Jump to content

AndyB01

Members
  • Content Count

    273
  • Joined

  • Last visited

Community Reputation

147 Excellent

1 Follower

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. @bjornpdx I know and I agree - you can clearly hear where it has been overcooked. I wish I didn't need to use Melodyne but it's a necessity. I have to practice my vocals more and and get better and using the FX so they are less noticeable. Appreciate the feedback. Andy
  2. Nigel, I tend to use RX8 for vocal processing but since I did this I have purchased an upgraded version of Melodyne - which I believe has a few additional tools and tricks to deal with sibilance but I haven't tried those on this yet. To be brutally honest, I need to put the time in and start again with the raw vocal and if it isn't good enough just bite the bullet and re-record it. With vocal comping tools I don't even need to do it in one take any more, so there really is no excuse. Thanks for your ears and your time. Andy
  3. Cheers Jim, I thought the bass sounded about right on the mix (I was using SoundIDReference on cans though) - I'll see if that shouldn't come up a touch. Thank you for the kind comments, I hear that 'gliss' too and anything odd-sounding in the vocal is almost certainly a combination of three things: Poor vocal technique Over-dosing of effects Over-cooked use of Melodyne Certainly not intentional, so if it sounded good it's more luck than judgement. 😉 I have a couple of others I have plans for - one is crying out for a female lead vocalist, unfortunately I don't have access to one; apart from Mrs AndyB01 and although she has many fine qualities and talents - singing isn't one of them. Appreciate the time and crits, as always Andy
  4. Very nice David - suits the video short - I was getting just a touch of distortion at the top end on my old Sony MD7506 cans - but that might be down to YouTube compression and codecs. I'm sure it must degrade the audio signal. I like the way your chord changes take me to unexpected places and the way you play with tempo and timing. It messes with my head but in a good way. 🙂 Andy
  5. Cheers folks, the 'piano' Jack is actually three different samples: an EZkeys upright ballad piano, a Bosendorfer 225 B sample from Synthogy Ivory (including a lush pad) and an old DimPro sample of some DX Tines - which I still love the sound of. 'Wistful nostalgia' is exactly what I was going for David 😂 - I may have cropped the fade out a little too early (good spot thanks - I'll check). Kurt, I had stronger drums in the original and grew to really dislike them; so I went for a really light stick on the pre-chorus and chorus only. I might try more weight towards the end as you suggest. Really appreciate the feedback and your time as always gents. Andy
  6. Hi All I haven't posted anything in a while, I've been revisiting some old stuff and this is a re-work of one I posted on the old Sonar forums about four years ago; but it didn't get much traction at the time. I've taken off the original drum track, which was far too heavy and added a bass track; but the vocal is unchanged. It's heavy on verb and delay for a reason - this was a very challenging vocal (for me anyway) and I didn't fancy re-cutting it; there is some sibilance and I must attend to that at some point. The piano track is built from EZkeys, with a few subtle tweaks and embellishments but the lyrics are all my work. I guess it's about two people entering the sunset of their lives. I'm in the process of porting my stuff from SoundCloud to Bandlab (too many ads and too much spam in SC). This is one of the songs I have completed so far. Anyway, enough of my rambling, see what you think; nits and crits welcome as always. https://www.bandlab.com/revisions/10d7d068-62cb-eb11-a7ad-0050f280467f Andy
  7. AndyB01

    Hymns

    Jerry what an unusual technique (well to me anyway) and a fascinating result. You're right in that whilst the words are not perfectly formed, the acoustics and reverb in places where choirs perform often have that effect. Impressive stuff. Thanks for sharing, Andy
  8. AndyB01

    Dorian Crush

    Lovely guitar tone David and some really nice jazz progressions, love that early high harmonic (around 00:38) - it rang like a bell. I'm with everyone else on the percussion, less is more I think. Great job. Andy
  9. I suspect it will mean the end of the road for my old Gen 1 Focusrite 2i4, it causes enough blue screens as it is in Windows 10. Still, it's been a good workhorse and it doesn't owe me anything. Andy
  10. Terrific guitar tone and I thought the mix on the sung vocal suited the song perfectly. Really well executed - the whole package - great work. Andy
  11. AndyB01

    Because

    Steve you certainly nailed those lush harmonies - stellar work there. Keep it up and - if you're doing requests - how about Till There Was You which is one of my favourites? I know it's a cover they did of an old show tune but I still love their take on it. Andy
  12. So many layers to this track and stellar performances from the vox, sax, bass and guitars - all absolutely stand out. Great mix too - sounded good on my old Sony MDR-7506 cans. Andy
  13. AndyB01

    "Clarify"

    Cheers Tom, been a pretty busy of late so no time for music - I have so much half-baked stuff and stems of ideas - probably only ten percent of it is worth progressing but I'm an eternal optimist. 😉 I'd also to to remaster a lot of my old stuff - I listened to some of it recently and - ouch. Andy
  14. Yep nobody gets their hands on my laptop either - the only thing mine seriously dislikes is disconnecting the audio interface while the laptop is on. It's an old Gen 1 Focusrite 2i4 and if I disconnect it 'hot' the laptop immediately blue screens. But that's just a quirk of my setup and not a general problem with laptops AFAIK. As for disconnecting from I/O and my monitor - not a problem. Whatever you decide, hope it goes well. Andy
×
×
  • Create New...