Nigel Mackay

Try this instructional video.

@John Deacon Nested track folders is one of the things we would like in a future release.

Ctrl-L is Toggle Group-Clip Looping. Edit -> Preferences. Bottom left make sure Advanced is selected. Then Customisation -> Keyboard Short Cuts. In the alphabet list click on any letter. Underneath the list it tells you Assigned to: To see Ctrl-L, click the Locate Key button, then do Ctrl-L, and the list will change to the Ctrl-xxx combinations. Same with Shift-xxx, Ctrl-Alt-xxx etc.

Don't even think about channel numbers being the same as track numbers. There is no relationship at all. You could have the left-hand of a piano piece on track 4, going on channel 2 to your piano. And the right-hand part of the melody on track 5, also going on channel 2 to the piano. Many people do the MIDI for drums on numerous tracks - kick, snare, hihat, toms, crash cymbals, ride cymbal. They all have to be on the same channel because the drum is expecting the data on a specific channel. You have to manually assign channel numbers on each track. If you move a track up or down the list of tracks, the track number changes. Nothing else does.

No, not tracks. Only controls.

Can you point to a YouTube tutorial where they do that in Ableton so we can see exactly what you want to do?

You can always ask in the comments in these tutorials. Especially as many of the posters use multiple DAWS and they might be familiar with Cakewalk.

Just copy and paste. Then route each MIDI track to each instrument. Each instrument gets a set of 16 channels anyway, so just use channel 1 for everything. The output of the piano track gets routed to Piano:Channel1. The output of the Bass gets routed to Bass:Channel 1. You only need worry about channels when you use a multi-timbral instrument such as TTS-1. Or the Kontakt player which can hold 16 instruments. Go to the Tutorials section and search using "start" or "beginners" and learn some basics. It will make a big difference in your life. ?

You can group the controls of the FX in the ProChannel. I suspect the FX that can be grouped in Ableton are the one's that are built-in.

That has made me check. Input Echo off. Input says Omni, but dropdown says it is actually None. I cannot get it to say None. Seems like a bug.

You can group identical controls. If you put tracks in a folder they are grouped. MIDI, audio, instrument.

Click on the mapping pin icon in the top right corner of the plugin. Then it won't close when you hit Play, and you can adjust the settings. EDIT: Just thought, maybe that doesn't exist in Sonar X1.

Read this

Not easy to draw a straight line from corner to corner.

And I succeeded in creating an AZ Lua plug in to do it. ?

@scook Starting with it now already. ?

The CSCompander is just that, a compander. It has a bottom knee and an upper knee. Values between these two points are not affected. The result is non-linear. Great for processing a drummer that is a bit errant. Cakewalk FX Velocity: Scale. Set to 50%, every velocity is changed to 50% of it's value. (All of them downwards.) Loud notes are softer, but so are soft notes. Useful if one track is much louder/softer than the others, but won't help when used on every single track So, I have written a CAL script which scales the velocity. Velocities below 63 are moved proportionally closer to 63, those above 63 are moved proportionally downwards towards 63. Every single velocity is processed. Unfortunately is not "live", so MIDI data must be stored safely first. But you all gave me a great idea‼️? I have posted to @Variorum asking for just such a tool. ?

I need a linear velocity scaler. Similar to the MIDI EQ, but with a tilt facility. For existing MIDI projects that have too much dynamic range. (Or too little.) If set to 50%, it must move velocities below 63 upwards, closer to 63, and velocities above 63 downwards. This maintains the dynamic feel of the piece. I have written a CAL script to do this, but of course it is destructive, and so potentially dangerous if you forget your backups.

Found this: To see if a piece of hardware is reserving a large chunk of physical address space, launch "devmgmt.msc", select Resources by Connection in the View Menu, and expand the Memory node. See what is reserving the RAM. Also, if your motherboard is not happy about the way the RAM is arranged in the slots, Windows will flag it as Reserved. One example: with purchased pairs of memory cards, sometimes one of them HAS to be in Slot 1. Swap the 2 cards around.

It is not Cakewalk per se that is reserving the RAM. Do you have an input device that could be doing it?

Thanks. Fiddling with the velocities is not really an option. 19 instruments. Lowest velocity is 15, highest is 127. If I do nothing the dynamic range is 57dB. On reflection, maybe it is just me that struggles with that much! I will let someone with younger ears listen to it. ?

Ok, this would apply to any system, DAW or hardware, but where else do I ask. If if have a MIDI arrangement that has too much dynamic range, what is the best way to handle it without destroying it? It is classical music. Want to hear that little solo run as well as the piercing blasts on the combined trumpets and trombones. I have tried putting a Sonitus Compressor on each track - Threshold minimum (-60dB), Ratio 1.5:1, Knee 10dB, Attack 0ms, Release 200ms. Am I basically correct?

For what it is worth my vstscan.exe is also version 6.0.3.0. Dated 03/06/2020 15:00. And it works. Details are identical to Milton's.

Start off by watching these 2 tutorials: Number 2 Number 1

Did it work? Or is that where it stops?