tdehan Posted June 17, 2020 Share Posted June 17, 2020 I've recorded some acoustic guitar tracks into Calkwalk using my condenser microphone through my UMC404HD interface. Plugging the mic into INPUT 1 will record the track to the left. Plugging into INPUT 2 will record the track to the right. Is there a way to get the track on both the left and right (stereo)? Link to comment Share on other sites More sharing options...
RBH Posted June 17, 2020 Share Posted June 17, 2020 It wouldn't be an actual stereo track - but you can bounce to track and change the interleave in a couple of different ways. Your track inputs should allow you to choose left - right or stereo. You are likely selecting stereo input on the track input - and it's trying to record a stereo track. If you select either input 1 or input 2 related to which input you're actually using - it should record a mono track. Link to comment Share on other sites More sharing options...
LarsF Posted June 18, 2020 Share Posted June 18, 2020 Recording is already covered by RBH. Just route these panned hard left and right later to a bus, or group faders on the two routed to master. If you want to fix a stereo from it once done, you probably can route to aux track and re-record as stereo track if you prefer. Link to comment Share on other sites More sharing options...
Chaps Posted June 18, 2020 Share Posted June 18, 2020 (edited) You can right-click a mono audio clip and select Convert to Stereo. That will change a mono clip to a stereo clip with the same audio on both left and right channels. Edited June 18, 2020 by Chappel 1 Link to comment Share on other sites More sharing options...
tdehan Posted August 23, 2020 Author Share Posted August 23, 2020 On 6/17/2020 at 4:16 PM, RBH said: It wouldn't be an actual stereo track - but you can bounce to track and change the interleave in a couple of different ways. Your track inputs should allow you to choose left - right or stereo. You are likely selecting stereo input on the track input - and it's trying to record a stereo track. If you select either input 1 or input 2 related to which input you're actually using - it should record a mono track. ah... ok, I will try that. Link to comment Share on other sites More sharing options...
Jack Emily Posted March 19 Share Posted March 19 I figured it out. In the panel of the far left, there are buttons in a row along the top. The second button from the right should be labeled, 'Show/Hide Track Properties.' Click this button, and just above where the pan settings are, you should see a button which, when you hover the mouse pointer over it, will say, 'Interleave = Stereo.' Click that, and the selected track will play in stereo. 1 Link to comment Share on other sites More sharing options...
KSband Posted March 22 Share Posted March 22 If you select only input one, not one and two, it come out centered in stereo. If you have one and two selected and only plug into one side it will just be on that side. 1 Link to comment Share on other sites More sharing options...
mark skinner Posted March 22 Share Posted March 22 tdehan , If you want the mono track to actually "sound" like a stereo track , check out "converting any mono track to stereo" in the tutorials section. I rececntly tried it with Fantastic results. ms Link to comment Share on other sites More sharing options...
mettelus Posted Saturday at 12:31 PM Share Posted Saturday at 12:31 PM If a source is mono (e.g., a microphone), there is no "stereo" to it, so recording it as mono is the proper route (and leaving it as such). For an individual track, the (stereo) interleave, (stereo) FX used on that mono track, panning, etc., and sending to a stereo bus (default) is where the "stereo" comes from (and how to mix it into the entire piece). @bitflipper posted one of the best posts ever over 11 years ago on the old forums regarding this, so it is definitely worth a read if interested. Bottom line, the raw audio is mono (from a single-point recording source), and best left that way; how it is incorporated into a stereo mix is what is important and should be understood. 1 Link to comment Share on other sites More sharing options...
57Gregy Posted Saturday at 09:33 PM Share Posted Saturday at 09:33 PM 9 hours ago, mettelus said: If a source is mono (e.g., a microphone), there is no "stereo" to it, so recording it as mono is the proper route (and leaving it as such). For an individual track, the (stereo) interleave, (stereo) FX used on that mono track, panning, etc., and sending to a stereo bus (default) is where the "stereo" comes from (and how to mix it into the entire piece). @bitflipper posted one of the best posts ever over 11 years ago on the old forums regarding this, so it is definitely worth a read if interested. Bottom line, the raw audio is mono (from a single-point recording source), and best left that way; how it is incorporated into a stereo mix is what is important and should be understood. Even 5 years later. Link to comment Share on other sites More sharing options...
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