Amicus717

Naw, this happens on multiple computers, and manifests differently if I'm typing on my phone or one of my home computers.

Is anyone else experiencing any kind of text spacing problems when typing a forum message? I find that every few words I have to hit the space bar more than a few times to shift the cursor over, and the finished post will look okay in one browser, but in other browser will have instances of excessive spaces between some words and no space between others. I’ve even noticed older posts from a few months ago will have some spacing issues when I call them up. Anyone else seeing this?

Good song, and a nice spacious mix. I really liked the guitar work in this one. Enjoyed listening to it. Rob

Thanks, HS - appreciate the listen and comments. Getting the right progression of instruments abd making it all sound organic took a surprising amount of try and re-try - one of the side-effects of having so many different options to choose from in my library collection Thanks Douglas! Glad to hear the mix worked for you -- this was a tough one to put together, from that perspective. There is so much going on, especially in the final quarter, that it was a real balancing act, and I've listened to it so much over the past few days, I no longer have perspective on it.

That was really a fun listen. Enjoyed it a lot. Great song. I like the vibe of the piece, and I really like the vocal work. That's a lot of lyrics, and you flow through them smoothly and with l some nice control and authority. Sounds very good. The overall sound struck me as the performance of a really tight band rocking out at a bar. The only thing that sort of caught my attention was the sound of the lead guitar, which seems to be buried a bit in room ambiance. That's not a criticism, per se -- this genre of music is not my specialty and I don't feel like I can make really deep comments on it -- but it struck me as being almost in a different soundscape than the lead vocals, which are very forward and present, and I personally found the contrast to be a bit distracting. Not a really a criticism, just a personal observation. I also heard a bit of clipping (or maybe processing artifacts) at 1:21 and 1:23, and maybe a bit after (this is in reference to Mix 2). But overall I really like the song and the musicianship. Great performances all around. Rob

This is very, very nice. Relaxing, and with enough going on to maintain interest. Really enjoyed it. Also, the mix is clean and detailed, and came across as very three dimensional to my ears. A great listen, all around. Rob

This is great - the 7/8 time works really well (and after a few bars begins to feel quite natural), and the vocal/instrumental work is really good. Nice mix, too. Good stuff all around. Rob

Hi folks, I updated and revised a bit of this track, added some more details and improved (I think) the mix, including taming a few instruments that were getting a bit out of hand. I'd be very curious to hear folks comments on the newer version:

Hey Wookie, this one is kind of hypnotic and yet slightly unsettling at the same time - which is an impressive combination. Nice combo of sounds and tones, and the mix is clear and has nice detail. Rob

Very nice, HS! I like the melodic vibe to this one - a really enjoyable listen, with a very polished sound. Mix is clean and clear, and I could hear lots of interesting details. I'm not really a guitar guy at all ( I like guitar, but I'm no expert when it comes to tone or style or whatever), but I really liked the guitar part at the 2:51 mark. Pulling the intensity down worked very nicely here, and the guitar sound just jumped out at me in the nicest way. Really liked that part. And the sax sound is really gorgeous in this one. Great stuff. Rob

Hi DalaiTom, I like the various sounds used for this one, and the mix seems pretty balanced over all, and is nice and clear. This is not really my genre of music at all, so I don't feel I can offered a detailed critique. There were some very nice variations to the main motif as the music progressed (in particular I liked the arrangement at the 2:10 mark), although mixing that main motif up with a bit more varied stuff might add an extra layer of interest to the song. I also thought maybe some more bass punch might give a bit more force to the recording, as well. But I enjoyed the listen, overall! Rob

I really like it, Bjorn . Builds rather nicely and quite organically, which keeps it interesting. Nice mix, too. Could be the soundtrack for a movie about red rocks that is directed by David Lynch or Darren Aronofsky - all which is a good thing As regards being a slump -- been there, know what it is like. I don't know if this will be helpful, but for what it's worth: when I find myself in that situation (and I do on a regular basis) I take my habit of writing fast, and jack it up on steroids. I just start with an idea (and sometimes a pretty feeble one), turn off all critical faculties, good taste and common sense, and just go. I make a point of slogging to the end, however atrocious it may be. Usually this produces crap, but even the biggest mess will have a few gems in it that can be used elsewhere. And occasionally, it produces something quite usable that can be built on (exhibit A for that would be my "Soldier's Hornpipe"). If nothing else, it gets the juices flowing again. I cannot recommend that approach enough. Rob

Thanks, I appreciate the comments I have a wee bit of a perfectionist streak... Thanks, Starise! Appreciate it. And yeah, I was thinking along the same lines. The finished version will be a bit hotter.

Hi Jerry, I like this composition a lot, and the recording has a really lovely, transparent sound to it. Very nice. Rob

Thanks Daryl. Appreciate the listen and the comments

Welcome to the forum! Love the subject matter, and the song has a great vibe to it. I do agree with Lynn regarding the vocal mix -- while I could follow the words, it took a lot more work than it probably should, and that was a bit of a distraction. I'd be very curious to hear this with a modified vocal treatment. But overall, I liked this one. Rob

Thanks Bjorn, as always I appreciate the listen and the comments. And I really like your impressions - that is pretty much the sort of "moving through the centuries/cultures" vibe I was aiming for. Thanks, Wookie! Appreciate it. That, too, is the exact vibe I was seeking. Thanks, Nigel. Appreciate the listen. This one will need a bit of work if I'm going to realize the original idea in full, but I'll post it as soon as I have it finished. And hopefully, I'll be able to include the visuals. Rob

Love your stuff, Wook. This one, too. Very evocative, and has a hypnotic vibe to it. Drums sound nice, and fit in quite well to the overall vibe. The one thing that did sort of distract me a bit -- the side-to-side panning of the lead, which I wondered was maybe a bit too strident. But that is strictly a minor thing. Nice piece!

I like it. Well played, and the vocal work is pretty strong, to my ears. You've got a really nice voice. I can't really offer advice about the mix -- this type of music is not an area I've ever spent time working in, and I don't feel qualified to comment. But I really like the song. Held my attention all the way through. Rob

Sounds great, Daryl. I didn't hear the previous mix of this, so all I can comment on is the new "less top" version, and it sounds good my ears. Clear and clean, and a nice spacious mix. Really good stuff, well-performed! Rob

Evocative and atmospheric, I like it a lot. One thing that might add an extra dimension, especially to the second half of the piece, is a deeper percussion instrument showing up. Maybe a nice deep, thrumming tympanum that hits maybe once a bar on the downbeat - or some variation of that. Might just give it a bit of a tribal/ritual feel, which is also really appropriate for the whole Celtic vibe (to my ears, anyway). Love the use of voices in this one -- I often use them the say way, and it works really well here. Rob

Great! Really nice guitar work, and a lovely overall sound and vibe. Enjoyed listening to it.

This is really good -- slick and polished, and lots of great hooks in there. A very enjoyable listen. Like a few folks above, I listened first without images, so now I gotta see the video (which at first glance, looked pretty slick as well). Really nice work, Nigel.

Great! I like this a lot -- very soothing and hypnotic. I think you struck a really nice balance between the ambient sounds and the music, and also between the various layers of instrumentation; from the low-end to the high it meshes together pretty well to my ears. Enjoyed listening. Rob

Hi folks, This one is a purpose-written piece that was requested by a friend of mine who is making a documentary video about a historical re-enactment society we belong to. The video will focus on the arts & sciences community within our group, and he wanted something for the opening credits that was a) uplifting and energetic, and b) features a broader than usual cultural palette. So I've spent the past two days creating this from scratch. As is my habit, I write and record fast, don't look back and just get it done -- then go back and try to make something from the debris. This is what I have so far, and I'd be curious to get some feedback on it, if folks are willing. Some provisos: 1) This music is timed and tailored for the opening credit sequence, which I can't show yet (since it is neither finished nor released to the public), and so it will probably be more musically coherent when watched with the images it is designed to accompany. 2) This is literally a first-and-a-half draft, and about as raw a piece as I’d ever consider posting. I've tweaked and adjusted some stuff, but there are a lot of things that need more tweaking -- or even total overhauls to parts and sections. 3) For that reason, the mix is all over the damn place -- some instruments are way too forward (I'm looking at you, Viola de Gamba), and some are way too far back (elderwood flute, lute), plus a ton of other problems. I also think the last third is waaay too boomy, and I think I gotta thin it out. And be warned: it gets LOUD towards the end. So, it's rough but I'd be really curious to get folks sense of how it hangs together overall. Do the transitions from section to section work ok, etc? Also does the combination of instruments work; this uses a much broader selection than I am used to, including: full symphony, sitar, lute, gallinchon, primitive flutes, viola da gamba, and a didgeridoo -- plus a bunch of other stuff that may not be audible at this point in the mix process. What do you think of its overall energy and drive? There is lots to be done with this piece, but for two days work I'm fairly happy. I normally list all the libraries and patches I use in my recordings, but in this case that would be a damn long list, and so to sum up: Dark Era, Era II, Cinestrings, Cinebrass, Cineperc, Taylor Davis Violin, Sampletank 4, Rise&Hit, Embertone, AlbionOne, Ethera, 8Dio Lacrimosa, Sonokinetic Tutti Vox, Strum II and a few others that escape me for the moment. Thanks for listening! Rob Update: I have uploaded a new mix, with a slightly extended ending...