Notes_Norton

Exaggerations went up by a million percent last year.

Pushin' Too Hard – The Seeds

England has no kidney bank, but it does have a Liverpool

This Is A Man's World - James Brown

Let It Snow!

There's a fine line between hyphenated words.

Time Has Come Today - Chambers Brothers

PMS jokes aren't funny. Period.

Happy to surprise you. Bullet To The Brain - Megadeth

Beauty Through Order - Slayer

I stayed up all night to see where the sun went. Then it dawned on me.

Remember, he (or she) who has the most birthdays, lives the longest.

Apple is designing a new automatic car. But they’re having trouble installing the Windows!

I'm never ever going to say never say never again around these parts cause you guy will never let it rest.

Stop, Stop, Stop - Hollies

And I know it. She's good-looking, a world-class singer, and she plays synth and guitar, too!!! She's the kindest person I've ever met, and she is my very best friend. I won the love lottery! Notes ♫

Happy B-Day and many, many more.

Period Pizza? I don't think it'll be a best seller. Even on certain times of the month.

Lyrics: I couldn't sleep at all last night. We learned this one for a regular audience member, and it's fun to play. Mrs. Notes and I do the solo close to the recording. Tossin' and Turnin' - Bobby Lewis

Didn't care much for Tolkien and never got past The Hobbit book, but I devoured the Castaneda books back then. But I appreciated the Tolkien movies at a much older age. The LSD days were definitely a lot of fun. Acid rock was some good music and fun to play too. But today, I'm pretty straight, two or three glasses of red wine per week is it. No particular reason, I just got tired of being high, I guess. But who knows about the future? My wife's name is Leilani. She never hears "Leilani who?". Off-line I just go by Bob, so if I call someone and say "It's Bob", I'll definitely hear "Bob who?" On-line, I'm just Notes, and nobody says "Notes who?" so I guess my sister's business partner did me a favor. Notes ♫

Not easy, but that depends on the horn player. A good horn player can play in any key, but what you get used to is always easier. In the past, most jazz guys liked Eb or Bb (F and C on the tenor sax and trumpet - C and G on alto) because so many of the standards were written ion those keys. These guys hated E and A (F# and B on the tenor). I grew up playing in guitar bands, so E, A, and C are easier for me (F#, B, and D on tenor). I can play in any key, but the keys I play in most often are the most comfortable for me. Unlike the guitar, to play a song on the sax in a different key involves entirely different fingerings. It's like learning it all over again. So if the song starts in Bb (my C on tenor) and then changes to B (my C#) I have to learn it again in C#. Every instrument has its challenges and gifts. That is why non-transposing instrument players have to learn our scales and arpeggios in all 12 keys. It helps to get the common patterns under our fingers, and that makes learning things in different keys easier. In my first band, we learn a song that has no saxophone part (an oversight, I'm sure). The guitar player teaches me barre chords, and I play rhythm guitar. At the end of the song we modulate and all I have to do is move my hand up one fret and finger everything the same way. My reaction? "WOW! This is great! Wanna modulate again?" But like I said, every instrument has hit's challenges too. It's much easier to read music on sax or piano than it is on guitar. In the old tape days, it was very common to speed a song up by running the tape playback faster. Play along with some old pop records, and you will find some of them in between keys, even if there is an organ or piano in the group (which can't play between keys). In our duo, we learn songs with these things in mind. What key is best for the singer. That's the first priority. Ease of play, if the singer is best in a difficult key, we'll try it in a half step above or below to make it easier. BUT if it doesn't sound as good a half step away, we'll leave it in the more challenging key. How does the song sound in this key? I don't know why, but some songs just don't sound good in certain keys, again, a half step away usually solves that problem Record key, if we can do it well in record key, we'll keep it in record key. I played with a blind piano player for a couple of years. He could play in any keys, but preferred keys like B, F# and C# because it's easier to find the black keys on the piano by touch. A lot of Stevie Wonder songs are in those easy to find by touch keys. He went back to France and became famous, Gilbert Montagné. Funny road story with Gilbert. We were booked by an agent in a redneck bar. This was back when country folk had short hair and hated long haired weirdos. So Gilbert has long hair, sunglasses his wife picked out that were teardrop shaped (feminine) and like most Europeans at the time carried a 'man purse'. So we go walking in, Gilbert can't see so I'm leading him in, arm in arm. The rednecks confronted us, thinking we were 'homos' (in their words) and wanted to beat us to a pulp. Luckily there was a couple of them calm and reasonable enough to listen, and they calmed down. Gilbert knew a lot of songs from every genre, so when we started playing, we hit them with a lot of recent country music hits, and in the end, they actually liked us. Back on topic... One last word to the guitar and bass players here. Be happy you can change keys without learning the song again. And if you are playing live, don't be afraid to speed it up a little bit. Insights and incites by Notes ♫

I've learned to "never say never". Things change, and I've gone through many changes so far in my life, so there is no reason to think I won't change again.