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https://www.bestservice.com/studio_one_5_professional_upgrades.html Only 8 hours left... upgrade for $79.

If you get it before 11:59 PM CST tonight, Dec 31st, you can get the current PreSonus S1 5 Pro upgrade sale price at BestService for $99. Still not a bad deal. https://www.bestservice.com/studio_one_5_professional_upgrades.html Then enter the Promo Code HNY2021, and get voucher for additional -$20 off. Total = $79. 50% off would be $74.98, so that's pretty damn close! ?

The hearts show up here in CbB.

The Yangqin is very cool! Hammer dulcimer! ?

And then there are these adds to the 5.1 update... What’s New in Studio One 5.1: https://blog.presonus.com/index.php/2020/10/20/whats-new-studio-one-5-1/

Well, there is this new aux channel feature that makes it easier to integrate external hardware instruments with the DAW... drag n drop...

So it's actually a $20 per year IKM subscription to maintain perpetual access to your sounds. Unless you buy an external USB hard drive and archive them all. So it's a at least a couple of years to break even if you buy an extra drive...

So if I get them before this Friday, they won't count against my 2021 resolutions? ?

I don't need Repro, or Zebra, or Diva... I don't need Repro, or Zebra, or Diva... I don't need Repro, or Zebra, or Diva...

FYI, the technique above also works with the tab in the Ample Guitar M II Lite. ?

I think that the Ample Bass P Lite II is a great sounding bass. Sounds a lot like my real Fender P Bass. But it's always in tune, and never needs a string change! ? That is why I went ahead and bought another Ample Bass a couple of years ago when they had a sale. The full version of Ample basses offer a cool MIDI riffer module, in addition to the tab player. I chose the Ample Metal Ray5, an emulation of the Stingray 5. It originally only came with a "picked" sample set, so it was rather aggressive sounding. Which is good when you need it. But last year Ample released a free "fingered" sample set for Metal Ray5, so the bass is now a bit more versatile 5-string.

They actually end up in the Product Manager folder that you defined...

Even if you do that, your earlier purchases don't get extended. Tick tock, tick tock...

Just another broke bloke...

Here you go. Tested this with the free version of Ample Bass P Lite II: CW: Insert the Ample Bass P Lite as a simple instrument track. (There are other ways to do this, but this is what I did to test) Ample: Open "Settings", and set MIDI out to "On". CW: Insert a new MIDI track and make sure the input is set to the Ample Bass. Ample: Open up the "Tab" module in the Ample bass and select desired tab (note, these are not MIDI clips). Then turn on "HOST" and "SYNC" at the bottom of the Ample UI. CW: Arm the MIDI track to record. Press the "Record" button on the CW transport. Cakewalk will start recording onto the MIDI track as the Ample Bass performs the tab while it is in sync with the host transport. When the tab has finished playback, stop the transport. Your newly recorded MIDI clip of the tab is ready for you to work with. ?

"unobtanium". Funny! Haven't heard that word in a while!

I really didn't intend to take this "FR: Chord Track" thread so off-topic. ? My earlier post with the Notion/S1 score was intended to illustrate how the chord, time signature, and tempo changes appear in their respective Studio One chord, time signature, and tempo tracks. With hopes that something similar can work its way into Cakewalk! OK, now that feature creep was intentional. It's not just a chord track that would be useful, but I do think all of those global tracks could work together nicely for Cakewalk! But I'll leave the score editor for the other FR. ?

That seems to happen mostly with the little guys that email you a link to the download file, that's only good for a set number of tries, or for a very limited time.

Yes, +1 for a MusicXML addition to Cakewalk. That would help a lot of folks workflow for getting notation into Cakewalk! I just upgraded to Studio One Pro 5 last week (on sale), so was curious about the latest state of integration between Notion 6.8 and Studio One Pro 5.1. It's as simple as having both of them open at the same time and either: 1. (Notion) File > Send to Studio One. If you choose to Send Score to S1 it will create instrument tracks and notation in S1, including any VST instruments you were using for the tracks in Notion, as well as any defined rules. Notion instruments will not cross over, but the assigned instrument names will. Notion instruments will only work in Notion. That's shame, and you would think PreSonus would find a way to make them compatible with their Presence sampler or something else in S1. 2. (S1) Song > Send to Notion - you can send note data of the entire song or selected tracks. Say for example that you made some manual changes to the note data in the DAW, and wanted to send it back and merge it with the original score in Notion. Done in a few clicks. This was just a simple example, as there is actually much more that you can do, such as lead sheets, audio mixdowns, etc. And yes, that is the Notion engine that they bolted onto S1.

Like this? Just click on the text labels below the controls, and you will be offered the available parameters that can be reassigned to each control.

I'm supplying actual working use cases that will hopefully make their way into the Cakewalk development pipeline someday... not an intentional flaunt. I've been using Cakewalk since Cakewalk Professional 6 in the late 90's. And this is a feature request thread, one that the devs will hopefully read. I still use Cakewalk CbB (as a former Sonar Platinum for lifer), but when Gibson shut them down I was forced to go looking for a replacement. Got a cheap crossgrade to Studio One 3 Pro, so I'm trying to keep up with that DAW as well. Nobody says you gotta use just one! Bottom line is that I wish all the best for Cakewalk and its users. Especially after using it as my main DAW for over 20 years. Love watching the constant improvements since BandLab took over!

I believe the extra punch is likely due to them sampling real oscillators. Of course, at the added expense of the footprint of a large sample library. So, paired with new modeled filters to shape the sampled sounds, IKM Syntronik has a great analog sound! But they didn't model the actual synth interfaces in detail, so no detailed knob tweaking as on the original instruments. However, you can still choose from 7 filter types, cutoff, resonance and drive, control the ADSR envelopes, and adjust LFO waveforms and rate. Plus it comes with an awesome effects rack!

I'm not aware of any download limits. Just the download expiration after 180 days. $10 will unlock downloads of everything in your account for another 180 days. I had to use that option once, when I forgot to grab something from a huge bundle the first time around. It's not terrible, but it is a business model to be frowned on, as it's clearly anti-customer friendly. Right off-hand I cannot think of another company that does it this way!