Starship Krupa

Many people have picked up this amazing package in the past year or so, either when it went on sale back in late 2023 or when it was released more recently as a Humble Bundle. The installation process can be confusing, knowing what to install and where to install it. It's easy to end up with duplicated content and wasted disk space. It's also easy to miss some of the included add-on libraries, which is some of the best content.

I wrote up my  installation procedure in the hope that it will help people get more use from their purchase.

Here's my Guide to Installing SampleTank 4 MAX v2, based on my recent experiences.

First, SampleTank 4 MAX isn't just SampleTank 4 with a bunch of SampleTank 4 add-on packages, it's SampleTank 4 and SampleTron 2, Miroslav Philharmonik 2, and Syntronik 2 and quite a few add-on packages for Syntronik 2 in addition to the ones for SampleTank 4.

If you have previously installed less comprehensive (free or CS or SE) or earlier versions of SampleTank, SampleTron, Philharmonik or Syntronik, you would do well to just delete their soundware content before installing SampleTank 4 MAX. IK Product Manager makes no effort to avoid duplication, and you will likely wind up as I did, with multiple versions installed, taking up unnecessary drive space and making the SampleTank 4 browser even more difficult to navigate. Also, I noticed that the sample files for individual instruments of the same name in the CS and SE versions were smaller in many cases, which suggests to me that the audio quality was improved along the way.

There's no downside to nuking the old installation, the newest installers have everything the lesser and earlier versions have and you can take the opportunity to organize things and make the installation almost as flexible as Kontakt's. I fiddled around with my original installation trying to sort things with a file duplicate finder and finally just burned it down and started fresh. The process went smoothly after that. I also recommend uninstalling any previous versions of the programs/plug-ins. They're just clutter at this point. The exception is if you've created your own presets, you'll want to find a way to back them up and you're probably savvy enough to have figured all of this out for yourself anyway.

Before you start, you'll need 2 drives, each with 550GB free or one with more than 1.1TB free. One drive will hold your downloaded archive files and the other will hold the samples you're going to install. The download drive can be any old spinner or even external drive, but since the installation process involves unpacking the archives and copying the files to your sample drive, the speed of the process is affected by the speed of your download drive. I used extra space I had on a SATA SSD, then moved the downloaded files to an external backup drive after the installation was finished. If you keep the downloaded files around, you won't have to go through downloading 500+ GB of files the next time you want to install the package.

After you've installed IK Product Manager and logged in with it, the next thing to do is go into its settings and set the Downloads folder to something easily accessed on your download drive, preferably an "IK Multimedia" folder either at the root level or in your Downloads folder (if there's enough room on that drive for the content). If you are doing this on a laptop with a single 1TB drive, you'll need an external drive. If you're doing it on a desktop, the fastest SSD you can use is always the best for samples. All of my fiddling around and realizing I hadn't installed all of the content came about because I wanted to move all of my sample content (Kontakt, Soundpaint, MeldaProduction and IK Multimedia) to a new, faster NVMe drive. For about $65 at Amazon I got a PCIe NVMe adapter and a 1TB 5,000MB/s (yeah right🙄) NVMe drive for $60. The speed increase of sample loading in all these instruments is worth it.

Then check Allow selection of custom path for sounds installations under Sounds install settings (it's the only setting). That will let you specify which drive and folder to install each item of soundware. This is important for organization.

Next, from the Software page in Product Manager install SampleTank 4 Max v2, Syntronik 2, SampleTron 2 and Miroslav Philharmonik 2. We'll install the soundware later.

Once they're installed, and you've figured out where you want to install the samples, create an IK Multimedia folder there. I go to the trouble of creating a Users\Public\Public Documents folder, but you can put it at root level or wherever, so long as it's on a drive that has at least 550GB free. The eventual install size for me was 534GB, with Syntronik 2 taking up 217GB, Miroslav Philharmonik 2 taking up 56GB, and SampleTron 2 taking up 8GB, with the rest taken up by SampleTank 4 and its add-ons. Not quite the "800GB" claimed in the specs. There were some add-ons that I declined to install and some that were installed automatically that I carefully removed, but I don't see where the 800GB figure comes from. If you added up the content included with SampleTank SE, SampleTank 4, and SampleTank 4 MAX if they were all installed separately, you'd hit that number, but the content of SampleTank 4 SE and SampleTank 4 is also present in SampleTank 4 MAX.

Anyway the next step is to go to the Sounds page of Product Manager and install the sounds for SampleTank 4 MAX v2. Despite the fact that they are probably listed on that page, do NOT install the soundware for any other versions of SampleTank. It's all in MAX. Installing the stuff from the others will take up more drive space and give you duplicates in the ST4 browser. Make a subfolder in your target IK Multimedia samples folder named SampleTank 4 MAX. When Product Manager asks you to specify where you want the sounds installed, that's the folder you give it. Don't worry about any other add-ons at this point, just install the stuff that downloads from the SampleTank 4 MAX v2 section.

When that's done, do the same for Syntronik 2, SampleTron 2, and Miroslav Philharmonik 2. That is, create folders in the IK Multimedia folder with those names and when Product Manager asks, install their respective soundware to those folders. This step is what will give you more flexibility later when you wish to move your samples around. You will eventually outgrow your samples drive, get a bigger, faster one, etc. and this way you can just drag and drop the whole caboodle (or individual sub-caboodles) to the new location. No fuss. Again, don't install the Syntronik add-ons yet.

When this is done, hit the refresh button in the upper right of the Product Manager UI. It should show that the soundware for those products is installed. Then open each of the 4 products' standalone versions, go to their Settings/Sound Content option and enter the locations where you put their sounds. In the case of SampleTank 4, you'll put all 4 of the locations in there. You can't just give it the IK Multimedia folder 'cause it doesn't search subfolders.

Next, run SampleTank 4 and compare what it says is already installed with the ST4 MAX add-ons that Product Managersays are yet to be installed (be sure to "refresh" again). SampleTank is the one to believe, so only install the ST4 MAX add-ons that ST4 doesn't show as being installed. You want to avoid duplicates again. Install them to the SampleTank 4 MAX folder on your samples drive. There are many add-ons, and you'll have to specify the same install location each time for each one. This gets a bit tedious, but fortunately Product Manager is well-designed in this regard and asks you to specify it before it queues the download. So you can queue up a dozen installs, all with the install locations specified, and you can walk away and let Product Manager do its thing unattended.

Repeat this for Syntronik 2., except that as long as you've refreshed Product Manager, you should be able to trust it to know what's been installed in Syntronik. Again, install the Syntronik add-ons to the Syntronik 2 folder on your samples drive.

And that's it. You should end up with everything you want installed, and the fewest possible duplicates. Store the downloaded archive files if you have room for them, so you don't have to download them again in case of reinstall or installation on another system. I keep mine on a cheap external drive. If you need to move the libraries, you have them in separate subfolders, so you can do so without being concerned that you're messing things up.

Further tips: SampleTank 4 still has a bug that manifests as a program or plug-in crash after you've loaded and unloaded 20-30 samples. It's been there for a long time and IK either can't or won't fix it. I don't know if it happens for everyone or if it only happens to preset-crazy people like me, but it's for real in my case and for others I've read about. So if you're working on a project and decide to embark on a journey of discovery to find the perfect sound for your song, be sure you're current with your saves. Alternately, if you're like me and use the Syntronik, Philharmonik, and SampleTron content more than the SampleTank 4 content, you can use those products' own plug-ins, which don't exhibit the bug.

If, like me, you are bothered by the willy-nilly order that add-ons appear in the library browser along the left side of the SampleTank UI, it's possible to put them in any order you want. If you hover your cursor just to the left of the library's icon, you'll see up and down arrows appear. That's a click-and-drag handle, and you can drag them into whatever order you wish. The task gets even easier if you go to the top of the column and switch the library display to text rather than icons.

Dunderhead=dimwit, blockhead. Although I'm capable of digging deeply into some things, sometimes I miss things that are right in front of me.

Here's a little treat for SampleTron 2 fans, hidden in plain sight in IK Product Manager, but not on the Sounds page, no no no, it's on the Software page. One of my problems with Product Manager is that I keep expecting it to make sense, but it often doesn't, sometimes it doesn't tell the truth about what's installed and what's not and sometimes things aren't arranged in a clear way. So more spelunking is required to make sure that you're not either missing something (which would be a shame, because the newer add-on packages have some of the best sounds in them) or you're possibly installing an add-on package that was already installed by the main ST 4 MAX installer, and which will eat up 30GB more disk space for redundant libraries:

Download the .ZIP or DMG files, extract the contents, which will be an executable and a resource folder. Run the executable and install the presets to wherever you installed SampleTron 2. Next time you open SampleTron 2, you'll have 60 more patches to play with.

As if there weren't already enough content to keep you busy....

I do have to give IK Multimedia this, Product Manager is now beginning to live up to its promise, and I hope they keep improving it. Maybe someday it will allow the user to uninstall  individual components.

I got VocalSynth 2 in the Music Production Suite 5 and can vouch for its awesomeness.

I found a 723 page PDF listing all of the content that comes with ST4 MAX v2.

1 hour ago, MrFigg said:

I think what put mE off was installing the sound factory and the drum machine. It took ages, and loads of space and I couldn’t really work out what was going on with them.

Yeah, it can be confusing with all of the downloadable soundware. In typical Melda fashion they kinda just toss you in the deep end.

The installer does let you choose whether you want to install the really humongous MDrummer/MSoundFactory add-on libraries. The only ones you must install to get most of the functionality of them are the "Essentials" libraries, which are 3.1GB for MSoundFactory and 1.1GB for MDrummer. Not so bad for virtual instruments of this type. Huge ones like MonasteryGrand, MeldwayGrand, AnalogEmpirePadsStrings, MDrummer Studio and DrumEmpire can be left out, which is a good thing, because they total about 130GB. I have the MeldwayGrand installed because it's the best sampled grand I've heard, and the other MSF libraries because I have room for them, but I don't bother with the MDrummer ones. The new Pads & Strings Analog Empire is really nice if you like huge pads.

MDrummer is an unwieldy beast, so much so that I haven't used it on anything. Someone on their forum characterized it as a DAW in and of itself, and y'know, I don't want or need to learn another DAW just to do fake drums. Vojtech has teased a simplified look for it similar to a traditional drum machine, so you never know.

If you ever get the urge to mess with it, click on QUICK SETUP, then Drum pad mode, which is a button labeled in small print just below the RHYTHM GENERATOR button in the upper right. That will bring up a kit selector and a set of drum pads, it will start to look like a normal drum machine, and you can play the parts of the kit with the usual MIDI controller keys rather than triggering one of the built in loops.

With MSoundFactory, I find the instrument browser to be needlessly obtuse, so I collapse the useless "Categories" pane and click on All and choose from the thumbnail browser. Another tip for MSoundFactory: don't neglect the global presets up at the top. Download the user-created ones, there are hundreds of them and many gems in there. Also, each instrument has its own presets, make sure to check those out.

As for the extra cruft installed with the FX plug-ins, a big part of the way MeldaProduction plug-ins work is shared code. So the installer puts a bunch of libraries in ProgramData and AppData to support that. Not my favorite thing about their products, but it does seem to result in very low resource usage when they're in operation. Whatever. Some people say they avoid the company's products entirely for that reason. Since I, too, have MComplete and have all but a few installed, none of it's redundant.

13 hours ago, Brian Walton said:

There are enough very specific guitars that I submitted in there

I'm not worthy!!.😄

What intrigued me the most to start off with was the headphone correction models included.

9 hours ago, MrFigg said:

I ended up getting the Complete Bundle for $10 hahaha. Don't have anything installed

Really? Don't see anything in that huge collection of processors and instruments that interests you enough to install it?

Well, like Brian said, MTurboReverb is a top-of-the-heap plug-in, the equal of anything I've heard, the only one that can touch the Exponential Phoenix/Nimbus/Stratus algo. The Brichamber model is my favorite.

The Meldway Grand sampled piano (for MSoundFactory) is the best of its type I've heard.

1 hour ago, kitekrazy1 said:

Sampletank does have a messy file structure.  Kontakt rules in this. I can move their libraries anywhere.

Agreed, although hit your Kontakt libraries folder with a duplicate file finder and you might, um, free up some disk space.

Sample Tank/IK Multimedia libraries can be moved around, but pretty much only for individual instruments. You can move your Syntronik 2 library, your SampleTron library, your Miroslav Philharmonik and your Sample Tank library fairly easily.

During installation go into Product Manager's settings page and check the box that tells it to allow installation to different folders. That makes it so that whenever you install something, it will ask you what folder you wish to install it to.

If you set it up during installation, it makes it easier later. Each of the sections you see on your Sounds page launches an installer for that package. Some of the sections will also install content that's in other sections. You only get to select an installation folder for the section, so choose wisely, because if the product you're installing also includes products in other sections, they'll all wind up under the same folder structure as the main package.

This goes for everything, including Sample Tank 4 MAX. When you launch it and it asks you where to install it, create a folder with the name of the product you're installing and then choose that folder. If you do this, you'll be able to drag and drop individual components later. But with the ST 4 MAX sounds installation, the bulk of it's going to install under one folder. That's because Sample Tank 4 MAX and most of its extra content (but not all, as I learned) is considered a single instrument, along with Syntronik, SampleTron, and Miroslav.

You can install the leftover add-ons that don't install with the ST 4 MAX installer to their own folders as well if you want to manage their locations.

Where it becomes more difficult is when you've used the MAX installer option, complete with the multiple celebrity pianos and drum kits, and decide that you don't want to clutter your system with certain individual add-on packages. The MAX installer puts them in the Sample Tank 4 folder structure.

This means that there are folders for each one in the Instruments, Library Info, Library Resources, and Samples folders. This is true for all packages. Some of them also put stuff in Multis, Patterns, and/or Sets. Removing or moving a component requires opening those folders and then either deleting or moving the components to a similar folder structure elsewhere. It's not impossible, but it is a chore. So if you're auditioning something and not sure you will keep it, it's best to install it to its own subfolder rather than just the top level IK Multimedia folder.

Then of course you'll want to go into Sample Tank's settings and tell it where the content is.

It might sound scary, but it does work.

One thing about the Sample Tank installation process that has always been iffy is whether the downloaded install packages (in .zip format) are going to install okay.

They seem to have gone through the library and cleaned up many of the corrupted archives, but I just finally got Miroslav Philharmonik 2 installed via a combination of letting Product Mangler do its thing and then downloading some of them manually from the My Products page on their site. As I said before  earlier, due to confusion on my part, in the year I've been using this product, I had only installed the Miroslav Philharmonik CE version that they started giving away a while back. There's just so much content that comes in this package, including plenty of orchestral sounds that come with Sample Tank itself independent of Miroslav Philharmonik, that it was easy to miss the fact that the full package was missing.

It pays to double check all of this. If you really want to make sure that you're able to use all of the vast sea of content that you paid for, open the ST 4 UI and IK Product Manager side by side. Click on the Sounds page to show what all packages you are licensed for. Some of them install when you run the full ST 4 MAX installer, some don't. For instance, the ST4 MAX install includes the Billy Cobham and Terry Bozzio Drums packages, but not the Neal Peart and Hugh Padgham ones. Who knows why.

Fun, though, to finally get it all installed. I hadn't even worked my way through auditioning the content that I had installed, and now I feel like I've doubled it. The Mojo Synthesis series is particularly interesting.

I do know that some work with a duplicate file finder is going to be worthwhile. Most of Sample Tank 4 MAX' own orchestral sounds (and there are plenty) are lifted directly from the Miroslav package, so there ends up being a certain amount of overlap, if disk space is a concern. There are also some packages that I didn't want to install, but the MAX installer did it anyway, like the various grand pianos that take up a bunch of space on the drive. I already have a superb sounding sampled grand.

1 hour ago, kitekrazy1 said:

They give you a choice.

What choice would that be?

Looking at IK Product Manager, I have fewer choices than most installers of this type. I get to select what I wish to install and where I want them to store the installation files, and whether I wish to authorize the software after installation. I guess that last option is for when you want to install hundreds of gigabytes of samples and patches on your computer but not actually use them for anything. This is not something I believe I'd ever do, but I guess it's nice to know it's there in case I change my mind.

There's a checkbox for "allow selection of custom path for sounds installations (sic)," which allows me to choose an installation directory, and that's nice.

If, I ever wish to move them, however, the only option IK PM offers is a reinstall. Since I've no wish to go through that process with so many large libraries when I want to move something, I've had to get good at the process of figuring out where the sounds were installed, which files need to be moved, then telling Sample Tank, Syntronik, SampleTron, and Miroslav Philharmonik where I moved them.

For existing installed products, it allows me to de-authorize or reinstall. No uninstall. I guess they believe that it happens more often that people break their installations than it does that they try out a particular bit of soundware and decide they would rather have the disk space than the sounds.

What's missing is the option to select which parts of Sample Tank 4's vast collection of soundware to install or omit. By this I don't mean the add-ons, but rather which of the categories of sounds from the core program I'd like to omit. For instance, let's say that I've got my acoustic piano sounds covered by another product (in my case, Meldway Grand). It would be great to be able to leave that category of sounds out of my Sample Tank 4 installation. It would save a LOT of disk space and unnecessary browsing with their notoriously obtuse patch browser.

3 hours ago, kitekrazy1 said:

Amazed how many aax get installed on a system.

That's because most Pro Tools users, if you gave them the choice of what formats to install would probably be baffled.

I feel like a dunderhead, admitting this, but IK Product Manager can be a confusing beast, and yes, it's not 100% clear exactly what content comes with ST4MAX2. Today I was browsing through IK Product Manager and noticed something:

Somehow I hadn't installed all of the extra Syntronik 2 instrument libraries and Sample Tank construction kits that the MAX license entitled me to. Somehow I thought it had, both Syntronik 2 and Sample Tank 4 have tons of Syntronik instruments and construction kits, enough so that I didn't even notice that there was about 50G of content left to install. 5 Syntronik instruments, Electric Piano Bass, Clavitube, Bionic Drums and half a dozen of the EDM construction kit add-ons.

I discovered this by clicking on the "Sounds" tab and scrolling down. I guess clicking on the button to install Syntronik 2 on the "Software" page omits a lot of the stuff that is available individually as soundware. Makes sense now, but I guess it got past me the first time around.

Maybe you're not as clue-challenged as I and you've had all of your Syntronik and Sample Tank libraries installed from day one, but if you're not 100% sure, click on that "Sounds" tab and scroll slowly all the way down and make sure. There's a LOT of scrolling to do to get to the bottom.

It's a good thing that IK eliminated the download timeout penalty....

4 hours ago, MusicMan said:

I've actually thought the exact same thing with some previous "glitches" from other vendors too.

Yeah, remember the iZotope Music Production Suite 5.5 glitch a couple of years ago where there was a "secret" url for what was supposed to be a crossgrade/upgrade? If you went to their site via the url and paid your money and checked out, you could get it for something like $125.

At first I thought "glitch," and that it would be found and corrected within a day or two, but then it went on for what, 2 or 3 weeks? And we were posting about it here, and I took it over to VI-Control and people over there hit it hard, and iZotope never made a peep. You'd think that at some point someone would notice that a LOT of people were getting a product upgrade that they shouldn't have qualified for. The "glitch" was quietly removed and then a few weeks later another one popped up. Yeah, right.

I think that fake glitches can squeeze a little money out of cheapskates like me who wouldn't buy the thing at its usual price anyway. And since they're glitches, they don't pi55 off the high rollers who paid the regular price (because they don't haunt deals forums) and they don't devalue the software.

Also, when a "real" upgrade rolled around and was quite fairly priced, I snagged it just to get a couple of extra licenses for Stratus and Symphony. So now I'm part of the gravy train. Why shouldn't I upgrade, I only paid $125 in the first place....😏

The buzz is real. A certain number of people who missed the sale will read all of the psyched comments by the people who did get it and think "I GOTTA have that." After all, is someone who paid $125 for a $500 suite going to say anything except "holy carp, I never thought I would own MPS 5.5?" It's kinda like giving free licenses to YouTubers but we're the influencers. We get it cheap and rave about it just like they do. A glitch price turns off any thoughts about "is this really worth it?"

It's kind of ironic, because at least in my case, the product was something I'd never cough up for if it hadn't come cheap. So glowing reviews by someone who doesn't think the product is worth what they usually ask for it.😄

Okay, I checked and it does indeed unlock both TR5 and TR6 versions. I probably missed it because of my practice of keeping all of my unused T RackS plug-ins in a folder outside of my VST3 folder. When I get a new license, I move them over to VST3, and I must have moved the TR5 versions over rather than the

So, heads-up for all you other T RackS freebie grabbers: I went through and tried all of the recent ones I thought might also have TR6 licenses and found some surprises.

Apparently if you acquired your TR5 license within a certain time frame, it will also work for TR6, so here are the recent freebies that I found to have TR6 licenses.

• Classic Comp
• Dyna-Mu
• Quad Compressor
• Space Delay
• Tape Machine 440
• White Channel

The last 4 were the ones that surprised me. I don't remember having heard about TR6 when those licenses were being given away.

6 hours ago, Hose Gef said:

The serial from beat unlocked both the v5 and v6 versions of this for me.

Hmmm. I shall investigate further.

The recent White Channel giveaway unlocked both of them.

Redeemed serial number, it is of the expected quality.

Curiously, it's the T RackS 5 version. Not that that makes any difference to me, although I am curious to hear from the glitchers who snagged 6 MAX whether there's any noticeable difference between them when using the processors as individual plug-ins rather than in the T RackS rack.

4 hours ago, Amberwolf said:

Magic Box Syndrome?

Is that the belief that a certain piece of gear or software will bestow magic upon the user, allowing them to produce work of the same quality as their heroes?

For me, if I'm striving to get a "sound," I find comfort in knowing that any limitations I have are my own and not in the tools I'm using.

Like when I first got serious about playing drums a dozen years ago, I went on Craig's List and bought a vintage Slingerland kit (see "Krupa") and restored it.

Once I had that kit, I could relax and not be concerned that my "Asian firewood" CB700 kit was holding me back, that all I had to work on at that point was 100% my playing and with a drum kit, tuning). I knew intellectually that I had gotten my dumpster rescue kit sounding pretty damn good, but getting a 1970 Slingerland kit removed all doubt that there was nothing except practice between me and sounding good on the drums.

Same with my audio software: if my output doesn't sound as good as the music I like to listen to, well, I need to hone my skills, because I have top tier software, same stuff the pros use. Got a nice Focusrite interface, too.

4 minutes ago, kitekrazy1 said:

I doubt even young producers care about stuff that didn't exist when they were born.  I doubt they are into analog vs. digital or tape emulations.  They only way they do care is because they wandered into some forums. 

I would imagine (because I haven't hung with younger music producers lately) that there's still an old gear mystique.

There's a strong impulse in musicians to want to use similar gear to what our musical heroes used. The suspicion that it shortens the path to sounding like them.

13 hours ago, Amberwolf said:

At the *start* of the tracks, from what the post title says.

I guess I read the bit about "the end of a fade out" and it threw me off. As I said, I had trouble parsing it.

Nice that your suggestion helped.

This is an 1176 clone. Honestly, how many compressor plug-ins do I already have?

On my system I count 30 of the damn things, and that's leaving some out that call themselves "dynamics," plus I have at least a dozen high-quality channel strips and multi-fx that include compressors. Oh, and in Sonar, you get four ProChannel compressors. Then half a dozen more MB compressors. I have ones that work like optical, VCA, FET, pure digital ones that don't emulate anything, compressors up the kazoo. Half a dozen brainworx and brainworx OEM's. Four each from IK and Melda. About 25% of my collection of compressors I don't know if I've ever even opened their UI, they're part of suites like Ozone and Neutron. I don't know how many more I have licenses for but haven't bothered to install, like the Native Instruments ones I got with the Music Production Suite and Komplete Start.

Multiple of my compressor plug-ins I'm convinced are versatile enough to emulate any piece of vintage hardware and most software compressors.

The compressor I actually reach for most often? MCompressor, which is from a free bundle.

At the next sign of misbehavior, I'm ready to bin this thing. It already needs to have the PACE service running, I don't need UAD's own gimmick eating up cycles.

I'm having a hard time parsing this. From reading it, I can't make out what the issue is nor what the proposed solution is.

You get a "pop" sound at the end of exported tracks when you use effects, and you don't hear it when you don't use effects?

Can you post a small section of audio that demonstrates the issue?

None of the songs I've ever exported contained a pop sound at the end. And I use multiple effects, both on individual tracks and on the master bus.

On 3/4/2025 at 8:39 AM, kitekrazy1 said:

Installed and deleted UA Connect.   Yesterday it reared it's ugly head during a plugin scan.

Yeah, a plug-in rescan triggered it to download and reinstall UAD Connect after I had uninstalled it. And it proceeded without asking or waiting for my approval.

So, let's see....this plug-in makes it possible for them to install unwanted software, software that has the purpose of monitoring the user's system.

How is that not malware?

It's a good plug-in, but just how much crap is someone willing to put up with in order to use an 1176 clone?

I got a set of MDR-7506's (I believe that's the model you meant?) from a free box at a yard sale a year and change ago. The earpads were pretty much shot, which is probably why they were in the free box.

Upon first listen, I was very disappointed in these "legendary" cans. Shrill and no bass.

But I went ahead and ordered replacement pads, and whoa, I understood what the fuss was about.

These are the pads I bought:

https://www.amazon.com/dp/B07N6GL2PG

The gel feels great and the fabric has shown no signs of deterioration, which is the weak point of Sony headphones.

So I'd suggest trying a pair of these pads rather than buying a new set of cans. I think my pads just weren't sealing well enough.

On 2/28/2025 at 4:20 AM, Dusk Dave said:

Can this colour combo be changed anywhere or am I stuck with it?

Unfortunately there is no way to change those colors at present.

I suggest that you make a feature request in the Feedback forum. That way, I and others who would like to either be able to change the colors, or at least have fixed colors that are more legible can comment and let the developers know that this feature is important to us.

BTW, congratulations on getting a drum map and drum grid working. I know that it's not an easy thing to do the first time. I find it worth it, as I like programming beats on the drum grid, with the kit piece names and M/S buttons.

There are also some cool tricks you can do with the "mapping" part of a drum map. I have a map that lets me program beats using a single map that can drive a dozen different synth instances. I did this in order to be able to use single hits from synths that don't have full kits. If I didn't use a drum map, I'd have to program each synth on a separate MIDI track, which would be a clumsy process.

Also, if I decide that I want to switch to a synth that does have a full kit, all I have to do is change maps rather than having to merge data from multiple tracks into a single track.

I'm a fan of programming using the drum grid and the mapping feature, but I think that the process of setting it all up, especially until the user is familiar with it, is needlessly obscure, to the point where few users bother with it.

13 hours ago, David Baay said:

You should be able to set Now in the timeline without losing a selection so long as you don't inadvertently drag.

Ahh, by clicking in the Ruler. I didn't know that.