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Showing content with the highest reputation on 06/23/2019 in all areas

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    In cart with code Group
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    $57.89 at EveryPlugin http://everyplugin.com/h910.html
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    It's only that faster phrase where she is singing a cadence in a faster bpm that kinds challenges the ear. That middle, more droney, slower part, you have it lined up really well. The washiness of the deep reverbs never becomes boring. You might even add a smidge of rvb or pitch shifting to the bass, which as is works but could maybe gel more with a little sauce on it. I think this is pretty killer, when she is slower, it gets into cool manthric territory very quickly. cheers, -Tom
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    My mom, bless her soul always called me Eddie When she was still with us, she helped out at business and couldn't figure out the phone intercom so she would just yell out EDDIE! ๐Ÿ˜‚ Had a lady from church that ran one of the choirs in store and heard my mom calling me Eddie. So she thought she could to. I would play keys for some of the special masses. Nope not going to happen๐Ÿ˜
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    Cakewalk bought the source code for Bitbridge. That said, there is a limit to how much time a company can/should spend supporting third party software, in this case 32bit plug-ins, that the manufacturer no longer supports. Bridges were not intended to permanently extend the life of 32bit plug-ins. The main purpose was to allow manufacturers and users time to transition to 64bit. Continued reliance on a few pieces of software that are no longer maintained or supported while updating everything else is not a recipe for success.
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    For a WIP those vocals are suh-weet. I can relate so totally to "being too familiar with a mix" and there comes a time to hear new idearrs! So my "fresh ears" are telling me a few things. 1. leave the vocals alone. They are friggin great already. Love the delay. 2. The intro - the bass is playing a really straight beat, while the drums have a little swagger. They aren't lining up. Once the song proper starts, it's all groovin. Question - do you need that intro? 3. The drum kit, the cymbals are pretty decent level, maybe a bit more reverb? but ye olde snare seems kind of buried, and the kick is more implied than heard. This song doesn't need a big heavy kick or anything, maybe just a tad more. 4. Bass seems great. Moves things along nicely. 5. Whatever organ patch you have in the intro is nicely presented and a good volume. In the song itself, the patch changes, gets panned extreme right, is louder, and seems a little scrapey. Scrapey? and dry? You might try lower level and some cool reverb over there on that right organ. As it occupies a similar eq space as the vocal does, it's a good decision to pull it all the way left. I think as is it has a scrapey quality that detracts attention from the vocal. 6 "Just as soon as you make me whole" . . . whatever you are calling that section - a "pre-chorus" ?? it's incredibly well mixed. After a few listens it just grows on you. Nice one Lynn! cheers, -Tom
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    Some try to call me Eddie but my wife hates that. If it is someone who is close to me I don't mind. If not I usually don't answer them ๐Ÿ˜ƒ I also have been called Ted because it can't be Ed๐Ÿ˜‚
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    Well from one Ed to another Ed, does one really know oneself..........................................................๐Ÿ™„
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    Don't tell the ladies Bill ๐Ÿ˜Ž
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    I Am so old and seenile I can't remember. The one I remember is Line 6 POD or the bean as it was called. i dwell in the last century ๐Ÿค”
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    This song is an adventure to listen to because of its dramatic changes. I like that you used volume and texture to mix it up, so to speak. The beginning didn't bother me because it reminded me of my Korg M1 days. All in all, very well done.
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    I don't know who Bapu is but he must be famous for all the talk around hear their everywear about him. ๐Ÿ˜œ
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    Just spent a goodly amount of time going through most of the sounds in the bundle and while each of the packages, true to the quality level I've come to expect from AAS, has plenty of gems, Cinรฉmathรฉque for me is worth more than what I paid for the whole bundle. It got me planning a '70's Tomita/Phillip Glass/Vangelis instrumental synth concept album I'm going to make using them. Or at least a Mort Garson Music For Plants/Black Mass by Lucifer/Signs of the Zodiac record.
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    Did you use your Jampoints with this deal?
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    Maybe the loop construction view could be rewamped to "Audio editor view". Constructing loops would be a tab in that view. I played around a bit with it yesterday. I made some slices and when i had one slice selected i expected to be able to save that slice. Silly of me. The saved audio was the full audio sample and not the slice bit. So...audio editing should really have an overwhole.
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    What ? People really do that ? Jeez..that sounds like a major PITA I just have a switchbox..back in the 90s all the speakers were passive so it was just a box from Tandy ( Radio Shack ) that connected 3 switchable pairs of speakers and then went to the amp. Now everything is powered so I have combo big volume controller with switchable speakers A/B/C..they are all level matched to keep it consistent, one is a mono Avantone but the switchbox has a dedicated mono feed so it's simple to use.
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    Doesn't sound like your doing anything wrong. It could be a corrupt project. Can you try to create a new project and just re-create tracks to reproduce your side chain and see if it still happens? You can also contact tech support and send them your project to see if they can reproduce it.
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    So...if I'm understanding this correctly, the female vox are computer samples? If so, amazing! I didn't know this could be done. If not, still amazing. The vox sound great. The composition is interesting. It kind of reminds me of something Yes would do. I really like some of the dissonance. Nice piece.
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    And, for Bapu, even after noon it's still in the Am! ๐Ÿ˜Ž