StudioNSFW

"My City was Gone" - The Pretenders

"I went back to Ohio..."

"Roller Derby Queen" - Jim Croce

"Stuck on the Corner (Prelude to a Heart Attack)" - Todd Snider

"Dream a Little Dream  of Me" - Mama Cass

Your technique is too complicated.

That whole "Press down on a string on the fongerboad" thing makes it hard to hold my beer.

This can be avoided with proper tuning and key selection.

"I Want To Be Your Dog" - The Stooges

"Carmelita" - Flaco Jimenez (feat. Dwight Yoakam)

(written by Mr. Zevon)

f'kin love Warren's songs!

"Dirty Water" The Standells

(Paul Revere was from Boston....so....)

"Kiss Me Deadly" - Lita Ford

"The Pusher" - Steppenwolf

(Lyric - "God Damme the pusherman")

"Heaven's Just a Sin Away" - Jeannie Kendall

There is another DAW besides Cakewalk?

"Dead Roses" - Joan Osborne

From her Nashville phase... a great album

Inpossible to answer without knowing what your interface is.  

I  know I can do this with my interface. Just select what output the master buss is pointed to. 

"Go Mutherf**ker Go" - Nashville *****

Theme from S.W.A.T.

"Roll OVer Beethoven - The Electric Light Orchestra

Jeff muthaphuqin Lynne!

"Don't You Want Me?" - The Human League

(Lyric: "You were working as a waitress in a cocktail bar"

"Mercy Mercy Me (The Ecology) - Marvin Gaye

"Lucy in the Sky with Diamonds" - William Shatner

Lucy in the

Sky with

Diamonds

(and Quite possibly the single worst album ever recorded.) 

"(I Don't Want to go to) Chelsea" - Elvis Costello and the Attractions

If you are not the original song writer and publisher, you are only making mechanicals, and they have always sucked.  

They sucked before there even was such a thing as a streaming service. I have gotten so many checks worth less than the stamp on the envelope to mail it. 

Unless you hit the lottery and get some sort of label deal - any real money to be made is in performing, not recording. You can make a living as a player and never see the inside of a studio...I worked my way through college playing in the house band at a club.  What recording I was doing at the time never amounted to much for me, but some guys I played with back then later  got signed and had brief careers, probably made about as much as they might have as an insurance agent or realtor, but without the career longevity.

"Steppin to the Bad Side" - Eddie Murphy

"Dreamgirls" is my guilty pleasure. Love that film!

*groan*

+1! on this.  

YouTube is no substitute for 1:1 instruction if you actually seek to improve your craft - the feedback from someone who is dispassionately evaluating the performance and able to make suggestions  will be the best way to know what to focus on. 

2nd best way is to just play out, a lot - which is sadly not practical right now.  My "talent" goes up and down in direct correlation with how much playing I am doing.  And all of the best pieces of feedback and advice I have gotten have been from fellow band members.  BUT - there is a trick to this - I always try to be the worst player in any band I am in.