Thank you both @David Baay and @John Vere.
I usually record at 48 kHz and then export my audio files at 44.1 kHz and 16-bit, which is the required format for audiobooks. However, I recently had a project with a substantial recording, with Part One alone spanning over 2 hours, divided into three separate files. To maintain consistency and reduce the file size and CPU load on my relatively slow PC during the editing process, I decided it would be better to both record and edit the project at 44.1 kHz from the beginning.
[I would like to point out that Pro tools Intro, the free version, handles the 3 files at once, on the same PC, very nicely and smoothly, but I am just not familiar with it as I am with CbB that has also all my presets].
The issue I encountered didn't arise during the recording phase; instead, it occurred during the editing process. The audio files were originally recorded elsewhere at 44.1 kHz using my Behringer UMC22 Audio Interface and were subsequently imported in CbB on a different PC (for editing).
That is: the imported file is 44.1 kHz, the new project created in CbB is also 44.1 kHz 16-bit as shown in the transport module, I do all my editing without any problem, save my work, but when I reopen it, it shows 48kHz 16-bit, the waveform's gone, and when I try to recompute picture, there is no associated audio file there!
In this scenario, I think, the audio interface isn't at play, or is it?
Here's some screenshots: