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Go with the reverb ...on all bass synth you already have some amp (trillian / NI ect) and Ampegg go some nice as Fender also ...

It's a feature in S1 you can do this for instruemnts or FX , do what ever routing you want like in TH3 if you want ...so you can split the signal in the channel ..and do what ever in each channel and even choose a cross over frequency ...so channel 1 goes Left and handle what's under 400 hz for exemple , channel 2 goes R (at 50 % for exemple) and handle 400 and up ... This way you can do those old school gtr tune , and what ever you want ...great way to do parallel also ...

Modo bass ?

Do you use a lot of bass / mix a lot of bass / what do you have for bass ?

lol i have empty slot , if only i could give you one lol ..tuff one ...but depends on how deep is your love for bass .... inverse reverb is dope also ..but i can do it with waves reverb also if you have it (H reverb)

i was joking my friend ... IK stuff are as good .. Amps ? they're all going native .... and not only amps ...softube and PA are going native , Sonnox already is ...and as for the UA plugins , no voodo or magic ...they sound exellent as others native stuff when you know what to pick up!! If the IK interface is making you have fun , you're set !

Don't you regret or not yet ?

is the power (watt) will have an impact on the tone or juste the volume /power ?

Larry , i was playing with the AT orange today and to my surprise , Tiny terror and dual terror set to tiny , same settings same cabinet + mic ect ....sounds way different ... did ya ever tried those in real life ?

Going OT as usual ... do you know if cubase has a way to do it also ?

Edited my post ...Fleer do you have the one ?

What original pack ? Edit : oh yep SVX 2 https://www.ikmultimedia.com/products/ampegsvx2/?pkey=ampeg-svx-2

If i had to keep one : ampeg , i use it even for synths ...everything can be done with it .... the real question is waht di ya piked with the other slots ?

Man you're telling me Chappy on the 30 woah , i said to myself this can't be the small one !!! fuk ...i want that just to re amp ...bad the 60 is at athe same price as the 30 but we only have the 30 here .... when i see the amount of money we put in virtual ...it's crazy we could by some much in HW and better quality imho (but without the flexibility wish is why i do basically ...)

Guyz , for those using S1 , don't forget that we get that splitter thing that can split channels and freq wise ...until IK do a refresh to AT , this is a bautyfull way to create splitted set up (specially splittin also freq !! Oh and by the way i just figured out that we can put colors ...we love colors !!

Speak Left guyr or Right guy , don't know who's Chappy Larry ...sorry ahahah

to small .... i respect my eyes , no more young ...if they don't mind hundreds of requests .... not getting my money !!

you see that !!! ahahah Jokes apart , this thing is exellent ...i didn't found the 60 around here , are they using the 30 in the video or the 60 ?

PA Amp + AT cab PA + AT cab(2).mp3

PA Ins Channel 1 PA Ins 1.mp3

PA Bass Channel 1 PA Bass 1.mp3

Ok here's my preset , tell me the last Tin Tannnnnn the crakles i hear making me crazy , is real amps do that to ? GTR Guru's , i need you ears , by the way i did the presets wity studio calibration off since you tube is not calibrated also ...thks to the never working sonwarwoks systemwide !! AT Fender 59 ' Bassman here's the mic placement witch impacts a lot : AT Fender(2).mp3 here's the mic placement witch impacts a lot :

Lol you gotta have Crocks to play that lol ... Thks gonna analyse this ... The Pa have tha mid and that cabinet that makes it sounds real , the AT has that body and dirtyness ... so gonna watch the video and see witch one is hyping it to much lol thks a lot ....anyway in a mix and knowing that i m an eq ***** ... i will prevail'the one that sound the most realistic ... notice that i already have fender 1 and 2 but the stereo headache makes me want a warm streîalternative for fast uses from gtr to synths !!

What do you already have ?

Glad to hear ... workflow and reach of sound fast is key to be in the instant truth .... i just hanged on the phone with a friend ( a techno guy) and explained to him how i m using my arturia minilab close to my oresonus atom,while komple 25 and mashine studio are on the closet ...just because i need everything upfront at reach and going to the basics fasts .... Same with all tools ....and thats why something like omnichannel , for my part softube console 1 or modular Tracks is smething great ...