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HoRNet Total EQ (€2,52 instead of €27,99!!) Regular price is 27,99€ Sale price is 8,40€ MFTQSS70 reduces that by 70% to €2,52! https://www.hornetplugins.com/plugins/hornet-total-eq/ Versatile visual EQ with analog emulation

Roxy Music - A Song For Europe

The Psychedelic Furs - Sister Europe:

The coupon can be used for other plugins as well, as long as you put the EQ and plugins you want.

Thank you for the shout out and the interest in the instruments I've made. The Taiko instrument from that video is included in MSF and can be used in the LE version. There are only a few things I've shown that haven't been made into instruments and added. If you're wondering about the preset names, different people named them. Bones was created by me and I generally try to use more simple practical names, but other people are different. If anyone has questions I'll try to help, but I'm a little busy recently so it might take a few days.

spaces matters ?

Yep! ? (Although this might not be a misprint around Portland, Oregon... ?)

https://www.softube.com/shaper Code: TRANSIENTSHAPER88 Flash sale for $10.

IMO it's one of the best transient shapers!

Minimal is offering Rift Feedback Lite musical feedback processor plugin for Windows and Mac as a free download (reg. €29) for a limited time. https://www.minimal.audio/products/rift-feedback-lite

The Clash - Safe European home:

Although it may seem that the hierarchy is Tracks->Lanes->Clips, this isn't actually the case under the hood: Clips are directly owned by the tracks. The lane that a clip appears in is purely a UI concept, with the only exception being lane solo/mute, where some special processing is done to exclude those clips from the audio graph. Adding an effects bin to a lane would not be an easy task, and as others have said, it's something that can be easily accomplished by separate tracks.

She Wants Revenge - Sister

The Who - Sister Disco:

Interesting... Its all good! t

Disco Inferno - Trammps

As you can guess, most user don't have such issue with Cakewalk. But there can be several reasons (and combinations of them) why you observe it. Please specify: your audio interface, Windows version, audio settings in Cakewalk (driver model and the buffer related numbers), what is approximate delay if the project has one track with single audio clip, does the delay on real project changes if you disable all FXes and either you use or have ever installed ASIO4ALL on this computer. Then the list of suggestions what to check/change/update can be reasonably small.

Hello Guys, and Thanks! The best way to get the free presets is from the Zero-G Web site. On the Elements Modern Scoring Synth page , on the left there are all the icons/links to download the Presets. Pyramix will be add soon and for now you can get it from my You Tube https://zero-g.co.uk/collections/elements/products/elements-modern-scoring-synth

There's plugins out there you don't care to own?

Apple Silicon Native Support (AU & VST3) Fixed loading issues in Ableton Live Can now hide gain changes in AUTO mode (to leave DAW history unchanged) Collective "listen before/listen to delta” - toggle all instances in project or those linked into collection Support inserting on multiple tracks at once (selecting the same mode but different groups for each) Slightly larger "Listen before" button Text hint when listening to "before" Animated icon showing measuring time Quick menu to display/hide status-bar items Slightly increased contrast in Light theme During the promo sale GainMatch is available for $9 (instead of $19) until October 9th. There is a 14 days fully functional trial. https://letimix.com/gainmatch

https://store.steampowered.com/app/1982310/NeoPiano/ There is also a free and open source alternative called MIDI Visualizer.

If you’re into playing guitar, (@ any level really) I’d say it’s worth it. I’ve been using these programs (powertab/tux/guitar pro) for too long to even remember, late 90s early 00’s , if I had to guess. Guitar pro 8 is pretty nice and the learning curve isn’t too steep. And yes, like someone mentioned you can export midi to daws for better vst/au backing tracks. Use it as a compositional tool/ use it in conjunction with a program like transcribe! for transcribing YouTube clips, etc. Lots of practice tools/chord/scale/arpeggio dictionaries. Tons of free tabs available at ultimate guitar (although beware of the accuracy / some tweaking may be necessary) So for $30 , I’d definitely recommend it

I'm with those who say we have tracks/track folders already. Moreover, suppose CbB did support this - how would automation work? You could have the same plug-in in 2 different lanes, and would presumably be able to automate them both - sure, CbB could support it, but it could get messy really quickly - add in the same FX on the track too and you're in envelope confusion hell!

The first 9 are available here. The latest on the YT page. But that may appear on the site as well soon-ish https://stefanomaccarelli.com/tutorial/free-presets/

Add it to the cart. It should automatically apply a discount code. Try "group" to bring it down to $29.40. OP should probably mention this.

I'm pleased to present for your enjoyment, a new theme I call Apple Scruffs. I started with the legacy theme, Logical (many thanks to Erik aka Starship Krupa) and then I tried to fold in as many elements of that "other" DAW as I could muster. https://www.dropbox.com/s/2g987va1teqig8f/Apple Scruffs.sth?dl=0 Cheers!

Stefano Maccarelli has made available another free bank of presets for his Kontakt 6 instrument Elements. Pyramix is 100+ presets. Download link is on the YT page. He's very generous !! This makes 10 extra banks of sounds now. https://www.youtube.com/watch?v=iM_na9LZBYA

https://store.steampowered.com/app/1577620/The_Signal_State/ Part of the Programmer's Day Sale on Steam.

Aha! This solved my issue. Thanks so much!

Huge second to that. Anything I've learned about MSF tinkering (limited by my free time and functional brain cells) is thanks to the Chandler video library.

Great to have you back, Chandler. Love your vids, highly recommended.

https://cinematictools.com/zenith/

Check inside the instrument definition for that MIDI piano. That same thing happened to me with Dimension.

What do you find made the expense worth it above the free Tux guitar?

Same, got all for for less than the cost of this plus a whole lot more.

ah. ebay - feedback destroyer pro. ? should be reasonable price (got mine for $50) and it (being a powerful parametric eq) can be used for a number of things besides feedback. i use mine for simulating the Bose 901 EQ box curve and sometimes a room response EQ'ing (where i need to tweak some peaks down a bit).

Yeah, each one has a custom GUI and -- based on a quick scroll through the browser -- between 4 and 129 instrument presets each, for a total (at least in my instance, with the factory instruments, freebies and MDrummer content installed) of 3690 presets. The interface for each instrument is customized and generally nicer than the stereotypical "Melda look" bemoaned by many -- though you still get a heavy dose of those knobs and sliders in the FX sections (and the editor, if you have the full MSF). The presets do a pretty good job of exploring each instrument's capabilities, with their own Melda-ish quirks -- some are quite usefully named ("Trombone" and "Growler" in Bones, e.g.), while the character and utility of others is... less clear. (If you grok at a glance the distinction between Hotel 536's "Fortunate clocks" and "Rewarding mist", you're better off than I.) You mentioned elsewhere that "full" MSF allows for new instrument creation. It also opens access to the editor, so any of the factory instruments can be thoroughly mangled and tweaked in pretty much infinite ways. Without the editor, you still get access to the usual parameters you'd expect -- filters and formants and oscs, oh my. With the editor... sheesh, I dunno. You can probably build Skynet. I've only dipped a toe into that level of customization, but it's ludicrous. Just wig-out bonkers.

I love it, but it's not perfect. Too bad I don't have even 15 bucks right now to spend on anything but food. ? I LOVE it to death to compose, RSE sounds are not that bad but I rather use midi sometimes because some of the RSE are out of tune and they never bothered to fix them. What I do is open Reaper (DAW) and prepare tracks to receive midi from Guitar Pro and your compositions (any tab really) come to life like you had no idea. To learn guitar? Omg for that is super duper: you can select bars and loop them, you can speed up each time it loops towards the original tempo (this part is hearsay). It's great to SEE and understand what is going on in the song, guitar wise and otherwise. Metronome to help you even further to understand the relationship between the riff and the actual time time signature, maybe the song is all triplets, maybe all the song has swing, etc.

I use it alot. It's my main tool for composing. As the name implies it's better suited for guitar music (= "band music") than orchestral music, though. I've used it for years so I'm comfortable writing music with it, but it admittedly has its idiosyncrasies. I guess that depends on what kind of things you want to learn. It would probably be most useful for practicing playing in sync. You can change the tempo and loop the parts you want, which is nice for grinding difficult parts. You can also change the tuning of the instruments, so any obscure tunings are not a problem when you want to play along. But if you just want to learn how to play a song I'm not sure if it's that much better than a traditional tab book.

Don't stop Tim, you're on a roll! ?

I "liked" it the first go round (here and at SoundClick). I still like it! ? t it would appear today I am the "big" little t

ROTFLMAO! Check my forum history, both here and on the old forum, and ask anyone who's been around here for a while about my ability to tease meaning from inadequate problem descriptions and solve problems. Also note that Mark acknowledged and fixed this issue only after I clarified how to reproduce it. In any case, you needn't worry yourself about my compreshension as I won't be reading or responding to any more of your posts. Cheers, Dave

Thanks nice to know you survived ? The LP around 1981/2 I built it, yes I cheated it was a bare bones kit, so all had to was put it ogether and finished it. This did require many hours of sanding. The kit was only the wood cut to the basic shape but unfinished. I fitted D'marzio PUP'S, all the other furniture is solid brass. It's incredibly heavy as it's a solid mahogany body and neck, maple top, box wood trim and rose wood finger board . Hand wired with coil splitting switches.

Kore 2 was great ... had the audio sound card version , sync issues but the plugin control was dope

Just to clarify how things work. All input signals are 100% controlled by your audio interfaces gain settings. Some interfaces also have software mixers so it it super important to read the manual for your interface to have 100% understanding of signal levels. Personally I would only ever use a proper audio interface for recording audio just for this reason alone. You could shut the level controls in Cakewalk right off and it will make no difference to the signal level that is recorded- OK got that? Most all audio interfaces come with a monitor setting that allows you to blend the DAW playback with the input signal. The ability to mix this either with a front panel control or in the software mixer is also important to understand. if your interface has a mix control it will be marked with something like input/computer. If it’s a software mixer you need to learn about how it works using a tutorial or the instructions. They are all different and some are overly complicated. On the 4 interfaces I own this does not involve making any adjustments inside of Cakewalk. I simply either move the balance control or adjust the software mixer. Generally the blend/ balance control is at 12 o clock. If it isn’t then you might want to review your levels in Cakewalk. Heres another audio system fact that is misunderstood. A lot of people seem to think you use input echo. Absolutely for midi tracks but wrong for audio as if you turn it on you are now hearing the input as it passes through all that processing and out the back end. It has now gone from your mike to the interface A/D converter then USB system, buffers any effect on the track might add latency, more buffers and the back out the USB to the D/A converter to your headphones or monitors. This adds an average of around 10 ms on most peoples systems. So you will hear that as a delay. Really the only time you would use input echo is to play a guitar into a guitar sim VST.

Great cover PC. Just thinking - as the title is Guitar Heavy Remix, you could try EQ-ing the bass slightly at 150Hz; if you push it up a little you should get some deep bass to go with the heavy/aggressive aesthetic. The downside is that you'll 'lose' some thud from the kicks, but you can try some subtle sidechaining/ducking. Sounds good as is though!

Like Larry I prefer the Synth dominate Mix.

If there any way to request for Cakewalk to simply add the possibility of programing the metronome with dotted note values? I know that most other DAWs give that option.