David Baay

Same boat. I put it off getting Kontakt all these years because I'm generally not that big on purely sampled instruments, and things like Prism and Alicia's Keys I had bought separately only needed the Player. But then I would occasionally see deals on interesting instruments that required Kontakt Full so I took the plunge getting it with a crossgrade deal from Morphestra last year. And now I went for Komplete mostly to get all the other synths that - like Prism - aren't just sample players, but have some life and character to their sounds. The standard package includes all but 2 of the 16 that are in Ultimate. But mostly I just have GAS this week. ;^)

I'm stumped, but it's definitely system-specific - not happening everywhere.

What if you disable Input Echo and change the inputs on the MIDI tracks to None? If that doesn't do it, It would be easiest to see a copy of the project to diagnose it.

Strange. Performance Module metering options are working as expected here on my laptop with Windows 10 Pro, and on my main DAW with Windows 10 Home. I don't have a good idea what might cause this other than dependency on some other CW config setting or interoperability issue with some third-party software/firmware/hardware. Doesn't seem to be a widely experienced issue, but I would guess most users are not changing the setting very often.

It's possible a project or template has somehow become corrupted in a way that's not visible from the UI. Rebuilding templates from scratch periodically is not a bad idea though I understand it could be a big (and error-prone) task in this case. Sometimes a project can be fixed just by rebuilding individual tracks and their routing. Even if it's a visible misconfiguration that you're just not seeing. sometimes rebuilding a track is the easiest solution.

Are you saying you have two hard-panned mono tracks that show similar output level at the track meters and play back balanced in real time, but when you export, the rendered file is not balanced? What are you using to listen to the export? Have you tried re-importing to Cakewalk or Audacity to confirm the levels are wrong in the file? If you're exporting 'Entire Mix' hardware bus levels could be off, but that would also affect live playback. Or you could have an unbalanced send to a second hardware output (e.g. headphone mix) that is getting included in 'Entire Mix' In any case, I recommend bouncing the Master bus to a new track within Cakewalk to understand better where the problem is occurring. If that bounce looks good, and the exported file is bad, then the problem is with your Source selection at export.

i think I understand the problem now. I often rehearse with tempo delay in the studio while the transport is stopped, and it syncs to tempo just fine with the transport stopped. But in the case of a delay, the timing of the taps is based on the time that audio arrives at the input so it automatically 'starts' when the first key is hit. This is not necessarily the case with a gate, and it sounds like the particular one you're using depends on the project clock to 'know' when to start, rather than the arrival of the first audio transient. You might just need to find a different plugin that can trigger on audio.

Although Cakewalk may not be the best platform for live performance in all respects, it can certainly stream real-time audio with FX applied while the transport is stopped. I would have to test to be sure, but so far as I know, tempo -based FX will sync to the project tempo that is currently in effect at the Now time where the transport is stopped/paused even if it's at time zero and the project has just been opened without starting playback.

I think we'll need to see a copy of the project/template to have any chance of figuring this out, but I don't have any of the EastWest stuff. Can you reproduce the problem with some other multitimbral synth? I have Kontakt, Sampletank and Aria Player.

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Best wishes, Gary. Sweet photo.

Can't help you, but wanted to share my favorite handpan video:

My guess is it would take additional code to deliberately exclude the FX bin from obeying the '1-second rule', and this simply wasn't considered. It's only noticeable because the FX bin is the first object your cursor encounters when passing out of the clips pane into the tracks pane and it's big.

I think you are mis-remembering in this particular case; Slide Over to Make room has not worked correctly for well over a decade if it ever did; down-stream clips that didn't need to move would move and would move to the right even when you were dragging something to the left. Ripple Edit addressed this and many other case where Add Measures, Delete Hole and related actions would not deliver expected results. For the most part, the old ways still work (or still don't work) as they used to when Ripple Edit is disabled.

What are the exact symptoms of "don't work"? In the absence of an actual bug, a change in behavior after close/re-open would usually be due to having incorrect focus, selection, tool or some other program 'state' that is not compatible with what you're trying to do and is not saved as part of the project. Pretty hard to diagnose without having the project in front of you or steps to reproduce it. All I can say is that these unexpected things do happen to me, but I can pretty much always find the cause and correct it without having to shut down.

I can reproduce that, but only while the cursor is over an FX bin after leaving the clips pane - hovering over any other part of the tracks pane works as expected, and once I've scrolled in the tracks pane, it works when over an FX bin as well. And I can confirm Platinum did not have this quirk. Had not noticed it until I went looking for it. I guess I just don't normally stop over the FX bin when scrolling in the tracks pane. P.S. I'm on Windows 10.

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Indeed, it would be good to download the Ref. Guide and do some reading. - The Event List shows controllers in red to distinguish them from notes. - You can select in the Event list by sweeping the mouse down the far left column of the view, and delete the selection by Edit > Delete (Delete key will only take the currently focused one). - Select by Filter works by filtering the current selection so you should start by selecting the whole clip in the track view in this case. EDIT: By the way, base don that Event List, it looks like a volume fader/knob on your SY777 might be 'jittering' and sending superfluous controllers almost constantly which is going to cause various problems. You might want to look into disabling it or routing it to an unused channel if possible. Or try exercising it to clean it up and/or find a position where it doesn't jitter.

Cakewalk doesn't render the metronome when exporting or bouncing, even in real time. You need to arm that aux track and record the click first. Then you can include the click track in an export

See the Visual Effects tab in Advanced System Settings for Windows and set it to "Adjust for best appearance" if it isn't already. I haven't seen this for a while, but in the past there have been issues with the Now Time Cursor display when some options were disabled.

Are you recording a sequence from the SY77? If so, it's probably sending CC7 Volume controllers. You will be able to change the Volume in CbB after you finish recording and delete the CC7 Controllers from the recorded tracks using the Controller Pane in the PRV or the Event List or Edit > Select > By Filter and delete.

That's not how MIDI and instrument tracks work. MIDI tracks output to synths and Synth tracks receive the audio output of the synth, and make it available for mixing. An Instrument track combines the function of a MIDI track and Synth track with the synth residing in the Synth Rack. Another MIDI track can output to the synth in parallel with the MIDI part of a synth track but not through the synth track. The intent of an Instrument track is to provide a single MIDI and synth audio output track to interact with a 'monotimbral' synth or a single channel of a multitimbral synth. Some time ago, CbB introduced the ability to create a separate Instrument track for each output or (stereo pair of outputs) in a multitimbral synth. This would be the preferred way to use Instrument tracks with a multitimbral synth now. I am not advocating that you use any more or fewer synth instances (although it can be more efficient in some cases to run more instances of a synth with fewer channels per instance) just that you use separate Instrument tracks to route MIDI into and audio out of each channel of a multitimbral synth independently. I have to reiterate that there's no clear indication that your current routing is contributing to the problem, but both the setup and the symptoms are unusual so it begs the question whether they might be related. Also, it makes it harder to diagnose when a single synth channel is potentially receiving MIDI from more than one track. EDIT: I should add that the traditional way of working with a multitimbral synth using a single stereo output from the synth and doing the mixing in the synth, which appears to be your intent, would be to host the audio output with a Synth track (i.e. a normal audio track getting input from a synth) not an Instrument track.

i did a quick test, and could not reproduce an issue and there may not be any. I'm just thinking that a non-standard setup like this is not likely to have been thoroughly tested, and there might be unanticipated side effects, especially as it relates to mute/solo functionality. And there is certainly potential for confusion on the part of the user with regard to conflicting settings of MIDI volume/pan widgets or contention of controllers on different tracks driving the same synth channel.

Most likely an FX plugin, but based on the symptoms sounds like the 64-bit Double Precision Engine might also be involved so you might start by disabling it in Preferences > Audio > Driver Settings. Is there any recorded audio and/or stretched audio in the project or is it all synths?

Your screenshot appears to show you are using both separate MIDI tracks and Instrument tracks (combined MIDI and Synth audio). I noticed recently that it is possible to direct a second MIDI track to a synth that's set up as an instrument track, and it will work, but this is a bit of a non-standard setup, and potentially problematic. I would suggest using one or the other with any given synth - either separate MIDI and Synth tracks or Instrument tracks. And in either case, synths should be inserted in the Synth Rack rather than in FX bins of Audio tracks.