My cakewalk project fails rendering at the same point every time.

[Santiago Nelson]

Bouncing the project to a track? I'm not sure what you mean exactly Base 57, but Byron Dickens I have frozen all the tracks.

ALSO UPDATE: I got it to finally export using these settings: (it was 24 bit not 32)

I had forgotten to set it to "time selection however", this time I turned off "Render in Real-time" but I actually got lucky and the project didn't mess up the bus automation's like it did prior when I had "Render in Real-time" off, so I don't know if I just got lucky or if this will keep working, I'll try and render just my section, after I make a small change to an instrument I wanted to tweak. hopefully it stays good!

[mettelus]

I would recommend doing a cleanup of that project, especially if it is in its final stages. Before you start, do a File->Save As... with a new name (you can put it in the existing project folder).

Once that is done, I would do the following:

1. Delete all of the Archived tracks. If you are not using them, get rid of them.
2. Trim off the right end of the project (unless your export end is really 321 bars?). Some of the tracks appear to have no data, but still go on (Tracks 5, 6, and 9 from the OP). If specific to only certain tracks, you can split those and delete everything to the right, especially if they are truly empty... is that automation data in those?
3. Do a deep dive into what FX and automation you are using. Some FX are not CPU friendly at all, but unfortunately Cakewalk doesn't give you a list of FX running in the project and load/lag associated with them. As this is happening in the same place, I am highly inclined to assume it is an FX choking. When tracking, you want buffers low, but when mixing you want to bump those up in preferences (to 512, 1024, or sometimes 2048). This gives the CPU more time to fill buffers and is required if you have unbounced Melodyne Region FX in the project.
4. Check the event list for where the crash is occurring just to see if there is something in there that is obvious (this is unlikely, but good to check anyway).
5. If that will offload at some point, I would also consider creating a another project at 44.1/24 and drag/dropping the new cwp from your browser into it (that will populate the new project with the data from the cleaned up one), then do another Save to that second new one so it is in a 44.1/24 format.

Just bear in mind, that even with a capable computer, the right recipe will drive it to its knees. Rather than save/keep everything (this is better done through saving versions as you go), try to keep things simpler in the working version. 

[57Gregy]

I'm wondering why you have so many muted tracks that are selected and the export option to render muted/soloed tracks? Plus, it seems like most of the tracks still have an input selected.
Confuses me. Maybe confusing the computer, as well.

Edited yesterday at 06:00 PM by 57Gregy
bad English

[Santiago Nelson]

On 10/22/2025 at 11:58 AM, 57Gregy said:

I'm wondering why so have so many muted tracks that are selected and the export option to render muted/soloed tracks? Plus, it seems like most of the tracks still have an input selected.
Confuses me. Maybe confusing the computer, as well.

I assumed that cakewalk just ignored these, mainly they're just there because they're older versions of a instrument from when I was deciding what sounded better, and I would version them. I just keep them around in case, but they serve no real purpose

[Bristol_Jonesey]

2 hours ago, Santiago Nelson said:

I assumed that cakewalk just ignored these, mainly they're just there because they're older versions of a instrument from when I was deciding what sounded better, and I would version them. I just keep them around in case, but they serve no real purpose

In that case, simply archive them and hide them.

[Bass Guitar]

Glad you finally got it sorted out.
About using 32. I’m not dead sure but because it seems Sonar uses 32 FP for processing that if I choose that for the export then my CPU has less work to do because it doesn’t need to down convert the tracks  to 24.  Possibly this applies to both audio and midi. 
 

After all the only downside is a little more storage space is used. This is not an issue these days because we all have a lot of headroom in our storage capacity. 
 

I’ve never seen much point in using larger sample rates like 96. Seems like overkill for my music. So I think 48/ 32 is pretty good choice for my masters. 
If I need to burn a CD Nero automatically converts it. 
And seems Sound Click and Distro Kid encourages uploading 48/32 wave files so I never use mp3 anymore.