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Everything posted by Canopus
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You also have a number of tutorials on YouTube. Here’s a playlist featuring seven different videos, where the first five are made by Cakewalk. Sure, it’s about 14 years old, but except for the DAW being used is Cakewalk 8.5, nothing has changed in Session Drummer 3. https://www.youtube.com/playlist?list=PLt3VhS98XSi9n1G4UAsrSAxf2N6w21B7L
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Welcome back from the dark side, John.
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As for SONAR, there hasn’t been an updated version since October 2017. As you know, Gibson pulled the plug in 2018. That also means that there are no upgrade options, or additional benefits, to those who once owned it. Believe me, I was one. Enter the world of Sonar. You have two options; go subscription, or download the free, scaled-down version of Sonar. Although some features have been removed in the free version, it’s still a much more mature product than SONAR Professional ever was.
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If that includes free Sonar, that would be a great solution for everyone missing a drum sampler.
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I’ve had SONAR since X1, so I’m not sure when Session Drummer 3 turned up. But, for sure, it was included in Platinum, part of the Artist Instrument Collection. As far as I know, it was part of all available versions of SONAR, i.e. Artist, Studio, Producer and Platinum. It might also have been included in the Cakewalk 8.x and earlier incarnations, I don’t know, but for some reason it has never been part of CbB. Maybe BandLab simply didn’t purchase the IP rights to those products.
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I think it’s even simpler than that. If you make too much available in the free version, there isn’t much incentive to pay for the full-fledged Sonar. Some functions that most users would want simply have to be left out. Also, I guess that the functional gap between these two versions will increase over time.
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Cakewalk XSampler only holds one sample at a time. I would use NI Battery, but of course any multi-sample sampler would probably do. Indeed, if you have Cakewalk Session Drummer 3 from the olden days, that should be fine as well. In Session Drummer 3, samples can be dragged onto the different kit pieces and then saved as a user kit.
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It may be worth noting that VAT is not included in the advertised prices, but it will be added at checkout. I noticed that last year when I was considering Play4Life, so I eventually backed out.
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About 10 hours. The license link came through some middle-man called Skuport, so check your spam folder if it doesn'r arrive in due time. Well, provided you bought from JRR Shop, that is.
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Just a quick tip for anyone thinking the Lounge Lizard EP-5 GUI lost too much of its contrast compared to EP-4. It is possible to enhance the legibility to more acceptable levels pretty easily. As all EP-5 GUI elements are stored as images in C:\Program Files\Applied Acoustics Systems\Lounge Lizard EP-5\Bitmaps (in Windows, that is), all you need is an image editor that can handle png files. I used Photoshop, but free alternatives like Gimp will do perfectly fine. Be sure to create a backup of the Bitmaps folder before you begin. As for me, I updated the four background GUI files (two for Tines and two for Reed) by adjusting the levels; first by brighten the midtones and then by increasing the contrast. Here’s one of them, as displayed in Sonar. It took me some 20 minutes in total for all four images, and, although subtle, I think it turned out pretty well. Of course, much more could be done by anyone so inclined.
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I can't see that when running the VST2 version in CbB. The drop-down stays where it should be. I tested 75 %, 100 % and 125 % scaling to see if there was any difference, but it worked as expected regardless. However, I much prefer the Library view as it allows presets to be changed without the need to press Enter each and every time a new preset should be loaded. Using the Up and Down keys are sufficient there.
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Wow. Is the site up again already? That was fast! Just a tad more than 24 hours. As to the question, I can’t really hear any difference when running the EP-4 sound banks in EP-4 and EP-5 side by side. But that may be a good thing. I’m sure the enhanced physical modelling core will add to the realism when put to the test. However, I honestly prefer the main user interface in EP-4; it’s brighter, has better contrast and larger knobs compared to EP-5. Also, to have all the tweakability that’s available by default in EP4, you have to switch EP-5 to its detailed Expert mode. Sure, you can resize the GUI in EP-5 from 75 % to 200 % in 25 % increments, which is great, but to my aging, not-so-20/20 vision, it’s questionable whether the UI overall can be considered an upgrade. On the other hand, I do appreciate the new Library with its Search function and possibility to select and filter Favorites. An additional 150 factory presets won’t hurt, and the updated Effects rack is a step forward. As always, you win some and you lose some, but overall, I have no regrets.
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Yep, my exact thoughts. I have tons of Rhodes and Wurlis, including Lounge Lizard EP-4, and don’t really need another one. But AAS has always been one of the really good and generous companies, giving away a free sound bank every year, so I thought I’d show them some love and pressed the button anyway. Still waiting for my license, though. However, I bought the upgrade for $41.16 at JRR Shop, and not directly from AAS for $49. My altruism has its limits.
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I just noticed that AAS has released an updated version of their electric piano, called Lounge Lizard EP-5. The price is $149 (regular price a pretty hefty $199), or $49 when upgrading from EP-4 (regular price $79). It can optionally be bought at JRR Shop for $125.16, or the upgrade for $41.16, using code GROUP. Here's what's new.
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Reminds of that song by Paul Simon, “You can call me CAL”.
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You can’t activate such an old version. Instead, download the latest version of Cakewalk by BandLab from here. That version was released in December 2024. Once installed, the activation will most likely work as expected.
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A vertical line is stalking the cursor.
Canopus replied to Papa Mouse's topic in Cakewalk by BandLab
Press X. -
Also, your post mentioned "trucks", which I guess translates to "caminhão". Of course, it was obvious you meant "tracks", but at first glance the end result was indeed pretty strange.
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Switching to ASIO causes endless profile loop
Canopus replied to Mark Fergel's topic in Cakewalk by BandLab
For the record, Behringer use ASIO4All for their cheapest interfaces, but true ASIO compliant drivers for the others. Also, they never call their ASIO4All drivers anything but ASIO4All, so there should be no risk of confusion. -
Release notes: Support for “Modern Heavy” ADpak Support for “Modern Heavy Beats & Songs” MIDIpak Ability to link Kick to Flexi slot to simulate double kick drums Option to turn on/off Snare buzz from Kick, Tom and Flexi (when a kick or tom is loaded) Tone Designer on Flexi slots Bugfixes, UI tweaks and performance improvements
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That’s true, I had forgotten about that one. Arturia works in mysterious ways.
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Or maybe Arturia thought they could make more money selling it separately. It’s still available for €149, but they’ve never bothered to make a VST3 version. Pretty strange.
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When I bought V Collection 4 in 2015, Arturia Spark 2 was included. It had been removed in V Collection 5, but was of course still available for those with VC4. As far as I know, that is the only virtual instrument that has ever been removed.
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I found an interview with you on YouTube where, in the first 23 minutes, you talked about your story and the NHL alumni experience. Great story!