Thanks @Bajan Blue (Nigel). I had a comment in another forum about the cymbals/hats/OH being too much or possibly compressed.
I'm left wondering if you hear this? "You've got some great tracks there. But it almost seems like there might be a little too much cymbal and high hat going on there. I don't know how you recorded all this, but if you used overheads I'd look at using a high pass filter all the way up to where it affects the lows of the snare but not the detail. I usually put a low pass filter on there to keep the highs from getting too swishy as well. Finally, watch out for what any compression might do to expand the cymbals in the mix. Room mics can also be a culprit with excess cymbals especially if they're compressed. Find a sweet spot in there, pull your overheads back until they disappear, then blend them back out until you have cymbals but they're not in front. I think you'll end up with a lot more clarity in your mix overall and your tracks will be able to really shine. "