greg54 Posted September 10 Share Posted September 10 (edited) I've been exporting my mixed songs at a 32 bitrate. What is the normal bitrate to export a wave file? Edited September 10 by greg54 Link to comment Share on other sites More sharing options...
Max Arwood Posted September 10 Share Posted September 10 I export at 24. Every once in a while I use 32bit. I don’t think I could tell the difference in a blind test, but I’m not sure I think I need to try it. You might try it as well. 1 Link to comment Share on other sites More sharing options...
Bristol_Jonesey Posted September 11 Share Posted September 11 (edited) Very few systems outside of the DAW world will play at 32 bit. But it makes sense to export at the highest rate possible if you intend to do further processing on the track and import it back into Cakewalk. Edited September 11 by Bristol_Jonesey 3 Link to comment Share on other sites More sharing options...
msmcleod Posted September 11 Share Posted September 11 There's no real advantage in exporting at 32 bit vs 24 bit. 32 bit is a floating point format, whereas 24 bit is an integer format... so although 32 bit may technically support a greater dynamic range, for all practical purposes in a final export, they're equivalent in quality. 32 bit has an advantage when recording/mixing, because it's basically impossible to clip even when going to 1000's dB, and you can go incredibly quiet without losing information. This is why all DAW's use either 32 bit float / 64 bit float internally. This is essential when mixing multiple tracks, but of little use with a single exported file - unless of course the file is incredibly loud or incredibly quiet. In 99.9% of cases, your final export will be in the normal dynamic range of human hearing. So 24 bit is fine. In fact I'd argue that 16 bit is more than adequate as a final export format, as it more than surpasses the dynamic range of human hearing. 5 Link to comment Share on other sites More sharing options...
greg54 Posted September 11 Author Share Posted September 11 Thanks for your answers. I appreciate it. I've only exported 3 songs at 32 bit so far. I'll go back and redo them at 24 bit. Link to comment Share on other sites More sharing options...
mettelus Posted September 11 Share Posted September 11 2 hours ago, msmcleod said: 32 bit has an advantage when recording/mixing, because it's basically impossible to clip even when going to 1000's dB The "1000's dB" caught my eye here. That will definitely smoke commercial hardware (why a limiter on the output buss is always advised) One of the most powerful (intentional) sonic transmissions is active SONAR, which can reach nearly 300 dB and will instantly kill animal life within close proximity. That kind of power is not a concern for going deaf... it is for being lethal. 1 Link to comment Share on other sites More sharing options...
msmcleod Posted September 11 Share Posted September 11 5 minutes ago, mettelus said: The "1000's dB" caught my eye here. That will definitely smoke commercial hardware (why a limiter on the output buss is always advised) One of the most powerful (intentional) sonic transmissions is active SONAR, which can reach nearly 300 dB and will instantly kill animal life within close proximity. That kind of power is not a concern for going deaf... it is for being lethal. What is in your audio file is largely irrelevant during playback, as everything is clamped to 0db at the point it gets sent to your audio interface, as it needs to be converted to either 24 bit or 16 bit (depending on what your audio interface is set to). 1 Link to comment Share on other sites More sharing options...
pwallie Posted September 11 Share Posted September 11 32 for internal processing (all the maths are more accurate, especially with mixing and plugins) but 24 max for export, nothing/nobody consumes audio higher than 24 2 Link to comment Share on other sites More sharing options...
greg54 Posted September 11 Author Share Posted September 11 All great information. Thanks! Link to comment Share on other sites More sharing options...
Sock Monkey Posted September 11 Share Posted September 11 The only thing I will export at 32 bit is Stems. Then I turn dither off etc. That way they stay unaltered when transferring between DAW's. 1 Link to comment Share on other sites More sharing options...
Max Arwood Posted September 13 Share Posted September 13 I thought turning it up to 11 was great back in the day. Now your telling me we got a 1000db dynamic range! I was going to create a few .1hz-1.0hz audio wave files and see what they would sound like at 1000db. Now you've ruined everything by this "everything is clamped to 0db" 😆 Link to comment Share on other sites More sharing options...
azslow3 Posted September 13 Share Posted September 13 Export several versions into 24bits, each time lowering the volume by -6dB. Then load all of them as different tracks and bring back the level so all of them match in level. Comparing one by one with original, notice at which point you can perceive the difference. Each 6dB is one bit, so -48dB is what you will get in case you save into 16bit WAV. PS. you don't have to publish the truth, it is ok if you will have to go down to -60dB or even lower, no-one will know PS.PS. publishing you already start notice if you change dithering algo on 24bit master (maxed) export make little sense (on this forum) 😏 PS.PS.PS. note that processing (EQ + compression + effects + maximizing) can amplify some parts with ridiculously high ratio, so the results of the "test" are valid for final rendering only. Keep intermediate renderings in 32bit. 1 Link to comment Share on other sites More sharing options...
pwallie Posted September 13 Share Posted September 13 18 minutes ago, azslow3 said: you don't have to publish the truth 😂 1 Link to comment Share on other sites More sharing options...
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