Cobus Prinsloo

Hi, I've done what was suggested: True peak on, and limit set to -1. However, the peak reading above the limiter on the right still reads +1.1 and +1.0. Did I miss something?

Thanks Promidi!

Believe it or not -- I'm not able to find a reference to this setting in the CW documentation. Does it only activate/deactivate the Pro channel? It's the button to the right of the "Post" setting.

Has anyone else had latency issues after the update?

Thank you everyone for your valuable contributions -- these help a lot.

AH -- ok, thank you. One final thing: what's the difference between the Gain gage just above it, and the Output Gain slider on the far right?

Thanks for your reply. My understanding was that "True Peak" is only necessary when the output intent is for a streaming platform such as Spotify because of the analog > digital conversion. Should one always have TP activated? Even so, how will this help obtain the peak level required by a specific platform, i.e. -1.0 dBTP (for Spotify), or -0.1 dBTP (for CD)?

Hi all. I'm trying to figure out how to control the Peak as indicated above the output limiter on the right. I'm able to get the volume in LUFs to more or less what I want (for CD), but the Peak readings are way too high: +4.4 What can I do to bring the Peak value down to -0.1? I try to understand the correlation (if any) between the Gain setting on the left and the limiter to the right. My understanding of a limiter is that the input sliders determine the threshold, and the output sliders determine the amount of gain. If so, then why have a separate gain setting on the left? Thanks for any comments. Cobus

I also have latency issues since the update.

No, it doesn't. I decided to delete these phantom clips, making sure that the Comp option under the Smart tool is unchecked and re-recorded them. No problem so far (touch wood)!

I unchecked the Comp option under the Smart tool, when working with the clips because I read somewhere in the Documentation that this can mess with audio clips.

Yup -- comping is active! The Mute tool didn't make a difference, because it wasn't muted in the first place. But -- when I erased small parts in a clip, then whatever waveforms were left, turned back to normal solids again. Weird behavior - probably a glitch!

Have you ever seen anything like this: the waveform in the audio clip is transparent—it only has an outline? And it is non-audible. I made 100% sure nothing was muted.

I'll give it a try, thanks.

Yes - I tried both options before, making sure neither clip nor track were muted, but none helped to make those clips audible again.