I commonly utilize a verb bus on songs, adding similar ambience to all the instruments at varied intensities.
This week I analyzed my verb output spectrum and saw mud and junk I hadn’t considered prior with some ensembles.
I thought to remove it by EQ on the bus input signals versus EQ on the reverb as a whole, thinking “why even feed the verb unwanted frequencies in the first place?”
So I duplicated certain instrument tracks and EQ’d the clones to tailor the send frequency ranges