Esteban Villanova

Works fine with my Focusrite iTrack Solo. Sounds nice, and the Mute knob is brilliant!

LOL I thought NI was actually selling motherboards.

It was pretty interesting until he started equating modern pop with classical music in terms of them being too sanitized and obsessed with playing 'clean' notes with no deviation from that, and then said that blues was the solution to this 'problem'. Only blues is truly free, only American music from HIS generation can 'save the day'. He doesn't even mention that classical Western music is much more complex harmonically,  melodically, rhythmically, and structurally than any modern genre, and failed to realized that contemporary renditions of classical pieces do not necessarily equate to how they were played in the past... 

3 minutes ago, cclarry said:

And everything that they do sounds WONDERFUL!

Yeah, that shepherd flute thing is awesome. I'm planning on using it in a video about the Inca civilization for a friend's YT channel, funnily enough, since they had flutes that sound sort of similar. 

The MIDI features look pretty nice to me, it's not Cubase but not bad either.

These guys are on a roll.

Same in drum kits.

The interface does look nice!

That seems like a Reaper point release 😂

The guy lost hours of work, I can understand his frustration, how is he a troll? The way that most people reacted to his complaints like he was a member of an enemy tribe was absolutely sad and pathetic. People suck.

sounds amazing!

Nein, danke.

All that drama for 6 freaking boxes that you can speed-click.

I own X-Eight and it works great. 

Amazeballs.

Amazing.

In the meantime this free plugin can be used for negative delay: https://dmgaudio.com/products_trackcontrol.php

Ok, I was about to try an orchestral project in CbB and didn't realize that the time delay in the track inspector was in "MIDI time". Time delay in ms is an absolute must for orchestral stuff.

54 minutes ago, satyabrata satapathy said:

I think  DUNE3 is better?

by a mile.

Do you guys have a strategy for using up/oversampling? Use your ears and choose on a per-track bases? How to easily detect cramping in an eq, for example?

26 minutes ago, tom said:

Thanks for the heads up, donated for the VIP and now I’m lost in a world of scripts, I’m in way over my head 😂

Yeah, that can happen. I recommend the Heda Track Inspector, it’s really essential. I don’t install anything that I don’t feel like I need to make music in my workflow, even if they look nice and shiny. I didn’t install anything else from the VIP thing.

If a plugin is oversampled already REAPER will just ignore it if it’s at a higher sample rate than specified. 

38 minutes ago, Filbin said:

Here's something I just stumbled upon recently. Maybe some of you know it, but I didn't and it is super useful. Every plugin that you insert in Reaper has its own Wet/Dry knob, so you can easily dial back the strength of any effect, and mix to taste.

 

Yes, use it all the time. You can also side-chain any plugin! No matter if it has the functionality by default or not.

REAPER’s oversampling is per FX or per FX chain, 🤘

With extensions there’s nothing that S1 can  do that REAPER can’t. I know that’s not ideal for some, but extensions are part of REAPER world and they’re absolutely amazing and mostly free. The most essential one IMO is Heda Track Inspector. With the tag system I can control the visibility of my orchestral sections so easily! The VIP version has some crazy extra features too.