very glad you liked it, many thanks!

For me the vibe was Simple Minds! Very pro production, those drums especially really breathe in the mix. Killer vocals! I found the video a bit random at times but I guess you bring your interpretations to the party. loved it! cheers, -Tom