Zo

Is the brian may ever goes on sale ?

anything special , i recall trying the 2a and 3 a and skipped ...the fet didn't tried it but the gem and purple 77 got me set i guess ...

Yep i know the instances i always check those UAD don"t have a need to work at 96 since they oversample internaly , hence the percieved instant quality for people working under 96 . Also more than half the plugin are availlable natively , so that's another thing in have to put in the equation , that said i have 2 systems to upgrade each time and it start to cost money , i make sure each time i do i get at least + 50 % cpu power but even .... One reason i consider it also is console 1 witch is use quite intensively .

lol can't justify this amount right now , i'm thinking new system or dsp ....

Guyz , usually , an octo is enougth ?

@ensconced hope you 'll be ok homie , yep death is the perfect "vision cleaner" for real ,and as it is the absolute truth , this should be in our thougth at least once a day . If anything needed hit us anytime !! and yep you're right , softube amps are in my top 3 , even sometime better that neural dsp 3 i have (plini, nolly , abasi) , the details you get from the marshall is just superb (thks to a track played by Soundwise ) , i really appreciated her playing skill with that one !! Just to ve notice : Amp Room is another product , it will not replace vintage amp room , bass amp room ect , so if you uninstall tjoe and open old projects , you'll be in trouble !!! If anybody knpow where the data are , hit me , my laptop only has 7 gb free on C !!! don't want to buy another ssd as the cloning will be a pain for all maschine based authoristaion !!

The magnetic bundle is the thing to get from nomad ...yep ...

The new Vox cabinet is all i need !!

well i just check and they should work , the problem being i have crazy noise when useing the tape , and tube delays .... could you double check Larry

Guyz after install , i lost nearly 2 gb on c drive , where the hell those data are !?

Everything needs to .98 to play in amp room guyz ...be sure to double check .

You need to update those and then they will be listed their after relaunch ... i do find this exellent with some stuff to be adressed , gonna expose that during live on friday ... yep marshall is 11% cpu hit outisde and near 20 inside so i suspect a fairly high oversampling . user presets aren t there for marshall and eden here , only factory ones ... def a features request .. in use it s simply superb and the reverb sounds super (emt 250)

The 77 for bass is superb , it replaced my beloved gem comp LA ... something about that shines there ...

Instead of providing a library where at best i m 50 % close in tap to find , with ok stuff in every genre ...they should let you choose the type of library you want 1) general one (actual one ) 2) jazz , bleus 3) metal Ect ...it would have made more sens but they clearly want to sell those ... The glide is unusable here or might don t k ow how to use , variations are great in busy pattern , but my bassline use to fallow kick here and there , busy bass lines is what i hate ... Edition is 1990 .... and promised features are not there , and they re blaming daws for that ... witch is false since i can drag and drop audio from any daw in padshop for exemple ...

In fact Piotr i suspect brands to put crappy presets to sell expansion , i had this feeling with massive x and i def have it with ezbass you re absolutly right the built bass pattern are terrrible.

For , there s some stuff that i don t like the smell of , editing approximation is one of them , looks for me more like a release candidate than a finshed product . All i can say is tha my other bass stiff gonna stil be used more often from what i seen . calling something ez while it s not at all the case is strange ... if i have to spend 30 min , the whole concept of replacing a real session bassplayer for fast writting recording. Isn t met .

I'm gonna give it more time , quality time , right now ,conditions at home aren't optimal creation wise , gonna try to move and have creative times as well as spiritual and healthy oriented .... my body is giving me signs of "wtf zo "

Bougth it , installed it , tried , didn't touched it since .... for me it's as simple as fake or uncomplete marketing , i love them and use their tools but on this on , i'm dissapointed in that area , at least .....

Yeah that s a lot of hair in one thread ....where s the hair police ? More serioulsy , is this really good ?

I was about to say don t try it lol ...now you re down , if you want that growl ampeg style forget about it but if uou like well defined precise and classy tones , this one and the darkglass are killer as well as markbass ... be sur to play with the band splitter it s the key !! Softube seems underatted someway or maybe are unhyped ... i ve read horrendous reviews about the marshall , watched a review online where the guy was dissing evrry move but man , this thing needs to be mastered gain staged wise like crazy but once done , pure joy ...my conclusion is that very few konws how to set t up ...

True , def on my list , so sad API went nutts on prices , can't believe it was 2200 euros now it's 3500 euros!! Do they think US EU have gold mines ? ok France steal the gold from Mali (900 tones a year) , but even ....

hard to find in europe ,but yep great option , that said i love the form factor of this bad boy and operation : https://www.thomann.de/fr/heritage_audio_ha_609a_elite.htm

The one that impressed me is the rubber band from weiss , and the elysia 500 is what i would get , hard to beat it in term of value for money ... did ya tried heritage audio 33609 clone ?

Yep maintenance is a pain. So was our neve at SAE lol .... well the 32c eq is what i call safe eq for students , if i had to point another one that gave me the sale feeling it will be the millenia nseq 2 , it s smooth and respectuff of the source and i love the filters . Give me the same dsp as mixbuss and i would be happy already , have you compared those two at least ? Curious to hear you on that if so ... Concerning the distressor , you re actually like me , the 1176 and distressor were never my first choice for anything in studios , that said itb the distressor can do wonders when it sthe sound we need ... but not essential . To tell the truth , more and more i m thinking on going back HW for the 2 bus for real , specially when youncan get superb stuff for honest prices and have recalls (wes audio being one option)

Why someone that has latin percussion would go cuba ? (exept for cigars ;))