Bruno de Souza Lino

And that's not the top option. Ultimate is $1400, which is only gonna make you look it as a great value if you're a Sequoia user. Even Nuendo costs less than that.

Disc drives are pretty much dead these days. Modern cases have no room to install them and external units can be expensive, especially for things like BluRay. And because nobody uses them, blank discs can sometimes cost more than memory cards. Just because you can afford a lot of storage doesn't mean everyone else can.

But that's not even the worst of it. This time limitation also applies to libraries from free products like Sampletank CS, Syntronik 2 CS and MODO Drum CS. Your free product can literally start costing you money simply because you waited too much to use it.

You know you made it when you have to put "Demo Projects" as new version feature...

https://www.rollingstone.com/music/music-news/steve-harwell-smash-mouth-singer-dead-obituary-1234817636/

The offer is only for Pro Tools Inner Circle uses, which are the people that pay subscription.

The most hilarious thing is that ProTools was the DAW that started the BS plugin trend. You don't get much better than Smartelectronix's Anechoic Room Simulator.

This has the same issue as MSoundFactory Player: No free banks. What's the point of you releasing a free sample player without any content?

Such as?

I do get it. I just don't think it does him any favors on a video which is supposed to be serious.

Doesn't work for events though.

Not only looping doesn't copy the articulations, copying and pasting as well as duplicating doesn't copy them as well. The only way to make that work is applying them to the track, which turns them back into whatever they are, but now you can't convert them back into articulations again.

I did watch the whole video before it was posted here and I feel like it would have been better without the shouty bits. With them, the video doesn't feel as serious as the subject he's talking about requires. Just let go of the grumpy persona (I've spoken to Glenn in his server a few times and he's not like that outside of videos) for 5 minutes and deliver the message.

But I'm not talking about that. I'm talking about a service where 99.9% of the users are either extremists or conspiracy theorists. If you're find with that, you're free to check Minds as an alternative to Facebook.

Because that's where all the content and the exposure are. Nobody is gonna move to a platform full of politics extremists and other sorts of nutjobs which were banned from YouTube. And this is precisely the reason why people still use popular social media despite alternatives existing as well.

There's no way to reliably test that statement or the opposite proponent of that simply because you're not gonna find two examples of the same analog synth which sound the same. There's no reference design to pull from so you can reliably say "X must sound like this in order to be exactly like the original." It's easier with early digital synths, but you're still subjected to variances. The earlier you go, the bigger the variance gets, because now you'll start to hit stuff which was wired by hand instead of being in a circuit board and now you've just introduced extra variances in resistance because of unit A having a path of wire which was cut shorter or longer than unit B. And so on.

Also enter his remix "contests."

As a side note, those BM-800 mics can receive phantom power. If you get just the mic and you have an interface which has phantom power, just use a regular XLR cable instead of that junk that comes with it.

After a little bit of scrubbing, here's Eddie Kramer giving some technical details as to how he recorded Woodstock:

Whenever I think of live synth music, I remember a video of Jean-Michel Jarre live with nothing but synth issues. Synths would stop producing notes mid performance, go out of sync and all sorts of fun stuff. That video used to be on YouTube but I can't find it anymore for some reason.

They have to otherwise their target audience is not gonna buy them. The cheapest product in that whole thing are the DFAM + Mother 32 or Subharmonicon combos. And you're paying 1400 bucks for each. You can buy a Studiologic Sledge 2.0 for less than that.

None of the synths in the video are vintage. Her full setup in that consists of: 1 One. (large one on her left) 1 Subsequent 25. (on top of the One) 1 Subsequent 37. (beside the Subsequent 25) 2 DFAM. (to the left and right of the Modular.) 1 Subharmonicon. (under the left DFAM) 1 Mother-32. (under the right DFAM) 2 Grandmother. (the two on the right) 1 Matriarch. (on top of both Grandmothers) 1 Modular. (in the background)

The default template comes with a bus called "preview" which is precisely that.

Why are you assuming I want to replicate the music from a Moog ad? My music is shit, yes, but I have standards.

I'd say this performance is the equivalent of using a Bugatti Divo to do the school run.