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I tried same thing with my piano but not sure about next step…

This thread is a lot of FUN . SO far I like all the IK gear I have gotten in this G B . Only thing now is ,I have to learn how to use a lot of this $tuff ... I know RTFM Kenny

Really this Group Buy is insane for what you get in the free column now!

Kenny

Oh yeah, now I remember

7

I think you can still get the Collective synth plus Beta Maxed sound pack for "free" with the current issue of Computer Music (Autumn 2021/CM300).

Here: https://wavegrove.gumroad.com/l/Vastaus

I gave it a quick test last night, just slapping it on the master bus of a completed project, prior to Ozone. That may not the best use of this effect, though, because the subjective result was a slight increase in the mud range and loss of brightness. I'll look a little closer tonight.

That looks like a combination of Fractured and Shipwrecked Pianos. As far as the Fractured Piano goes, I yell at my own piano all the time but it doesn't make me sound any better.

69

, Kenny

Nina Simone - Feeling Good

Just realized I typed "Craig" instead of "Scott". I guess all you writers look alike to me.

Updated this synth couple of days ago and forgotten how fun it is to create new sounds with this thing!! This is a really good synth that's not too expensive. Well worth the money

I'm not removing anything from my Komplete 13 Ultimate. I will never know when I may want a different instrument than the usual sounds and Komplete has different. There are different sounds of bases, guitars, horns, keys organs, West Africa, India, Middle Eastern sounds, expansion orchestral, and the like. I can be inspired at anytime and instead of trying to purchase the sound, it's already in my arsenal. Nope, I'm not removing a thing.

Yep, eleven of them. Connie 4 no vib Connie 4 vib Connie 8 no vib Connie 8 vib Connie 16 no vib Connie 16 vib Connie 16+8+4 no vib Connie 16+8+4 vib Connie Fusion Connie In Everything Connie IV

I firmly dislike WUP.

The Air That I Breathe by Albert Hammond. It's the original and I've always thought it was the best version out there. I always loved Phil Everly's version too. I like them both equally actually. Never cared for The Hollies version. Sorry if this has been posted before. This thread is too huge to check. Hah.

At least IK improves things with iterations. WUP is a basic "functioning" tax. A friend for fee, without benefits. At least if you don't have eligible bundles.

Use the Patreon page, it has a direct download link, completely free. https://www.patreon.com/posts/release-vastaus-53942572?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare

Checking next week. Meanwhile, some interesting thoughts in this thread: https://gearspace.com/board/product-alerts-older-than-2-months/1357220-wavegrove-releases-vastaus-free-high-end-fixing-smoother-overdrive.html

I'm intrigued. Looks like a candidate for Plugin Doctor's all-seeing eye, to determine just what it is that this mysterious plugin actually does. It appears to be "name your price" rather than free, though, suggesting 10 EUR or higher and requiring a credit card to complete the download. Let me know how it goes, Fleer. My personal purchasing policy (Paypal or nothing) won't allow me to satisfy my curiosity.

I did the exact same thing, and I only had Syntronik Free.

Remove? Not me... I keep everything... and well sorted and organized. I purchased a new computer recently and I have 10TB of M2.SSD storage, so I should be good for awhile.

I haven't actually removed any because I am usually the guy who will try to make everything work at some point I am not getting rid of Abbey Road 60s though. Every once in a while I do some neo soul and AR 60s just fits.

A demo illustrating the latest free instrument available at Pianobook . RJS Guitar (for Kontakt 6). I'm not a guitarist by any stretch of the imagination. I just write demos for the Pianobook community of the instruments posted by members. Just a nod to The Cocteau Twins.

This piece is a passacaglia with one main difference, instead of being in 3, it's in 9/4. It is scored for VSL full orchestra including software synths Dune, Z3TA, Massive and the Yamaha MODX. Finally, this is the 4th movement to my 10th symphony for virtual orchestra. In this work I strive for, as I usually do, compositional clarity and balance, motivic and thematic development and textural variety. This work is a track on the album Earth Music. PLAY

real nice job.jack c.

yeah.. there is a pop artist that disappeared fast.

Is this setting being used with the TTS-1 plug-in or the MS GS Wavetable synth built into the PC?

There were two great quality freebies available a few years back from an independent developer, who did a Vox Continental and a Farfisa. My recollection is that both designs were bought out from him by Arturia.

For one of my promos, I'm looking for a Vox Continental organ. Tried searching the IK site, but couldn't find one. Although, they have a demo of a the SampleTank Rhodes Bass with a convincing sounding Continental in the demo song. Anyone know whether IK has a Vox Continental organ for SampleTank?

There could be various reasons for this: 1. A fault in your keyboard ( FWIW, I recently had to replace my Korg microKEY2 61 with exactly this problem on several keys) 2. The velocity curve configuration in your keyboard ( if it allows you to modify this ) 3. The VSTi instrument itself, e.g: - Some VSTi's have their own configuration for velocity curves. Check to see if you can change this. - Some sample based VSTi's have a limited number of samples, maybe as small as 4 samples per key. It may be that the VSTi just doesn't have a quieter sound for that velocity ( you can check this by editing the notes directly in the PRV to see if you can lower the velocity there) - Some VSTi's don't respond to velocity at all ( e.g. organs ). I would start by trying to do a factory reset of your keyboard. Most keyboards have some key combination you have to press when powering it up to reset it. Consult your keyboard's user guide, the manufacturer's website, and/or do a Google/YouTube search. Once you've done this, start recording some quiet MIDI notes in Cakewalk, and view them in the Events View and check the velocity of the notes recorded. Cakewalk doesn't modify velocity information as it comes in, so if it's stuck at a certain level, it's likely a hardware issue with your controller. If the lower velocities are showing up in the Events View, then the problem lies with the VSTi.

This my friend is genius!!! Glad you wen this far to see/hear it for yourself!

Yep, that is what shows up in my products as of yesterday

Firstly, MODO is not a waste of money at all if you can grab it as a Group Buy freebie!!! But the answer is not a clear yes/no for a choice of either EZBass vs. MODO Bass. To oversimplify, a point that Reid made in his detailed YouTube video comparison of EZBass & UJAM, is that if you want to PLAY bass, get a UJAM bass. If you want to COMPOSE a finished bass track for your song, get EZBass. To this, I may add that what you get with MODO Bass is no samples, so no load times. Everything is synthesized in real time. And with almost endless ways to shape your bass instrument and sound. Run MODO through AmpliTube 5 with SVX2 and you have the ultimate tone machine!!! Select full D.I. "10" in MODO, and dial their their AMP mix down to "0.0". So get all three! I did! I just don't think one can replace the other... Edit: after thinking it over, it occurred to me that MODO Bass is probably more of a producer's bass, rather than a player's or composer's bass...

We need you to think positive! Use that Telecode and help us along I'm grabbing my coat

Makes me wonder what took "em" so long.

Probable extermination now in sight.

Sneaker Pimps - 6 Underground

Its under the Tracks menu in the Tracks View

Another of my threads prepares for deletion! ?

This was really useful for me setting up transport control with my new A61. I did a video explainer here: https://youtu.be/egzLSGwOHAA

Sometimes we treat that forum as the final authority on any library. There is no doubt a bias against KH libraries. Some of them get paid for their work and I get that. Interesting though is if a developer comes out with (insert any name) Strings they often ooh and ah. One developer pointed that out when he make a cinematic or trailer library whatever. The wheel can only be invented so many tines and it takes a while for a hobbyist to figure that out. Interesting once when Hans Zimmer Strings came out a guy made a 4 hour video on it and was expecting it to be more "Hans Zimmer" and Hans came on the forum and insulted him. Hollywood ego at best. I think that library was $700. Never mind that the guy wasn't thanked for buying it.

I am a big fan of their processors, especially Dumpster Fire, which I have in the category "Enhancer" in my plug-in list. After that, Backmask is really fun, and has some features I've not seen with other reverser plug-ins, like a randomizer. MISHBY is a combination broken cassette deck emulator and grain delay. I think. The cool thing about them is that they are made to turn tracks into smoking wreckage, but they don't do it in as jaggedy a way as similarly-intended FX from Glitchmachines and Unfiltered Audio. You might have to try them to hear what I mean. And the UI's are a treat for the eyes, with happy Lovecraftian horrors. Sure, this or that plug-in may be ROLI-compatible, whatever that means, but these have tentacles and levers that plead with you not to push them further and knobs that frown if you turn them toward their less destructive range. I think I got them all for $20 each in a Pluginboutique sale, so $30 for the set is a great deal. I like them so much, and also like their marketing anti-style so much (okay, videos that don't actually include demonstrations of the sounds?? That's so wrong that it folds back around and becomes right) that I am perfectly happy with having paid double. I know that our thing here in the Deals subforum is to squeeze maximum software for minimum bucks, but I get so much enjoyment out of Dumpster Fire alone that I thought they deserved compensation. The marketing, the website, the FX, they remind me of the feeling I got after seeing Devo for the first time on Saturday Night Live, doing "Satisfaction." Like lining up your homemade dragster at the wrong end of the strip, putting it in reverse and stomping the throttle, but then turning a decent 1/4 mile time. It's also fun to gently troll discussions of snake oil-y enhancers (whoo, it boosts the level and upper mids, Fletcher and Munson would be proud) by mentioning Dumpster Fire. It sincerely really is my favorite "enhancer," although I do also like Slate Fresh Air. Sometimes I put it on a track when I'm feeling frustrated, then after demolishing it for a while, remove Dumpster Fire and get on with my project. It lets off steam. Maybe I should put a Dumpster Fire bus in my templates so that I can do this more easily. The weird thing is that I don't think that, despite my obvious fanboy attitude toward them, I've ever committed any to a final mix. They're just fun to have around. Especially when other sick-minded people visit the studio.

Yes, but the aim is to not need to use it (your performance will end up being bad, as Jim mentioned). If you find all your RAM being used up, it might be an idea to bounce some tracks down to disk.

Already got their Neo Soul Keys and a few others. GospelMusicians rocks.

These guys have the worst sales. Never more than a meager 10%...

@Creative Sauce @Home Studio Simplified - -possibly an option for a future tutorial? I'd certainly appreciate it! I'm sure you guys would have it sussed within half an hour ?