mettelus

True, but Drum Empire is one file and is just high-resolution content that is fairly generic (5 kits basically that can be found elsewhere). That particular file is #1 on my axe-list if I ever need more HDD space. MDrummer will also import and sort (to the best of its ability) samples you already own (which can take a while). People with limited bandwidth are going to get frustrated by Drum Empire as well. Drum Empire could easily be down-sampled and lose nothing, but is in a proprietary format. The Studio 2018 kit in particular has the most diverse content of all of them, but is still 14.3GB IIRC on its own. Now that it is bundled with 2008-2018, it is even bigger.

Another issue may be that the timeline is not set properly to the song. If reginaldStjohn's answer isn't the solution (it should be), does the timeline match the project? It is unclear if you imported audio or not from the OP.

I had to read back through the thread to catch this. Are you putting project data on the external HDD? Having buffer set TOO high can sometimes be as damaging as too low, and HDDs need to seek to pull data. The 2048 buffer size on 32 audio tracks from an external drive could be a choke point in your throughput. A quick way to test this: Open the project, and do a "Save As..." create a new folder on the HDD and save it there (be sure to check the copy audio file option in that dialog). What that does is "bunch" all of those audio tracks together, so the HDD does not need to seek so much. If you have enough space on the OS drive, do the same there so you have a new copy on both drives. Try lowering the buffer size to 1024 (or play with the variations below 2048) to see if that helps. Start with the HDD project, then shift to the one on the OS drive. Setting to 2048 actually forces the audio engine to fill those buffers, and with 32 tracks that may be more than your HDD can handle. Bottom line, when playing back audio (and the global FX bypass (e hotkey) is engaged), the audio engine is doing nothing more than streaming tracks from the source (as simple as it gets). If that is glitching, then the throughput isn't happening. I suspect moving that project to your OS drive is going to help, since external HDD (magnetic) drives are not known for speed, but reliability. You may find that working ITB (in the box) is faster, so may need to do project work there, then archive to the external when need more space (the same "save as..." routine, which also strips off anything not actually used by the project when saving it, so this also is a way to regain disk drive space).

Be sure to get the Studio 2008-2018 Sample Pack (they are all free). Of all the packs, the Studio 2018 had the most content but they combined all the Studios into one file. The drum engine has a full set of FX embedded, so you can morph just about anything into something else. MDrummer is a complex beast though, so learning that GUI is worth the effort.

Any strengthening of surfaces will increase reflection properties for sure. New tile probably contributed the most since that is going to get reflections from everywhere (especially with a vaulted ceiling) and is literally hard as a rock; but crown moulding also acts like the lattice in a guitar (more so if glued rather than just nailed). Another coat of paint was reinforcement as well. Rooms with nice reverb are awesome in my opinion. To this day I still whistle the intro to "Patience" when entering concrete stairwells. I actually learned to play guitar practicing in the bottom of a 5-story stairwell when I had the time.

On cell here, so this will seem curt. When you see the screen above, stop the capture and screenshot the process tab with the offenders at the top (click the column headers as Gswitz mentioned). I have a really old post on the old forum, but the #1 offender is the network adapter pinging for connections every 4 seconds. Two quick suggestions - 1. Hit the global FX bypass (e hotkey) and see if it clears. That will let you know a CPU-hungry VST is the issue like Craig mentioned. If that is the issue, need to start searching for which VST(s) are doing it. 2. Disable your Wi-Fi adapter and unplug the Ethernet connection and see if that helps. If so, LatencyMon is probably gonna flag your Wi-Fi adapter process, but all you really need to do is disable the "auto-discovery" Network option in Windows to cure it.

The best answer for that is to check the trial out to confirm yourself. I "thought" the new latency setup came out with 3.5 (not sure if you loaded that version?). Not a lot on the latency side changed since then (internally), but (white) noise happening at regular intervals is often from demo plugins... is it possible that is what it was? Latency issues tend to either be there, or not be there, they do not toggle on or off except with an offending plugin toggling on/off too.

DOH! I need to stop reading these on my phone. The OP is the upgrade (from Best Service) for any previous SO version! Good grief... for those that bought and stayed on SO3 way back when, this is a good upgrade (especially if you want the ARA2 features). I still haven't figured out this point, but I upgraded to SO4 (chord track) before I upgraded Melodyne above Editor 3 (to ARA2), and the chord track was functional in SO4. It seemed like that functionality was embedded into SO (4+), sans Melodyne, but I am not sure if that is an accurate statement?

+1 keep pushing Sphere too, you would think they are rolling in cash. Not a lot of heavy-handed features from many these days, seems to be more filling out niches. That cheap upgrade for any SOP version a few months back was a good (but rare) one.

I had 13 from Smith Micro and the 13.5 upgrade was free but made me enter my authorization again. I didn't get too deep into it first pass, so feel like I am back at ground zero, but the new features are rather interesting. I need to start with simpler things this go round. Definitely one of the RTFM apps; it is easy for me to get lost in the UI.

I never hear commercial tracks played where they announce the DAW that was used; however, I have heard ones where they made a point that no pitch-editing software was used. Bottom line, if something works for you then use it.

There are a few quick checks you can make. Be sure your output is accurate in preferences. Easy way to check is to drag a loop into a track and see if you can hear through ear buds. If meters are moving, arm and record something even if you cannot hear it and see if it creates a wave file and wave form. If it does, you can drill into the project folder and play that wave with another app to check. In Windows sound settings also uncheck exclusive mode. Some apps will snag your audio output and lock it at a bit rate not compatible with your project. Make sure what is set there also matches your project settings.

Armageddon threads with the threat to abandon CW typically get the most reviews and posts with or without an OP. Social media at its finest!

White squares are free, squares with any color in them will cost ya.

The Studio Set a few years back (I think is the 2018 set) has a much broader sound set in it. I would down sample this 60GB set if I could but it is in a proprietary format. IIRC, importing them into other apps doesn't give the kit functionality you will get with MDrummer. Side note - Another feature of MDrummer not mentioned often is you can import samples and classify them (as best it can) so you can generate kits using anything MDrummer can see. The kit generation/manipulation tools in MDrummer are nice features. As for this particular 60GB set, unless you are bored and want to download it, the samples are just large in size. You can import other free kits into MDrummer and gotten more from your time.

Wow, just clicked on that... It is for ANY previous version of SO Pro. I assumed it was for SO4 only; so yeah, for those that onboarded with SO3 during the great debacle, this is a great deal.

When you start fiddling with already printed material and want to play with altering arrangements or chord progressions on the fly, Studio One will stand out. The ARA2 integration into the chord track itself is rather impressive.

I got the X5 Suite because it was the same price as the Spectral Layers 7 upgrade, but only opened X5 once since I bought it. Convology XT Complete was included in that as well, but only used a few times. Spectral Layers has gotten a lot of use though.

Because of the acquisition, reverbs suddenly became part of all the bundles. For some that is a bonus, but for others the added "fluff" isn't enough to make up for the lack of product development. For those of us not interested in Groove 3 or more reverbs, the cost becomes questionable. Subscriptions can be beneficial for some, but for current advanced owners it isn't as appealing. The "loyalty pricing" is a joke for some companies... Repeat buyers are their predominant revenue stream. Once you buy something you get flooded with advertising to buy more.

DSP has matured so much that there is not a whole lot left. The last outright purchase for many of these companies who went subscription covers the vast majority of functionality. O8N2 was the quantum leap for iZotope, with diminishing returns to follow. In some cases it goes back to the "paying for bug fixes" that has popped up over the years.

I forget offhand now, but isn't this the plugin that gets overwritten each time you update CbB? One of those unlocked plugins had to be reinstalled each time CbB was updated, but not sure if this was it?

I didn't realize Melodyne will extract the tempo even if the trial is expired. That is a helpful tip for new folks.

Hmmm, reading reviews from the lowest rating first, the thickness of that veneer was stated as 1mm, which is incredibly thin. It is not a cap, and already bound, so the warnings about not sanding the veneer makes sense now. Some of those reviews are actually concerning.

On each of their guitars there is an Assembly Instructions pdf, so I read the LP one and noticed the "Tools and Supplies" list up front with it. The neck is not totally finished, as it has not been set nor the truss rod adjusted. The assembly notes some sanding, nut slotting, and crown work. Some of the "proprietary tools" they sell are a bit on the steep side (nut slotting files stuck out immediately for me), which have either a cheaper alternative, or straight-up workaround. The ones that came to mind: Feeler gauge (not mentioned in the Tools and Supplies" but is in the instructions) can be bought at an automotive store for around $5 (used for gapping spark plugs). Fretting hammer - can do the same with a claw hammer and small block of wood. Wood on the fret, lightly tap with the hammer. I would also do this before setting the neck, since is easy to rest on something soft but firm (like my legs). Fret Crowning File - theirs is simply a triangular file with the corners ground off, so can modify one yourself. No-chip Countersink (for chamferring bushing holes) - a small strip of 150 grit sandpaper wrapped over the tip of your pinky will do the same thing, just do not ride up on the finish. Nut slotting files - It appears the nut is already pre-slotted, but needs final adjustment. Oddly enough the tools only mention 3 files, but since the nut wears down fairly quickly, you can do the same with an old set of strings (same gauge you will use) and some rubbing compound (essentially a fine sandpaper in paste form - automotive shop again). Need to tape off both sides of the nut, but you can run and old string through it with compound like a very fine coping saw (be sure to angle so the high side is the fretboard... should slope downward slightly toward the pegs). As far as finishes, their lacquer is pretty competitive, but they make a big deal about gloss finishes being a bear (and have a book on it). Tru Oil (used for gun stocks) is a very popular finish (form of linseed oil) that can be put on by hand and built up in numerous layers. Every couple layers it is good to 0000 steel wool slightly, and about 20 layers is what "looks like glass." It will darken the finish ever so slightly, but also has the advantage that to "re-polish" in the future means to simply add another coat or two. I slathered a couple coats with my bare hand on the top step of my basement stairs (redwood) 10 years ago and it hasn't needed to be touched since. I use it on guitars too, but don't walk on them ?. Oddly enough, Tru Oil is the only thing I have EVER been forced to sign receipt for on delivery... I asked the delivery guy why and he said "gun paraphernalia"... I just chuckled and said "Whatever." Another "finish" option, is to get a vinyl print made of any picture/graphic that suits your fancy. Any automotive place that does "car wraps" probably also has the printer for making the wraps. They would need the dimensions of the face so they can properly align/print the "wrap." These are opaque as you have seen on cars (won't see the wood), and go on/come off with a heat gun, but can make anything as intricate as you can imagine (and change your mind later). You will want some base finish under them so that they do not transfer any ink to the underlying wood. The longer they are on, the harder they are to take off... another reason for a finish under them, so if worse comes to worst, you can sand through the vinyl and never touch the wood beneath it.

For those guitarists here that like to tinker, it is worth signing up to StewMac newsletter. I had looked at acoustic kits a long time ago, and they are a bit more complex and pricey; but they sent out a sale newsletter Monday (4/5) and I never really looked at their electric kits, which are pretty impressive. Please note that some of these kits will NOT ship outside of the US, as the only thing they are missing is the logo! The electronic kits are more pre-fab, so is really the assembly/finishing of them. Finishing kits are also 50% off and embedded into some of the kit options, but I wanted to point this out for folks. Example: an "LP-Style" flame top with no finishing kit is $209.99, with a Cherry Sunburst finishing kit is $274.71 (and comes with the stock pickups), which is pretty cheap in comparison to many other options out there (and the necks are already done to boot). The neck being done is actually a HUGE deal, since other options that are less expensive usually have crappy fretwork on them. They have most styles on sale, including acoustics.