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Can’t say I don’t agree. Loved snow when I was younger but once I retire my wife and I are heading south! Anything below 50 degrees is too cold at this age…

i wonder which song has the most remixes?

P H A T

Make sure the MIDI channel of the MIDI track matches the MIDI channel of the Kontakt part that you wish to send that MIDI data to.. Do not use Omni.

I different mix to prior postings, and proof of why CDs are better than vinyl: crackle/hiss/crackle The Grid - Crystal Clear (The Crystal Clear Water Revival)

I worked for a year at Bridel in Retiers, he has more than twenty years as a sewerage, demoulding and packaging operator. Truth be told, it was just pasteurized cheese that came out of production. Today, this production line of the Lactalis group is in the process of closing. My profession for more than thirty years was as a shoe repairman. Somewhere I stayed at a ready measure in a similar job because of the smell. 😂

"Long-windedness," as far as I can gather.

Dang. Lewking gewd.

Cannot believe this went unnoticed on this forum! Fluid IRs are an advanced form of impulse responses that encapsulate more detailed sonic characteristics compared to traditional IRs. Unlike regular IRs that merely mimic a speaker's frequency response, Fluid IRs also reproduce the speaker's dynamic behavior and harmonics. This enhancement delivers a tone that is more robust, lifelike, and direct, with better management of the bass frequencies. As of version 1.4.26, all cabinets in TH-U and all of the SuperCabinet libraries have been upgraded to include Fluid IRs, which are provided to users as a free update. Additionally, users have the option to upload their own conventional IRs into TH-U, taking advantage of Overloud's proprietary Fluid IR technology. This technology utilizes an AI algorithm trained to transform your IRs by recreating their dynamic and harmonic responses. Learn More at: https://overloud.com/thu Browse all Fluid IR libraries: https://www.overloud.com/ir-libs SuperCabinet page: https://www.overloud.com/products/supercabinet

My kind of plugins. Good to see these aren’t limited to Ableton users.

Well, it does indeed. It’s huge and deep for soundscaping if that’s your thing and it works perfectly with orchestral or ambient.

Me neither. But that's a cracking good song.

California Tweed alone is worth the price.

Get GForce AXXESS free with a Loopcloud subscription - Offer ends 2 June 2024 Check your account at Loopcloud.com or emails for code. https://www.pluginboutique.com/products/12022-AXXESS AXXESS – Fat, Gnarly And Flexible Poly GForce AXXESS is a quick way to get stunning results in your production and it is a master at bass. It has a fantastic giant sound and a super fun sequencer that will surprise you. Thanks to its unique X-Modifiers, you can also go much deeper. They make it quicker to program complex sounds. AXXESS lends itself superbly to Electronica, Cinematic, Synthpop, Dance, Ambient, Rock, Prog Rock, Hip Hop and more. A Synth With A Pedigree AXXESS retains the warm analogue sound and fundamental architecture at the heart of the original 1975 AXXE, but builds on it in ways that extend its sonic and musical capabilities. This emulation of the famous synth is the sibling of GForce's award-winning Oddity3 and inherited its character. AXXESS features an efficient Preset Browser, over 350 new presets, a new sub-oscillator, an arpeggiator and a straightforward 16-step sequencer, biting distortion, analogue delay and luscious Reverb effects, a Vintage control to add authentic analogue imperfections, velocity to filter and VCA for expressivity and a fully scalable UI designs.

Thank you, I got it to work. Now having problems with Kontakt, which seems like a different beast. This time with Cinematic Studio winds. Can't figure out a way to get separate instances of each CSW instrument per channel. If I set clarinet to channel 6, then separately set bassoon to channel 8, it overwrites my clarinet selection. Probably more of an issue of me not knowing how to deal with CSW.

Noel B said: "Yes there are plans to have purchase options outside of backstage pass which was intended to be the quickest way to get it right now. When details of it are known it will be announced." I interpret this, as there will be perpetual licenses available, same as with 90%+ with all other DAWs. Why would it be different? I believe the wait game does not benefit BL, especially considering Gibson fiasco. They need to show they are different (better), particularly since coroner pronounced the death of Cakewalk. CLARITY ---- "No we ain't dead" That's a good thing.

Just up the top there on the right.

This has zero effect on saving times.

It's the Felt Piano from Spitfire Audio Originals (the paid version, not the one in LABS). No one had specifically asked me that question, and because of my neophyte status with DAWS, it didn't occur to me that they may all have differing outputs. Thanks for clarifying it.

Thanks again Glenn. I'm saving up for an AI with an ASIO driver. When the royalties come in from my first album of TV documentary cues, I'll upgrade. I am genuinely writing one for a library, but it's not finished, so I may have to struggle with the UMC22 for a bit longer.

same.

Interested .will wait it out for the group buy.

It's apparently a free update for owners of the first version (at least it was when I checked my downloads). Also, great job of posting deals this week, Larry. I'm doing my best to reign in my GAS (I almost bought something from PB the other day just to get the April freebie, but then decided to let it go), but I still check here regularly and see a ton of your deal threads. You remain the GOAT!

Minimum spend is $75 US.

You can add Quad EQ to a blank PC channel to bring it back to "normal".