Glenn Stanton

here's how it works for me: 1) create the region fx - no blobs 2) simply left-click on the clip (not double-click) and the blobs appear. if you have full screen view of the melodyne window, then you might have additional steps. but if the ARA is working then you just need to sync the position in melodyne with the clip time. in best programming - this would be done for you already. since it's not (at least for me), i just automatically click on the clip once the window opens.

$5 million dollars.... <dr evil cackling>

maybe you need to install the version you signed up for from the celemony site? i know whenever i install a version or update i have to get it from the site as it contains the license. so even a trial version might need this.

if you're getting a single note, it's likely the percussive algorithm is being used which results in a single note. you'll want to switch to universal etc.

it may be those are the reg entries used to control if it's a region fx or not. i didn't have time to search via the uuid values and i could not find a "region fx" registry entry anywhere (even just searching "region"), so i think the BL folks will need to look at this for suggesting a fix.

the drag to a MIDI track should produce something - usually the Melodyne (which is doing the work) may popup with information about the type (like drums use percussive algorithm).

definitely do not edit anything until a thorough check and export a copy before editing so you can restore the entry

i have 2 registry entries, a normal looking one and a second with "*0 ... " stuff on the end. the lefthand is the normal looking entry.

and you checked that is somehow wasn't in the excluded plugin list? it's possible an old registry entry exists saying it's excluded?

Garage Band on the Mac is free and easy to use, then export the audio and share with you.

go into your plugin manager - select the LAB plugin and click on plugin properties -> check the "configure as synth". close the plugin manager. then find it in the instruments plugin and load into the audio track. in the MIDI track select the LAB plugin.

checked their FAQ from the video: it's an older video. this user seemed to sum it up nicely: maybe they could fix some of their other plugins and then announce undocumented features later...

dunno if it does support MIDI as there is no reference in the manual for it. you might just use envelopes to control it.

do a split on the audio tracks at the time marker to get the cross fades (it's set to auto) (MIDI tracks don't need to be pre-split) set ripple edit on use project -> insert time/measure, ensure it's going to insert 1 (or however many) at the time selection (very important) and insert turn ripple edit off (very important) i find reliably selecting and dragging a bunch of tracks is an iffy proposition. esp if ripple edit is on and a simple miss on the selection can be a painful recovery.

maybe a quick check to see if it got excluded somehow (in the plugin manager). then check that that your using the default or manufacturer listing?

maybe check: C:\Cakewalk Content\Common\Plug-in Menu Layouts (or whichever drive you're using for Cakewalk Content)

i usually just left-click once on the clip and it re-aligns the time marker with Melodyne. then again, the FX window opens over top of the console view for me (same as PRV).

WHAT!!! you have electronics and no electronics cleaner spray? LOL ?

what Glenn heard: "use some electronic cleaner spray to remove the built up gunk (open the back up)" (10 min) and "if it's still failing - check the resistance settings (open the back up)" (5 min) and "if it's still failing, buy a new pedal" (24-48 hours)?

as John said and perhaps make yourself a template with everything you need on it first. then use that to create the individual projects. then removed extraneous tracks and synths etc later (or never). maybe start with a bunch frozen then as you expand you work, unfreeze it. regardless, composition and performance (except Jazz) are usually two distinct processes. so consider getting your composition mainly right first using something like Musescore etc, then implement the performances.

depends. for effects - create presets for each use. and if you need the same effect across all movements, then this should solve that. presumably volume and expression would be different for each movement? i mean volume and other envelopes can be copied but is that the intent? maybe save the effects (unless you're doing sound designs...) until after you have the movements orchestrated.. worst case, if making the master audio isn't the right way for you, then maybe just export the MIDI from each movement and construct the master from there (like you originally intended), and the connecting bits and then apply you effects across the VI.

no real experience with the Focusrite but they have an excellent reputation - when connecting hardware - grounding? ground potential can cause of lot of issues.

generally the 1820 and extender are routed to patch panels which for the XLR are XLR patch bay, and the 1820 TRS are normalized for the inserts on a another patch bay for interconnecting mixer, effects, etc. no issues with the front XLR.

Behringer AD8000 https://www.amazon.com/BEHRINGER-ULTRAGAIN-PRO-8-DIGITAL-ADA8000/dp/B000GEPC44 connects to my UMC1820 via the optical connectors. i have a cheap optical splitter to feed my (ancient) JVC RX-7000V for 5.1.

you will have "movement" projects. then you export those as audio. you will have a "master" project where you align each movement into a track. blend as needed by adding some additional audio or MIDI. then export the entire thing to your stereo / multi-channel output. you're likely composing this a movement at a time, so do the same for the performance and add the blending bits where there is a need.