FreeEarCandy

Very nice, Nigel. The whole package is top shelf.

Dean.

33 minutes ago, Bajan Blue said:

Hi

I like this a lot  - I did look up   Schrodinger's cat but i have to say it lost me at " a paradox of quantum superposition "

anyway, love the track!!

Nigel

 

Hello Nigel! Thanks for dropping in. Quantum superposition is a condition of non-locality. In the case of Quantum particles, the particle is everywhere simultaneously and will remain in that state of uncertainty until measured by an observer. The double slit experiment demonstrates the phenomenon. Its a bit hard to wrap ones head around at first, but it comes down to 2 outcomes. Certainty (locality) & Uncertainty (non-locality). 

Glad you liked the new track. Nigel.

Dr Quantum Double Slit Experiment.

7 hours ago, Wookiee said:

@FreeEarCandy you are the second person to bring Schrodinger's cat to my attention this week. Such that through the power of thought experiment alone, I fired up the Falcon, nipped back to 1935, and checked what he actually put in the box, they are not going to be happy if they ever open that thought.

Ha! 

Sounds too ominous for me to look. So I went back to 1942 in my Nash Rambler and found a brave soul named Tweety Bird whose curiosity about the matter was not deterred by the thought of killing a cat. And we all know curiosity always kills the cat. Upon inspection, Tweety animatedly insisted he thought he saw a puddy cat, expressing some "uncertainty". However, upon closer examination, Tweety Bird declared, "I did, I did! I did see a puddy cat." Now, why one would ever think about putting a poor puddy cat in a box I'll never know, but I strongly suspect the thought of catching a roadrunner was too challenging, even while riding on a beam of light. 

Personally, I have mixed feelings about it. I don't know if I want to laugh or cry. Perhaps if I put my confused emotions in the box and have someone look I'll be able to sort it all out? What do you think? 

I like the song. Vocals sounds real good. No really much I can add in the way of constructive advice to guide you any further than what has already been proposed in the comments above. Well done so far. 

Dean

Lush and sonically warm. As goldilocks would say, just right. One of Glen's greatest hits. Glen was a master, and among one of my favorite song writers of the time. You performed this classic in a most excellent fashion and dedication to the original mood. Very well done!

Dean

9 hours ago, Wookiee said:

Time is an illusion, a mathematical construct created by mathematicians to make their math work, simples.

Mix sounds fine here, everything has a place, vocals clear and well placed. 

 

Thanks, Wookiee. Time is an interest topic, for sure. I have been intrigued with the possibility that our sense of self is responsible for many concepts that just don't follow objective reality. There is no left or right side of any space until a ego steps into the space and measures. Much the same a Schrodinger's cat  and the collapse of the wave function. Our sense of self creates this notion of separation-the world inside our head and the world outside our head. Seems all the relativity is a consequence of the observer. Much the same as the duality of left and right, and in and out, time also has dualistic qualities -past and future. This song lyrically exploits these dualistic concepts. Personally, I think there are a lot of things pointing at the possibility its all one thingy and the rest is mind fookery. 

E=MC^2. "Things that are equal to each other are equal to the same "Thingy"." < Euclidean 

1 thingy.

Thanks, Wookiee.

14 hours ago, bjornpdx said:

Ooo I like this one , especially the guitar. Well done!
-Bjorn

Thank you, Bjorn.

Yummy! Very nice Mark!

You certainly make it interesting. As far as the comments about the chord progressions. I notice the same magic when I play the piano. Not so much with other instruments. I don't know why that is, but its very inspiring. Seems like no matter what I do it sounds good which lends a greater degree of freedom in the moment. Hope all is well. Nice work! I like it!

“A Small Matter of Life & Death” by FreeEarCandy & Home Studio Kurumin
“A Small Matter of Life & Death” is a captivating track that takes listeners on a moody, psychedelic journey through a dreamscape infused with blues, classical, Progressive rock, and ballad elements. Released in 2020 as part of the FreeEarCandy 2020 Collections, this song showcases the collaborative genius of FreeEarCandy and Home Studio Kurumin.

Instrumentation and Arrangement
The song’s instrumentation is rich and diverse, featuring:

Drums and Bass: Provided by Home Studio Kurumin, these elements lay down a solid rhythmic foundation that drives the song forward.
Grand Piano and Electric Piano: Also contributed by Home Studio Kurumin, these keys add a layer of sophistication and depth, blending classical influences with modern textures.
Acoustic and Electric Guitars: FreeEarCandy’s guitars bring both warmth and edge to the track, seamlessly transitioning between gentle strumming and powerful riffs.
Vocals and Harmonies: The vocals, delivered by FreeEarCandy, are haunting and emotive, perfectly complementing the song’s introspective lyrics.
Synth Keys for Atmospheric Effects: These elements, also by FreeEarCandy, create an ethereal backdrop that enhances the song’s dreamlike quality.
Production Quality
The song was mixed and mastered at FreeEarCandy Studios in Pennsylvania, USA, ensuring a polished and professional sound. The collaboration with Home Studio Kurumin in Fortaleza, Brazil, adds an international flair, blending diverse musical influences into a cohesive whole.

Lyrical Content
The lyrics of “A Small Matter of Life & Death” delve into themes of uncertainty, introspection, and the surreal nature of dreams. Lines like “A world of confusion from my limited point of view” and “Another day of life and death memorialized” evoke a sense of existential contemplation, making the listener reflect on their own experiences and perceptions.

Overall Impression
This track stands out for its ability to merge various genres and influences into a unique and immersive listening experience. The combination of FreeEarCandy’s atmospheric effects and Home Studio Kurumin’s instrumental prowess results in a song that is both thought-provoking and sonically rich. “A Small Matter of Life & Death” is a testament to the power of collaboration and the beauty of blending different musical styles to create something truly special.

Have you listened to the song yet? What are your thoughts on it?

Hello everyone! Been awhile. Hope every one is doing well.

"It's About Time" delivers a captivating mix of progressive blues and rock, immersing listeners into a rich auditory journey. The song's instrumentation is as diverse as it is dynamic, featuring an ensemble of drums, bass, electric guitar, saxophone, piano, synth, and vocals, each contributing to the song's complex and layered texture.

The opening lines, "Time. Minutes, hours and days. Time. Ticking away," set the stage for a contemplation on the nature of time, its relentless passage, and its elusive quality. The repetitive use of the word "Time" echoes the ticking of a clock, creating a rhythmic and almost hypnotic effect.

The vocals, raw and emotive, weave through the intricate instrumental arrangement, with the electric guitar and saxophone adding depth and a sense of melancholy. The saxophone, in particular, brings a soulful dimension, reminiscent of the greats in blues and rock history.

Lines like "Time. So generous and unkind. Time. It heals and it breaks." capture the duality of time—its power to both mend and harm. The synth adds an ethereal quality, creating a sense of vastness and eternity, while the piano grounds the song with a sense of realism and intimacy.

The chorus, although simple, is profoundly effective, with the repeated question, "Time. Where does it go?" resonating deeply with anyone who's ever pondered the fleeting nature of life.

Overall, "It's About Time" is a masterful blend of progressive blues and rock, offering a deeply philosophical reflection on time's passage. It’s a track that invites listeners to lose themselves in its melody while contemplating the very essence of existence. A true auditory experience that lingers long after the final note.

Thanks, @Old Joad.  Art work was done by Marcelo and I agree-very cool!

@Wookiee

Thank you Wookiee. My friend Marcelo was the originator of this cover project, and he asked me to do the lead guitar and vocals. After accepting to do it I came to realize I could no longer sing this in the original key, and I asked him if he could drop the key, which he managed to do somehow. Like you, I also wanted more bottom and a beat, but Marcelo, who I rely upon to handle the drums and bass in some of original work, seemed reluctant to do it. The best I could manage to do is convince him to let me add the tambourine during the lead and ending. He seemed very attached to the unplugged acoustic blues concept and I didn't push it any further.

I seen PF numerous times through the years and they always put on amazing shows for the followers (legendary). What a cool effect you described. Having also seen this done live I don't remember experiencing a low frequency shock wave. But then I could never remember very much after a PF concert. :0

You stay safe my friend and try your best to avoid the shock waves.

Dean

Thank you!

Hello one and all.  A recent & previously published work now featuring my long time friend and collaborator Homestudio Kurumin (Marcelo) on drums.  Download a free copy if you like.

Dean. 

I like it. Worts and all. Certainly a PF vibe, which is an easy sell for me. You do have a lot of singing potential, and I'm very happy to see you explore it more.  For me the hardest part is finding the right lyrics to sing. They have to mean something that resonates with me. Once I have them established as such the rest seems to come natural. To be clear, I never considered myself a top notch vocalist by any stretch of the imagination, but most of us are not a Steve Perry and never will be. Its all about adding an extra dimension to the work and to lead the audience into the emotion message of the music. Anger, sadness, joy, love, etc. Even though some didn't understand the lyrics they can certainly pick up the emotional tones of your voice. Ex: Great Gig In The Sky. It takes a lot of nerve to sing, because it requires one to expose them self a bit more. Don't be nervous about such things. You sing it the way you feel it, brother, and let the rest of the world spin. 

Oh, by the way. How the hell have you been doing, my furry friend? Stay well!!!

Dean

Thank you!

Ooh I like the mood in this. Yeah this is nice. I had to turn it down a bit though to clear it up. But when I did it really came through very nice and balanced on my end. Love it!  The witch put her spell on me! 

10 minutes ago, treesha said:

Talk about from the heart, this is deep  ! I really love the song. The words and imagery are wonderful, very poetic yet realistic too. Your words really painted the picture. Some very creative descriptions regarding light and shadows and their interplays. I love the guitar playing. The mood is strong. A few times I had trouble following the drum pattern when it was more creative, likely due to my simpleness around drum parts. Enjoyed it a lot ! happy holidays

Thanks Treesha! Drums & bass are not my strong points. I generally farm them out to a old friend and collaborator, but he's been very busy bringing new life into the world. When he gets some time he'll do a much better job than I can do in those areas. When that happens I'll repost. Plus I have another surprise version of this. Sort of a hybrid original and cover tune I put together for the fun of it. For now I'm trying to work on the sound quality issues and tones and needed some feedback. Glad you liked the poem & imagery.  Enjoy the holidays! Merry Xmas!

10 hours ago, Supa Reels said:

Gob smacked and happy ?? ... all that's left to say is thanks ....  Oh and have great Xmas

ATB

Steve

Gobs of thanks. Supa ! A very merry xmas too!

Hello Treesha! How have you been? I hear you are feeling a bit fragile? Don't you worry about that. You have a lot of friends here. I got to say you are getting better at this music thing. Aside of all the instruments you used in this project, the one you used the best was your heart. That one came through loud and clear-No remix required. Yeah, I can relate to the song and the statement you made concerning judgement issue after listening to a song too much. I hate when that happens to me, and that is why I post here. Its always nice the have a bunch of fresh ears to clear the fog. There is one spot I want you to have a look at. It happens at  1:15. Sounds like you missed a beat. No big thing and an easy fix, I imagine. But, everything else sounded great, and as I said your work is improving a great deal and the song writing is, well, look at the comments. Like me, seems everyone likes this too. 

So glad I was able to catch up with you and enjoy this. Loved it! Merry Xmas! 

You put together some really fine work. Music. Video. Message. All top shelf.  Yeah. The YT conundrum. I have mixed feelings. Free speech  is paramount, but so too private property. I don't need the hassle, so I don't post my private property on their private property. Problem solved for me. The world is a complicated place, and it becomes even more complicated when emotions are high. But history has show us that in order to defeat a monster one has to become a bigger monster. Hence the monster is never really defeated. It just passes the baton to the next runner up in humanities relay race to hell.  Seems almost like a cosmic game of whack a mole. The gods are laughing at us all, brother.  I don't have any answers that are appealing other than try not to get run over by it all.

Best wishes Nigel. Peace!

Really nice tones. Vocals have a strong Ozzy influence. So much so, I really think you are Ozzy hiding behind the name Bats Brew ;-).  Kidding of course. Yeah, the 1:30 drum thing through me off too. Perhaps a key change at that spot would clean it up and also add a surprise dimension to explore? I'm sort of imagining the guitars dropping out and you have something in a lower key going on between the bass and drum. Sort of like taking a breath/rest  before charging in again. Along the lines of what the band Rush did 3:00 in to the song La Villa Strangiato. Even if you don't use a key change, I think backing off the guitars and letting the bass and drum play it though would accomplish what I think you were trying to do in that area.

All the above aside, I like your tune, Ozzy!

Hi. I think the arrangement is well done. Cool storyline. I can agree with Ks Band-a lot of details. And everything meshes in its own space. It has a little tension built into it in the right spots that sets up for the relief areas.  Nice performance throughout. And while I was at SClick I got a chance to hear one of your other tunes titled "Behind Enemy Lines". Nice progressive rock guitar work in that project. Cool lyrics too. "Spell bound" is also right up there too. Cool vocal treatment and harmonies, and again, nice guitar work.  You have a lot of nice songs and talent for writing, Lynn. Much enjoyed. Thanks.  

Hello Lynn! Good to hear from you, brother. Its been awhile. Hope all is well. You are very kind. Thanks! I have some catching up to do here. I will be visiting your recent work shortly to see what musical  mischief you've been up to. ;-) All these wonderful musical gifts are everywhere. It feels like Xmas. Oh wait! It is Xmas!

Nice and smooth. Can't really add anything that hasn't already been said here. Well done!