Notes_Norton

War Child — Jethro Tull

Woman From Tokyo — Deep Purple

↑ ↑ Making the trumpets a little sharp really helps the brass stabs near the end sound better

Self deleted

Highway Patrolman — Bruce Springsteen

I'm making a “cover version” backing track for this song. A guy who comes out and supports us requested it. It's a big project, since I record all the parts to my backing tracks myself. I'm leaving out the lead guitar, sax, and lead vocals to be played live on stage (I always save the most fun parts for stage) So I'm listening to it again and again, focusing on one instrument at a time. I Love You More Than You'll Ever Know — Blood, Sweat & Tears

I think it's rather ruthless

Back Door Man — Howlin' Wolf

Outlaw State Of Mind — Chris Stapleton

Steely Dan — Caves Of Altamira

Walkin' — Stanley Turrentine (One of my all-time favorite jazz tenor sax players)

Cannonball Run Theme — Chuck Mangione

The Work Song — Cannonball Adderly (and brother Nat)

First time for me, too. And I've been making my own backing tracks since 1985. The the future Mrs. Notes and I were playing in a 5 piece band. Bass player quit due to family issues, out of work a couple of months. Then the drummer quit, out of work for another month. First gig with her and she didn't want to play in a bar. So I bought a Teac A3440 4 track reel-to-reel and started making backing tracks (I play drums, bass, guitar, sax, flute, wind synth, keyboards and vocals in various levels of competency or incompetency). Mixed to cassette and started gigging. Then digital came and we went through various generations of that. Other than the COVID lockdown, we've never been out of work. I tell the audience that the only band that has been together longer than us is The Rolling Stones. If it works, I wait a bit and then say, "And we still have all the original members!" (Of course we are a duo). The guy who doesn't like backing tracks hires bands for two venues, too. Perhaps he is a musician??? Or had a bad experience with someone using karaoke tracks??? I don't know, and he didn't explain. Another guy didn't want us because we didn't have a facebook page. I told him we have a www page that anybody on the Internet can see, including anyone who has facebook. But if I had a facebook page, only FB people could visit us. To me that was weird. facebook.com/sophisticats.duo - Even though I own The Sophisticats trademark, I can't keep others on FB from useing it, so I added the dot-duo at the end. So, even though I hate FB, I started a FB page. Only 10 followers so far, I'm not promoting it yet, still learning how to do things on it. The problem with that is it's mid season, I have almost 20 one-nighter gigs, and I'm learning new songs for our fans. Plus I make aftermarket styles for Band-in-a-Box and run that biz nortonmusic.com We have close to 500 people on our opt-in e-mail list. Quite a few people told us they are happy to start the 17th year of our mid-week, mid-day party and will show up. That's job security. Through the years I've improved my backing track skills. I'm now working on Blood Sweat & Tears, "I Love You More Than You'll Ever Know". It's a cover version without the lead guitar, saxophone and lead vocals, which we will do live. It's a request from a regular audience member. It's a piece of work! When I started making tracks, decades ago, I didn't have the skills I have now, and couldn't have done it. I'm not done yet, but it's sounding really good to me, and it should be a lot of fun. I've been in this biz for decades, and I've met some really weird agents, club owners, and other musicians. No backing tracks? Too bad, I was offering him money during a time when the business is slow, between lunch and dinner. Now one of his competitors will get the money. We love our fans, many of them have become friends, and I'm thankful that they support us. Sorry if I've drifted off topic too far. Insights and incites by Notes ♫

Dirty Work — Steely Dan

the righ way to wear ear buds