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Jim Roseberry

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Posts posted by Jim Roseberry

  1. In the context of a dense Rock mix, a typical DI electric bass (especially a passive bass) is going to sound a bit anemic.

    If you have access to something like a Neve preamp, that can help immensely.  The sound is larger/smoother (without sounding compressed).

    I struggled for many years to get a good DI electric bass recording (especially with passive basses).

    I used the Avalon U5, Reddi Box, UA-610... and all were OK sounding (to my ears)... but not great.

    Ultimately got a Neve Portico-II channel-strip... and it was what I'd been looking for all those years.  

    Though it has a great 4-band EQ and nice dynamics processor, the sound of the bass straight off the preamp sounds great.

    At mix, a very slight amount of compression and a very small bit of high-pass filter to roll-out the very deepest sub-bass

    The sound is there from the very beginning...

     

    If going DI with electric bass, keep in mind that a mic'd bass amp isn't going to reproduce sound all the way down to 20Hz.

    Use a high-pass filter to roll-out the deepest sub-bass (20-50Hz)... and the bass will sit better in the mix.

     

    If forced to use a "plain-jane" (for lack of a better word) type DI to record electric-bass, I'd use an Amp-Sim plugin to "toughen up" the signal.

    If you have a nice bass-amp and decent mic, consider mic'ing the amp.  Sometimes it's quicker/easier to just record the real thing.

    If you have a great bass amp (Ampeg, Mesa, MarkBass, etc), I'd definitely try recording it.

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  2. Do not use any type of RAM "enhancement" or optimization applications.

    Those will do nothing positive for DAW performance.

    As long as you have your RAM timing set properly, you're good-to-go.

     

    DAW optimizations are much more about performance throttling (disabling)... and power-management (disabling)

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