Brando

Ultimately it's all about eliminating the need for multiple automation lanes by putting (way too many) controls on the transit knob. The effects are ok/good, you get 10 more with version 2 but it's the ability to meld these together and to have them all controlled so easily from the transit knob. That makes transit so unique. I use a little Akai lp8 mkIi in Studio one. When transit is active the first rotary is assigned to the transit knob and the second is to the mix% knob. Once your presets are set up and saved the way you want them, that's all you need. 2 knobs to control multiple effects (28 different effects in v2) each with automatically modulating effect parameters. Lots of motion very easily. It's designed for transitions/ear candy. Instant risers, falls, fx, modulation. If you have version 1, $29 gets you new modes (lfo, gate, side chain, sequencer, macro, and follower (which is really good in how it responds to a more or less busy/aggressive mix) to control the transit knob. I still use simple automation of the transit knob but for gate type effects, stutter effects, tying effects to a kick or bassline, the other options add to its versatility. You also get the 10 additional effects (28 total). Some of these are a bit cheesy but might find a home for a specific use. I wouldn't say v2 is night and day better than v1. But $29 is excellent value for a $79 plugin that adds a ton of versatility to it. If you intended Transit to be used as a multi effect there's probably better options. But nothing else (IMO) gives you easy control of so many effects and their parameters and begs to be tweaked. Not affiliated with Baby Audio in any way, FWIW.

It's a nice update - $29 well spent IMO

So........Installed?!?!

FWIW I bought this mostly to replace a couple of Waves (and others) gain rider plugins. I am still trying to figure out the ARA "AI" (infinite lookahead) aspects. Works well in Studio One 6.6.1 here though. (Plugin version 1.0.3). 3 updates in a little over 2 weeks. For anyone who had difficulty with the plug (Bapu!) on first trial, it might be worth another look. Not affiliated with this supplier in any way. He did refund my purchase of the basic version (Gainaim) so I could take advantage of the Pro version current discount at a bigger savings than the upgrade discount would have been. ?

Doesn't mention the crashes though..... might wait a while on this.

+1 resizable GUI would be nice but too little otherwise for too much (coin). Like a lot of the GForce updates/up"grades".

Wonderful! You nailed it (as usual). Sorry about the marital issues - (Sabbath is like counseling. ?) Love the album cover! Sabbath Vol 4 is a favourite.

I expect this will disappear down the queue quickly but figured I'd post a reply. I have a few Kontakt (I use K7) piano libraries but mostly for a mix, I tend to use True Pianos (4 Front) where the piano is in a denser mix. Most of the larger pianos I own get little practical use. I bought the Boz pianos and they're quite versatile, sound nice and have a number of useful presets that will make both of them very useable for my needs. Lots of control over the sound and the playability. The samples occupy about 15 GB of storage on one of my sample SSD's. During installation, there is complete flexibility on where the samples reside. I own quite a few Boz plugs and the ones I've owned for years continue to work properly (Studio One Pro 6.5.1 in Win 11 is my main DAW). (There was a comment about this developer abandoning plugs. Hasn't been my experience at all FWIW). For anyone looking for a small, versatile piano (or 2!) Whether or not you own Kontakt, I'd recommend these

I've received 2 notifications from Audio Damage for a 1.2.6b then a 1.2.6c update. Not sure what the differences are. Installed 1.2.6b this morning, then got the "c" notification afterward. Just FYI.

Yea and some of the soundsets also. Not deal breakers by any stretch but never made sense to me that Presonus doesn’t make them available as rental as that is the stuff I am unlikely to purchase unless it turns out to be indispensable down the road.

I still wish I could just subscribe to the “+” part. Never made sense to me as an owner of Studio One, Notion, Progression, Batch Converter, etc why I would want to subscribe at full rate to something that is largely what I already have. And would want to keep access to should circumstances change and I want to unsubscribe.

Thanks Craig!

Dang Hippies! [tube]https://www.youtube.com/watch?v=t8tdmaEhMHE&pp=ygUqb25lIHRva2Ugb3ZlciB0aGUgbGluZSBzb25nIGxhd3JlbmNlIHdlbGsg[/tube] (Never posted an embedded youtube link before. Hope that works) Nope . Oh well

So like a week - 10 days? (Yur alreddy famus aroun' heer).

But - secure!

Hey Lars - doesn't require Kontakt. Is a really nice (now free) disto though.

Although looking at the release notes there's really nothing added (compared to 2.2.1), other than raised OS minimum requirements and removal of the VST2. I suppose future Audio Damage "updates" are going to drop VST2 as well. Too bad. Like a security blanket.

Yes. I like this one a lot.

Me too - and it still gets some use here though not as much as it once did. I love that old synth. Picked it up originally as one of the few available DXi's for Cake's Sonar 1 way back when (before Sonar could load VST/VSTi) and have upgraded it through all of it's various iterations. Always hoped AAS would come up with a new version of Tassman but understand the need to move on. Still love AAS and Microphonics has a rightful spot in the migration, IMO.

Me too. Just bought the upgrade. A bit surprised it came out so soon- But I think the Cherry Audio guys were cleaning up in a limited market with their modular. I love multiphonics though but I'm no synth expert. I tweak and explore using someone else's hard work to get me started. Things like the objeq filter are superb and unique to AAS in their modular. I think Multiphonics will (eventually) be Tassman on steroids.

Well I think it sounds really good. It's not a Taylor or a Martin. It's a tiny 4 string guitar that this set seems to capture really well. Will definitely find a use for it (or not) for $12-ish.

It's a Cuatro -small guitar (4 strings)

Hi Pragi - I just replied to your PM - as I mention I am not looking for anything for the Artist License. It looks to me like Presonus wants me to pay for the license transfer though, even though 3 has never been activated. I sent you a fully legit alternative though and if that works that should solve the issue. If not let me know and I can reach out to Presonus to see what they can do about the transfer charge (either do it at no cost, or if still acceptable to you, to allow you to pay for the cost). Anyway let me know. Fingers crossed that all works as it should. Let me know via PM if you need anything else Brando

Hey Pragi I just checked my "My Presonus" account and it looks like I have an Artist 3 license that is unused (never used as part of an upgrade, etc). It has 9 associated bundled downloads (some may have expired at this point because 3 came out I think in 2016). PM me or send me your contact information via email if you're still interested and I'll transfer the license etc. Brando

Check event viewer for the problem area of the clip in question. Sounds like maybe you've created some (many!-likely due to the high resolution of the mouse) events/automation which is creating the audio 'lag'.