FreeEarCandy

Thanks for the review and critique, and sorry for the late response. I took another stab at the entire mix and remastered. Switched the AD drum kit for a NI drum kit, and added some sub bass and low end brass. Cleaned up some of the vocal delays and tamed down some sibilance issues. Added some space to the vocals. Will leave the old one up. Here is the new one...

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Very nice, Nigel. The whole package is top shelf. Dean.

Hello Nigel! Thanks for dropping in. Quantum superposition is a condition of non-locality. In the case of Quantum particles, the particle is everywhere simultaneously and will remain in that state of uncertainty until measured by an observer. The double slit experiment demonstrates the phenomenon. Its a bit hard to wrap ones head around at first, but it comes down to 2 outcomes. Certainty (locality) & Uncertainty (non-locality). Glad you liked the new track. Nigel. Dr Quantum Double Slit Experiment.

Ha! Sounds too ominous for me to look. So I went back to 1942 in my Nash Rambler and found a brave soul named Tweety Bird whose curiosity about the matter was not deterred by the thought of killing a cat. And we all know curiosity always kills the cat. Upon inspection, Tweety animatedly insisted he thought he saw a puddy cat, expressing some "uncertainty". However, upon closer examination, Tweety Bird declared, "I did, I did! I did see a puddy cat." Now, why one would ever think about putting a poor puddy cat in a box I'll never know, but I strongly suspect the thought of catching a roadrunner was too challenging, even while riding on a beam of light. Personally, I have mixed feelings about it. I don't know if I want to laugh or cry. Perhaps if I put my confused emotions in the box and have someone look I'll be able to sort it all out? What do you think?

I like the song. Vocals sounds real good. No really much I can add in the way of constructive advice to guide you any further than what has already been proposed in the comments above. Well done so far. Dean

Lush and sonically warm. As goldilocks would say, just right. One of Glen's greatest hits. Glen was a master, and among one of my favorite song writers of the time. You performed this classic in a most excellent fashion and dedication to the original mood. Very well done! Dean

Thanks, Wookiee. Time is an interest topic, for sure. I have been intrigued with the possibility that our sense of self is responsible for many concepts that just don't follow objective reality. There is no left or right side of any space until a ego steps into the space and measures. Much the same a Schrodinger's cat and the collapse of the wave function. Our sense of self creates this notion of separation-the world inside our head and the world outside our head. Seems all the relativity is a consequence of the observer. Much the same as the duality of left and right, and in and out, time also has dualistic qualities -past and future. This song lyrically exploits these dualistic concepts. Personally, I think there are a lot of things pointing at the possibility its all one thingy and the rest is mind fookery. E=MC^2. "Things that are equal to each other are equal to the same "Thingy"." < Euclidean 1 thingy. Thanks, Wookiee.

Thank you, Bjorn.

Yummy! Very nice Mark!

You certainly make it interesting. As far as the comments about the chord progressions. I notice the same magic when I play the piano. Not so much with other instruments. I don't know why that is, but its very inspiring. Seems like no matter what I do it sounds good which lends a greater degree of freedom in the moment. Hope all is well. Nice work! I like it!

“A Small Matter of Life & Death” by FreeEarCandy & Home Studio Kurumin “A Small Matter of Life & Death” is a captivating track that takes listeners on a moody, psychedelic journey through a dreamscape infused with blues, classical, Progressive rock, and ballad elements. Released in 2020 as part of the FreeEarCandy 2020 Collections, this song showcases the collaborative genius of FreeEarCandy and Home Studio Kurumin. Instrumentation and Arrangement The song’s instrumentation is rich and diverse, featuring: Drums and Bass: Provided by Home Studio Kurumin, these elements lay down a solid rhythmic foundation that drives the song forward. Grand Piano and Electric Piano: Also contributed by Home Studio Kurumin, these keys add a layer of sophistication and depth, blending classical influences with modern textures. Acoustic and Electric Guitars: FreeEarCandy’s guitars bring both warmth and edge to the track, seamlessly transitioning between gentle strumming and powerful riffs. Vocals and Harmonies: The vocals, delivered by FreeEarCandy, are haunting and emotive, perfectly complementing the song’s introspective lyrics. Synth Keys for Atmospheric Effects: These elements, also by FreeEarCandy, create an ethereal backdrop that enhances the song’s dreamlike quality. Production Quality The song was mixed and mastered at FreeEarCandy Studios in Pennsylvania, USA, ensuring a polished and professional sound. The collaboration with Home Studio Kurumin in Fortaleza, Brazil, adds an international flair, blending diverse musical influences into a cohesive whole. Lyrical Content The lyrics of “A Small Matter of Life & Death” delve into themes of uncertainty, introspection, and the surreal nature of dreams. Lines like “A world of confusion from my limited point of view” and “Another day of life and death memorialized” evoke a sense of existential contemplation, making the listener reflect on their own experiences and perceptions. Overall Impression This track stands out for its ability to merge various genres and influences into a unique and immersive listening experience. The combination of FreeEarCandy’s atmospheric effects and Home Studio Kurumin’s instrumental prowess results in a song that is both thought-provoking and sonically rich. “A Small Matter of Life & Death” is a testament to the power of collaboration and the beauty of blending different musical styles to create something truly special. Have you listened to the song yet? What are your thoughts on it?

Hello everyone! Been awhile. Hope every one is doing well. "It's About Time" delivers a captivating mix of progressive blues and rock, immersing listeners into a rich auditory journey. The song's instrumentation is as diverse as it is dynamic, featuring an ensemble of drums, bass, electric guitar, saxophone, piano, synth, and vocals, each contributing to the song's complex and layered texture. The opening lines, "Time. Minutes, hours and days. Time. Ticking away," set the stage for a contemplation on the nature of time, its relentless passage, and its elusive quality. The repetitive use of the word "Time" echoes the ticking of a clock, creating a rhythmic and almost hypnotic effect. The vocals, raw and emotive, weave through the intricate instrumental arrangement, with the electric guitar and saxophone adding depth and a sense of melancholy. The saxophone, in particular, brings a soulful dimension, reminiscent of the greats in blues and rock history. Lines like "Time. So generous and unkind. Time. It heals and it breaks." capture the duality of time—its power to both mend and harm. The synth adds an ethereal quality, creating a sense of vastness and eternity, while the piano grounds the song with a sense of realism and intimacy. The chorus, although simple, is profoundly effective, with the repeated question, "Time. Where does it go?" resonating deeply with anyone who's ever pondered the fleeting nature of life. Overall, "It's About Time" is a masterful blend of progressive blues and rock, offering a deeply philosophical reflection on time's passage. It’s a track that invites listeners to lose themselves in its melody while contemplating the very essence of existence. A true auditory experience that lingers long after the final note.

Thanks, @Old Joad. Art work was done by Marcelo and I agree-very cool! @Wookiee Thank you Wookiee. My friend Marcelo was the originator of this cover project, and he asked me to do the lead guitar and vocals. After accepting to do it I came to realize I could no longer sing this in the original key, and I asked him if he could drop the key, which he managed to do somehow. Like you, I also wanted more bottom and a beat, but Marcelo, who I rely upon to handle the drums and bass in some of original work, seemed reluctant to do it. The best I could manage to do is convince him to let me add the tambourine during the lead and ending. He seemed very attached to the unplugged acoustic blues concept and I didn't push it any further. I seen PF numerous times through the years and they always put on amazing shows for the followers (legendary). What a cool effect you described. Having also seen this done live I don't remember experiencing a low frequency shock wave. But then I could never remember very much after a PF concert. :0 You stay safe my friend and try your best to avoid the shock waves. Dean

Thank you!