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Pappa G..

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Everything posted by Pappa G..

  1. I take back what I said earlier... Cakewalk had no issues being the "All I needed" for this... at the original resolution etc... I had no need to use anything else.. It's a few hours after the closing of the competition... but I wanted to demonstrate/try out side compression.. some entrants did not do any.. and a little monkey started following me with a gun.... The announcer that read out the rules little clue made sense eventually.. you have to end up recording your stuff to an aux track.. so that the little tracking elements of the soundtrack alter your contribution and not the other way around... You have to end up without any effects or compressors etc.. I think this might have given the impression for some that they are not allowed to use side compression.. It is a little trick because bouncing to tracks won't work etc... so if you missed the "recording only your stuff to a bus and aux track method"... there you go.. You end up with a track that are sync locked but does not alter the existing audio tracks.. I tweeted the record label.. ever since I heard this song.. I imagined it in a soundtrack context.. but my lil comp is in there... https://youtu.be/ztKTBwdAjUE
  2. Ah.. Switched the performance setting on cakewalk to not use the Radeon and use the intel instead.. bam...
  3. Seems this feature is not working at all for me... I split the audio in shotcut, deleted the track.. disabled audio and exported the video as MOV in PAL 720x.. I was hoping you could at least get the original sound track to jibe with a preview quality render of the footage and then when it's all done you just add your track to the original quality and export.... but NOOOOOooo... 🙂 The thumbnails generate and frame thumbs show but the video preview window does nothing.. and the Animate is ticked when I right click the output window...
  4. It's rather sad that this got neglected... You won't be expected to touch anything on the material..eg. the Spitfire Audio — Bridgerton Scoring Competition But there's a lot more going on other than yapping to make choices etc... I'm new to this stuff and the competition closed the day I found out about it.. but you can still download the material for trying your hand... perhaps if you try you could get hold of past year comps as well.. I made a joke that you could just slap Marcy Playground's Poppies... on the clip and side compress it to get out of the way… It became a pet monkey and I just had to try it.. The short opening dialogue sounds like a spot they would use to tune the compression... typical cinema stuff... but 6 seconds later you have to get to a second composition that are more personal to the antics of and character of the movie.. but composed to fit the holes or bounce around the visual contradictions and narrative.... so compression is not going to do all the work... then you could bring back the poppies song here and there.... alternating... You could make a map of the holes and spaces that effect composition and try to weld that way... but I don't think you would do great scenic composition for scoring if you can't do ALOT of instant full previews.. Just a set of codec love should be all cakewalk needs. You just need that preview to work...
  5. I seem to have the same... I monitor the stave view to see what' s going on.... during recording I can hit perfect 4/4 notes.. and it jots down the notes as the recording carries on... as soon as I stop recording it screws it all up.... <seems to be fine now again.. ??.. dunno.. >
  6. It would just be nice not to need to flip between plugins(that won't stay open simultaneously) when tuning a sample... having a module that reads out the tuning should allow you to have your plugin open with the tuner readout at the same time.
  7. Hi There appears to be a bug in the metronome setting.. Setting the "Record Count in:" to 1( the metronome completes 4/1 ticks before the record head starts moving)... so that you can anticipate the timing before starting to play for the recording(so that your start lands on the first bar).. The sound of your first note makes it to the output.. but not to the midi data... when you playback the recording afterwards.. if the initial start of the note was before the start it get's dropped.. I don't know if there's a missing check as recording start, for any current "held" keys as trigger events. Thank you bandlab for a wonderful product..
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