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Everything posted by FreeEarCandy
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Simple but it does pull one in. Dark & mysterious and has the PF welcome to the machine vibe. Cool stuff, Wookie!
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Wow! When it rains it pours in your neck of the woods. And your poor sis. Wishing a quick recovery! Music sounds great, Freddy! Just keep them coming when you can. Get well and stay well! That's an order!
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Very nice, Mark. I didn't realize TTS had a brush kit. You are referring to Cakewalk TTS?
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I didn't notice. I thought it was an enjoyable performance.
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Artifact (Drywater, Mars Part 7) (Feedback Requested)
FreeEarCandy replied to Amberwolf's topic in Songs
Beyond my ability to advise. -
Thanks bmarlowe! The reason I used 3 violins was I couldn't find anything in my library that sounded like a classic country fiddle. I had loaded up several VST instruments while searching and I began playing around with all three at once and noticed I could get something interesting enough by panning them and letting each of them come in and out using automation. Created a bit of interesting motion with the different timbres panned apart. Thanks for the listen! Stay well!
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I'm perplexed. I don't know where the 3min of noise came from. I did notice the wave graphic was unusual, but I haven't uploaded to soundcloud in a while, and I noticed they updated their site and assumed that had something to do with it. Well its fixed now and thanks for the ears & heads up, my friend!
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@Amberwolf Well I'm glad you enjoyed my pumpkin pie. Not sure what sounds you are talking about or what you have in mind for your project. This was a simple bare bones acoustic guitar piece (rhythm, lead, slide) I put together in 2013 and recently updated with additional instrumentation. The old project had no bass, violin, banjo, drum. You can PM me here, and if I can help you out with something useful to you, no problem. Stay well!
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Artifact (Drywater, Mars Part 7) (Feedback Requested)
FreeEarCandy replied to Amberwolf's topic in Songs
Out of my league, but it sounded good. Has that low end theater quality (rumbles ones bones). Yeah. I can picture this as a movie sound track for sure. Nice work. -
A instrumental country tune. A bit late for Halloween. 3 mins. 3/4 118 BPM. Acoustic Guitars- NI Violin-String Slide SI String Section-Default Dim Pro Violin-ESP 2v Attack AD Drums (1)- 70's Kit NI Bass-Rickenbacker TTS-11 Banjo
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I think you missed just 1 note. Just kidding. I loved it. Excellent playing! Great song too! Worth a ticket to watch and listen. Thanks!
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That was nice work. Really enjoyed the take and the old cartoons. I'm trying to remember who did the narration at the end on the original. Was it Vincent Price?
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Not my genre either, but I kind of get it when following the lyrics. Yeah, the distortion creates a sense of irritation and rejection (as noted in some of the comments), which I believe works well with lyrical concept (crooked people). Can't imagine using such lyrics backed by a pleasing harmonious love ballad. Just wouldn't fit. So, I'm giving you thumbs up. The music fits the concept 100%. As far as the critic about the sound quality, its always nice to have ears to help you along, and many here have good ears (I'm not one of them). So, I'll avoid such critic and let others who do guide you.
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Trippy 60's vibe. Cool video to match. The lyrics are very creative. Everything sounds good and a lot of interesting layers in the mix. 100% loved it, Treesha!
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I know what you are going through. Keep at it & get well.
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So very nice and enchanting. Lovely.
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Interesting, Larry.
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If the American revolutionaries lived in the USA today and did exactly what they did in the 1770s, they would almost certainly be arrested, charged, and prosecuted for incitement, sedition, or domestic terrorism. Even the **Declaration of Independence itself**, with its charge that people have a right to “alter or abolish” a government that violates their rights, could be interpreted in a modern context as advocating the violent overthrow of a constitutional order — a potential violation of laws against sedition. The line between patriot and criminal is drawn not by speech or action alone — but by power, perspective, and time. It’s a reminder that history doesn’t just record events — it interprets them, and those interpretations shift with who holds authority, who tells the story, and when it’s told. The nature of ones economics will dictate the character of the people, just like nature (eco system) dictates the evolving attributes of all life forms and the world they live in. Nice work Nigel.
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Hello! From the album "Wish You Were Here". Created this in 2014 and updated it with some new VST instruments. All new vocals and electric guitar intro. No samples. Other than that, peace! https://www.bandlab.com/post/c41182b7-b796-f011-8e62-000d3aa6e7e5
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This is a cover of David Gilmour's song titled "There's No Way Out Of Here" from the 1978 album David Gilmour. David is the lead guitar and vocalist from the band Pink Floyd. This album is one of David's solo projects. More about the original song below... This cover is a collaborative effort put together by FreeEarCandy & Homestudio Kurumin sometime around 2014, but was never fully completed and published for lack of ability to find a female vocalist to handle the backup chorus lines. Still absent of the chorus lines, I decided to go ahead and publish this work today. Analog Lineup: Guitar: GSP 2101 digital/analog vintage guitar signal processor Bass: Marcelo from Homestudio Kurumin, Brazil. Vocals: Dean from FreeEarCandy, USA Digital VST lineup: Organ: Combo of Rapture (preset organ2) & Dimension Pro (preset Hammond). Drums: Session Drummer (extra shoutout to Homestudio Kurumin for helping me tidy up the midi drum track. Harmonica: Combo of TTS Harmonica & Rapture Clarinets Story behind the song" David Gilmour is the debut solo studio album by Pink Floyd guitarist and co-lead vocalist David Gilmour, released on 26 May 1978. The album reached number 17 in the UK and number 29 on the Billboard US album charts; it was certified Gold in the US by the RIAA. The album was produced by Gilmour, and consists mostly of blues and guitar-oriented rock songs, except for the piano-dominated ballad "So Far Away". The tracks used for the album were recorded between February and March 1978 with engineer John Etchells at Super Bear Studios in France. They were then mixed at the same studio by Nick Griffiths. Session musicians included bass guitarist Rick Wills and drummer Willie Wilson, both of whom used to be part of Jokers Wild with Gilmour. The album was recorded at the same studio where Pink Floyd bandmate Richard Wright had recorded his first solo album Wet Dream just weeks before, though it would not be released until September 1978. The album's only single was "There's No Way Out of Here." The single flopped in Europe, but became popular on album-oriented rock radio stations in the US. The song was originally recorded by the band Unicorn (as "No Way Out of Here") for their 1976 album Too Many Crooks (Harvest Records, US title Unicorn 2), which Gilmour produced. It was also recorded later by New Jersey stoner rock band Monster Magnet on their Monolithic Baby! album,[citation needed] and by Iron & Wine on his 2015 covers album Sing Into My Mouth. One unused tune that was written and demoed at the time would later evolve, via collaboration with Roger Waters, into Pink Floyd's "Comfortably Numb" from The Wall. However, a song included on this album, the piano ballad "So Far Away", uses a chorus progression not unlike the chorus to "Comfortably Numb", albeit in a different key. Likewise, the song "Short and Sweet" can be seen as a musical precursor to "Run Like Hell" (also from The Wall), with its shifting chords over a D pedal point, using a flanged guitar in Drop D tuning. "Short and Sweet" was written in collaboration with Roy Harper, who recorded a version, on which Gilmour played, for his 1980 album The Unknown Soldier...Wikipedia https://soundclick.com/share.cfm?id=14954588
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The tune and vocals remind me of a musical scene I heard in the Bruce Willis movie "The Fifth Element". Futuristic and alien. Cool stuff!
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Nice KSBand. My Icon plays the flute, but I use a VST when I'm in need of that sweet stick. I don't come across many tunes anymore that use a flute so its a rare pleasure. The tune sounds nice. Yes. Relaxing and laid back.
