Royal Yaksman

Same here. It took about three days for Izotope to respond. And as for Groove 3, I too waited for that $79 renewal offer and it never came. All they offered was the standard sale pricing of $99.

MPS 3 was released on the 3rd of October, so the 7th of August should be within the 2 months grace period.

You might not believe this, to be honest even I can't fully wrap my head around the fact that I actually found something useful on Gearslutz. But yeah, a guy on there was saying the grace period is 2 months. So I took a shot and contacted Izotope support. I received the following message in response to asking if the grace period was two months: "From: Alexis (iZotope) Hello, Thanks for reaching out to us, I will be more than happy to help you. The answer is yes! I am happy to share with you a Serial Number to activate a copy of the Music Production Suite 3 at no cost!"

My account was only showing the standard loyalty upgrade and whilst I almost hit purchase on the upgrade to MPS 3. I held off because I was a bit miffed that I had only just got MPS 2.1 about two months ago. Well I'm glad I didn't pull the trigger, because guess who fell into the free upgrade grace period?... THIS GUY! 😎

Glad you got it working in the end! But wow I'm a little surprised at the rigmarole as Corel programs have always worked for me on my systems.

It all ran smoothly here and I am running Windows 10 as well. I would recommend running the installs with administrator privileges.

The point of me posting that video has nothing to do with cool. Quite frankly I thought the whole thing was ridiculously unnecessary. Though I am sure even the artist is aware of that. But I posted it because there is no way in hell the sound in your room could even come close to the wind on that lake and yet he got a fairly clean signal. I know that you did not specifically request technique tips. But for sure whilst you can compress on the way in, there will be less you can do with the captured audio in the mixing process as a result. Lastly, you say that you do not aim to clip, but are intent on continuing to employ a practice that you know will result in clipping?...🤪

I would just like to say that if Andrew Huang can record vocals on a frozen windy lake, that there has to be a better solution than aiming to clip and letting an analog compressor munch up the peaks. (11:42 shows the signal from the vocal mic.)

Like others have said, it would be better to record at lower levels. I realise you said that this causes issues during mixing in regards to room noise. For that I would recommend investing in something like Izotope's RX7 or Steinberg's Spectral Layers 6. Both products will allow you to isolate room noise from the vocals. Although note that often entirely removing room noise does not sound as natural as simply lowering the amplitude of the extraneous/problematic sounds.

Whilst I agree to some extent, I also think that they (NI) have been caught napping. They certainly were leaders. But to be completely honest, I feel that they are now just another company that makes sounds. If they really want to keep their spot in the scheme of all things, by all that is deal like, they need to innovate and push the envelope like it is the oxygen they need to continue breathing!

Fixed.

The big question is which instrument or lineup is about to go the way of Kore?

It's like a company that makes 62 billion different instruments might have spread themselves thin or something? And of course the answer is to become thinner...😬 Also is it just me or does that article read like "subscription imminent!"

1. Industrial strength girdles are mandatory. 2. Whilst a thumb wrap might not be possible, the option to sling a moob over to fret a sloppy note or two is not inconceivable. 3. Legend says the upper strings are so large that if they aren't being actively played, they are muted by gravity. 4. Insurance company refused to cover deliberately giving themselves carpal tunnel syndrome. 5. We have an accord!

I am kinda hoping the subscription will fail and then they can drop the voucher charade and just sell all their plugs for $4! I own about 20 PA plugs or so, all purchased on sale. I have demoed quite a few of the range and even though some are pretty good. There is honestly nothing in their entire range that I would be prepared to part with $100 for. But there is a few I would shell out $4 fo... No wait! After the whole "keeping the lights on" thing, I've looked deep into my heart and am prepared to make it a full $4.99 a plug!😁

And just to be clear, I wouldn't pay $149 for a hardware flanger, let alone a plugin flanger! If I need whooshing noises that bad, I'll just make them with my mouth...

They have gone so far off the reservation that they might not even be on this planet anymore?

^I wanted to post this to ask this question: $149 for a f@#$in' plugin flanger??? WTF?!!

The Analog Flanger That Rules Them All! With its rich and colorful tone, the reputable A/DA Flanger was one of the first commercially produced flanging effects to be released in the late ´70s. Since then, it’s become a benchmark for all the other flangers out there. Whether you are going for something extreme or more musical, this little box of flanging wonders easily delivers on every front. Crafted by the award-winning development team at Brainworx and bearing an official stamp of approval from the A/DA founder Dave Tarnowski himself, the plugin version is an exacting emulation of the original analog unit. This timeless piece of gear is available in all major native plugin formats. List Price: $149; or VIP price with personal emailed code: $99 ADDED TO THE NEW MEGA BUNDLE AT NO EXTRA COST! http://plugin-alliance.acemlnb.com/lt.php?s=004606f946b93ba357cedf5f97f9f1bb&i=360A396A6A3438

Instagram was having issues loading photos and Presonus took the opportunity to troll.

A project deleting bug?!! How does that even happen??? Stick a fork in them, they're done! 😉

I was wondering that myself? I also have Shreddage Abyss which is 4.28GB and it can do everything Bass Fingers can, plus Abyss sounds better with fast playing as it has palm muting and staccato mode. Though the amp and effects in the Waves products are probably a little better. The 15GB left me pondering if perhaps not all of the library content is available to us in playback at the moment. Maybe there is an update looming that will unlock features, additional tones and bass models not currently available in this version? Otherwise it is a lot of drive space in comparison to competitors.

It has some pretty decent flexibility in tonality but as far as I can see there is no way to palm mute individual note positions. It can mute each individual string but it appears to do that as an open string mute only. Keyswitches can change how the string is played but nothing as yet has made a satisfying palm mute sound. If I've missed this glaring feature someone please school me up? I have also found that I need to change the legato mode and turn the rotary on the guitar towards 'release' for faster playing. If you already have Modo, this likely won't do anything for you. That being said, if Waves were to perhaps add some palm mutes and a staccato mode, it would put it higher up there in usability. But as it stands this plug has some nice thick bass sounds that I would rate as: usable enough for 20 bucks! 😎 Though the HD is definitely better than SD. I have found that in the SD version, the additional noises like fret buzz and string rattle, sound a bit over-pronounced and fake.

Damn it, they got me. I was thinking that they probably hadn't added a whole bunch worth my time since version 8 and then made the mistake of actually informing myself... Stupid wanting stuff! Let the hard drive cluttering commence!!!