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I once met one of the writers of that show and he said when they were spit balling ideas for a new show they were high and thought they should create a euphemism for a brothel (that would get past the censors). Apparently they succeeded. Uncle Joe is piano player/bouncer, the three girls initials are all "B.J." (Bobby Jo, Billie Jo and Betty Jo) and the aunt (Kate) is the madam.

Sing along time! Say "Uncle E" whenever you hear "Uncle Joe"!

With points I paid $56. Installed.

Koby! Koby! Koby! He's everyplugin.com just in case anyone isn't aware. Koby rocks.

I'll be out of town again for a few weeks! Have to help family out...again...so take over until I get back after tomorrow morning! PEACE!

Koby is THE BEST...

login to your account to get this link https://overloud.com/user/download-installers THU Changelog 1.2.0 -> 1.2.1 -------------- - Fixed an undesired slight scroll of the chain that could happen when inserting or replacing an effect - Windows-only, VST2-only: Fixed behaviour of ON setting for "Remastered Cabinet" in Master section Gem Dopamine Changelog 1.1.3 -> 1.1.4 -------------- - Improved compatiblity with macOS 10.15 Catalina Gem Voice Changelog 1.0.0 -> 1.0.1 -------------- -Fixed a bug in the Bypass button when oversampling is enabled

I emailed support a long while ago about missing history and never heard back. Now that they're back, clicking "Blowouts", blows up...

WOW!! These are all fantastic plugins. The RS 56 is a great sounding EQ. Looks intimidating but it's really easy once you play around with it. REDD channel is another great sounding plugin.

I hand’t noticed they broke out captain beat like you mentioned. I guess I was lucky too that got it bundled for free. Would be cool to have a Captain Vocal next. Maybe it could auto tune or interact with other captain plugins as a remix/mashup tool. Hopefully they don’t charge me for an upgrade after for giving them this idea hahah I have other ideas but I’m sure they won’t adopt them like captain lazy, for writing songs for me while I nap. Or they could partner with captain morgan to automatically control level of alcohol to make songs sound better in the studio.

That's because the Coffee House quality where he lives has been rated the Worst in The Planet...

Then only count the ones and the fours?

That's Why God Made The Radio - Beach Boys (quintuple word score) ?

I see this thread is still going strong. What was the subject again?

+1 for koby

$25 to make your crappy out of tune vocalist sound like a crappy in tune vocalist. who can resist that?

Sometimes you're scary Jesse. Zappa reveled, I think, in the notion; No Commercial Potential. There's a couple of tunes in here that with "traditional" production are jewels. (They are Jewels, but could be commercially viable) Keep it up, as always a big Fan, lots of goodies here........ t

After you Lars.

I always buy all SDXs and all EZXs. Probably won't dig into both until later.

Not Abbey Road specifically but I just got an upgrade quote through Waves.com and ran it past Koby to see what sort of a price he could do. Saved me a decent chunk of change and his responses were lightning!

I may be one of the few recordists in existence who feels that he already has enough mics, but there is some good value in these packages. The shock mount, the pop screen, the arm (if you need these), and then the mic's housing and circuit boards. Microphone Parts sells a compatible upgrade capsule for $30. A circuit board with upgraded components would be another $120. They use the same Schoeps clone circuit as half the Chinese condensers on the market, in surface mount form. I've done the most basic mods on my Chinese condensers, swapping in higher-quality caps made a readily audible difference (use of surface mount components makes the job more difficult, but not impossible). The other mod I like is to lightly pack the inside of the mic body with shipping foam to lower physical resonance within the hollow mic body.

MTuner from the Meldaproduction MFreeFX bundle has, as one of its functions, an audio-to-MIDI converter. I've tried it and it works pretty well.* (*what you should really do is grab a bass and practice with a metronome until you can nail the part with impeccable precision. Then set Cakewalk to record in loop mode until you get a take that will require no quantizing, comping, or copy-and-pasting. Ideally, your playing should be so precise that even compression would be superfluous. This is because acquiring skill playing your instrument is inherently better than acquiring skill using your DAW and it is always futile to try to salvage imperfect recordings. You must go back and re-record, even if doing so would require rounding up multiple musicians or inventing time travel, the latter of which is likely to be the easier task)

Why do they stand outside even when the door is open......? Because they never know when to come in.

Why do drummers always knock on their own front door? Because they have no idea what a key is.

Mixcraft comes with a UI-less GM synth that has some decent sounds in it (especially drum kits). It behaves similarly to Cakewalk/TTS-1 when bringing in MIDI files.

Before marriage: After marriage:

I'm locked at $199, I bought in on ModoD, figuring if I got ModoD, ModoB, and the Hammond I'd be tickled... t

This is the method I typically start with to work with any existing MIDI file. ^^^ Having the Cakewalk TTS-1 synth being automatically configured for the song with General MIDI instruments for each track is a real winner. This is truly a strong point for Cakewalk if you are into MIDI files. A huge time saver! Then you can start off right away adding new instrument plug-ins for better sounding tracks! I'm not aware of any other DAW that does it this well, especially at this price point (free). For example, Studio One can do it, but it inserts a separate instance of their Presence sampler for each sound, where TTS-1 is 16 part mult-timbral, and does it all within a single instance. I think Cubase can do it with the bundled HALion Sonic sampler. Maybe give it a try if you are already a Cubase user.

#5 my jesus https://soundclick.com/r/s8eion

#3 Might just be something in the Air, Might be the water https://soundclick.com/r/s8ehfb

I've done many jobs in the past where printing staff was involved. In working with MIDI Cakewalk has been always great (especially with the help of CALs) but I could never print staff with it because it simply didn't deliver and I always had to reach out for the free Musescore. So I imagine how for educational purposes Cakewalk's staff view would quickly fail even with fairly basic tasks.

I'm not saying cakewalk shouldn't have a flexible export naming structure. I was just giving you quick and easy solutions to your problem.

I see what you mean. I tweaked Alternate # 1 with both, saved each with a new name, With Tungsten as the base, the Marker Locked Indicator shows up; with Mercury as the base, it doesn't--until the image is refreshed. This proves that you are the best possible person to have undertaken the development of the Theme Editing Guide! BTW, I am guessing it might be that the wrong Mercury file was included in the installation. (1) (2) (1) shows the properties when Mercury is used as the based and then saved. (2) shows the properties when the element was saved unchanged [i.e., refreshed] and then Mercury was saved. On the other hand, the version of Tungsten included in the installation seems to have the correct element:

I'd use it but it'd another section of code to maintain. I just wonder how big Cakewalk can get before it's unmanageable. A better score editor would be nice as well.

@Fret Flintstone Now you got me looking over my shoulder to make sure there is no Mandalorian telling me "It is the Way" You must enter the Group Buy ?

The midi is nothing special compared the the Toon products, but the programing is very deep. I like to buss everything separately into CbB, so as I said above I'm still getting the mixer dialed in. Like Superior, ModoD is a little deep, EZD is much easier to buss over (at least for me).

If I would already own Miroslav (the original) and ST4 (not Max) then I guess I’d prefer Syntronik to Miro 2 CE. Not much extra time in the latter while the former has some pretty good synth sounds. But if deciding between the full Syntronik (including Deluxe) and the full Miro 2 then I’d get the latter.

Yep.

I love Samplitude for burning and mastering CDs. I used Sound forge, Wavelab, and Samplitude, back in the day. Sound Forge and Wavelab seemed best at small audio edits and converting bit rates etc. I still like the object oriented design of Samplitude for making CDs.

I'm still working out the mixer and building a kit, but I'm not unhappy at all with ModoD; but there's no accounting for taste... t EZD2 and SuperiorD3 owner/user

also - handy for renaming: https://tools.stefankueng.com/StExBar.html you can also use a regex in a simple ui to do the replacements...

Working in film, I have to batch rename tracks all the time. Powershell is your friend. Example: dir | rename-item -NewName {$_.name -replace "c1","Mix.L"} dir | rename-item -NewName {$_.name -replace "c2","Mix.R"} dir | rename-item -NewName {$_.name -replace "c3","L"} dir | rename-item -NewName {$_.name -replace "c4","R"}

I also had Red Roaster too. It was very intimidating to me back in those days. But I dug into it, learned it, and I almost became a Samplitude user instead of a Cakewalk user. Even back then the fx in Samplitude sounded a lot better than what CW was offering at the time. Cakewalk went to Sonar and loops, and I almost went with Samplitude when that happened, but the initial cost was prohibitive at the time. So I stayed with CWPA 9 for must have been 6 years. And used RR to burn and master. And during the Gibson scare I almost went with Samplitude again, but since I already owned Studio One and Reaper, I went that way. Since I built my new PC, the only DAW I have on it is Cakewalk. I still own SO3, and may upgrade that. But I sure like some of the features of Samplitude. I could get into that easier than Studio One I think.

I can't really play at all and can't usually find much time to practice in the day, so being a poor sleeper anyway I decided to stop lying there awake feeling frustrated at 3am and get up and practice my drums for a few hours instead. I really think it's starting to make a difference. It also has the added bonus of drowning out my noisy neighbours who are constantly banging on the walls and screaming. Honestly, it's like some people just have no idea how selfish they are.............