SteveC

When you say down-sampling, do you mean a bit reduced type harshness?   If so I honestly don't know what could cause that outside of a plugin specifically for that purpose, or some type of weird driver interaction getting triggered by something at that point in the project.   Hopefully trying the existing clip in a new project will help determine if the clip itself includes that anomaly or if it's in the original project.     

Until then...  If you copy that clip further down the timeline does the glitch occur at the same spot?  What if you move that copied clip to a new track in the same project?   What happens if you split the clip around the location where the glitch occurs, and then slip-edit each split clip to exclude the glitch region?    I'm just throwing out ideas to maybe help narrow down the specifics.

I think it was suggested earlier, but, if you import that wave file into a brand new empty project using one of the delivered templates, does it glitch in the same place?   If so, then yes, it was recorded that way and there's no fixing that after the fact (outside of something like RX or similar).   What I would also try though is recording the same thing you did the first time around in that new project, using the original version as a guide, and see whether the newly recorded clip in the new project does the same thing.    Worth a try, I think.

Nice playing!   Really nailed that surf meets folk style.

I think I remember this song from a little while ago?    If so, then the video made it all that much cooler!   Y'all can play.    Really love this genre. 

That was freakin' awesome.   Wow. 

Loved it!   Really well done all around.    The music was tight and dynamic, and the vocal distortion fit perfectly.

Speaking of fitting perfectly - were some of the video clips your own? 

Just had a listen - great job!  Really captured the vibe without sounding exactly like the original.   Vocals were a standout for me.   👍

2:44 worth of straight structured retro-Floyd music with vocals?    Shocking!      In a yeah, you should do something like this again, way.  

Huh... now that was a bit different.    🙃

Loved the music... so chill and pleasing, and the piano (as per usual) was a standout.  Loved the soft tone.     Now the video - that was pretty freakin' funny.  

Thanks!  

The video imported as expected here.   What's the sample rate of your project?   Sped up audio seems like a typical result of a sample rate mismatch.

Thanks, Tom.  

I've never done soundtrack work before so you could certainly be on-point!  Something to keep in mind for sure...

Hi everyone,

It's been a few years since I've finished anything new, actually pre-CbB era.   How time flies.   Anyhow, I decided to throw my hat into Spitfire Audio's Westworld scoring competition: https://www.spitfireaudio.com/westworld/

The video clip includes actor dialog, along with weapon and vehicle sounds.   Otherwise I've added everything else - synths, percussion, orchestral, and the little diddy at the end. 

Thanks for your time!

Just poppin' in to say...   that was freakin' awesome.    Steely Dan horns over a groovin' rhythm section with some really tasty and well played guitar. 

23 minutes ago, chris.r said:

It would be great if, when focus is on Clips, ctrl+drag vertically moves just the selected portion of the envelope if there is any selection, or the whole envelope if no selection.

Huh...   I like that idea.

On 5/9/2020 at 2:33 AM, sjoens said:

On another note, I still have to minimize or close any open web browsers before opening Sonar/CbB or they simply won't open. Very annoying.

What's the connection between Cakewalk and web browsers?

11 hours ago, sjoens said:

I think I've narrowed it to just this one project acting goofy as the new project I made worked properly w/o changing any settings.

Come to think of it, Dimension Pro caused the project to crash hard once closing CbB, which may have corrupted the file somehow.

What if you copy the clips to a new MIDI track?

FWIW, to fix the existing track heights you can select them all, then Shift+drag down to set them all to that same height. 

Just to be sure - since they're independent, Snap To is set in both the Control Bar Snap module and in PRV itself?   If so, I'd change both to Snap By, then change them back to Snap To, then Save.   

Looks good, Colin!   Thanks for keeping it alive.  😊

Hehehehe...  excellent.   Funny, clever song, with your trademark mix + polish.   As always your ability to get clean separation is fantastic.

4 minutes ago, Matthew Sorrels said:

I couldn't get the subscribe option on the page with the free instruments to work.  But if you go to the main product page https://www.analogueinstruments.com

and scroll all the way down, that subscribe option did work for me.

That worked for me too.   Just waiting for the email now.

10 hours ago, MicheleS76 said:

I see, however, as I mentioned before, Replace Synth only allows to insert a new VSTi in the rack, not associate the track with an existing one, so there is still a degree of flexibility that's not covered, and a big one if you ask me

Is that track a plain MIDI track or an existing instrument?   If it's the latter you can use Replace Synth from the Track View - just right-click over the instrument track strip to open the pop-up menu.  Any existing MIDI clips on the track will now be associated with the new instrument.    If it is a plain MIDI track you should be able to change its Output to any existing Instrument track.  

14 hours ago, Helos Bonos said:

Oh cool. I'll try that. Thanks @SteveC!

You're welcome!  

I can't get this to work using Duplicate, but did using Copy > Paste.

First, open Edit > Paste Special and change the What To Paste option from "Paste as New Clips" to "Paste into Existing Clips".   Next, open Preferences and from the Editing section check "Use Paste Special Options on Paste" at the bottom.   If you then copy and paste notes within the PRV they should remain in the active clip.

Have you tried moving the tempo change a few ticks before measure 50?    If a tempo change is inserted at a measure boundary and then new measures inserted at the same point, the process should grab everything, including the tempo change, and shift it forward.    I would think that a tempo change that close to the bar line (but not on it) shouldn't noticeably affect anything.